In ‘To His Coy Mistress’, Andrew Marvel uses the voice of the speaker in the poem to show a man’s touchiness without his women. In the first stanza of the poem, he continues to describe how much he would compliment her and admire her, if only there was time. He would focus on each part of the body till he got to the heart. Andrew Marvel uses hyperbole to try and prove to his Mistress how he would love to spend time wooing her to be with him, if he could, ‘For, Lady, you deserve this state, nor would I love at lower rate’. This line in the poem is revealed as flattery, showing his mistress how he worships her. However, in the second stanza, his emotions turn deeper, ‘times winged chariot hurrying near’, and he tries to tell her that life is…
Love is presented in ‘In Paris With You’ through repetition as ‘Paris’ and the mantra ‘In Paris with you’ is repeated more than 10 times; this shows that the speaker wishes to focus solely on the present and the time that he is sharing with his lover in that moment. Similarly, in ‘to his coy mistress’ the present is also a point of convergence as he is urging his mistress to make the most of life and live in the moment (by sleeping with him) because life is short. The poet uses time references to convey how life is going so fast when he says that if they had the time he would ‘love you ten years before the flood’ and ‘hundred years should go to praise thine eyes’ – he uses hyperbolic flattery to persuade his mistress to be with him intimately.…
In the three stanza poem, the poet commemorates the first anniversary of seeing his beloved. He begins by using imagery from the political world: the royal court of “All Kings”. He juxtaposes this image with the supremacy of the “sun”, the true ruler of all mankind – without which the human race would die; this encompasses the highest concepts of the world. However, the poet then goes on to comment that even the mighty sun and the all-powerful kings have aged “a year” since he and his loved one “first one another saw”. Thus stating that the only thing not susceptible to “decay”; is the narrator and his loved one’s “love”: “our love hath no decay”. Their passion has “no to-morrow hath, nor yesterday” suggesting their mutual love is timeless and beyond the reach of mortality.…
Because the poem is long, it won’t be quoted extensively here, but it is attached at the end of the paper for ease of reference. Instead, the paper will analyze the poetic elements in the work, stanza by stanza. First, because the poem is being read on-line, it’s not possible to say for certain that each stanza is a particular number of lines long. Each of several versions looks different on the screen; that is, there is no pattern to the number of lines in each stanza. However, the stanzas are more like paragraphs in a letter than they are poetic constructions. This is the first stanza, which is quoted in full to give a sense of the entire poem:…
• The speaker of the poem is infatuated with a woman who won't give him the time of day. The speaker chases the woman and he proposes that time is flying by and they should grab it and run as fast as they can. “Had we but world enough and time, /this coyness, lady, were no crime.”…
Now I am going to talk to you about bondage in Alice walker's short story "Roselily"…
In ‘To His Coy Mistress’ the speaker carefully constructs a subtle and logical argument as to why his addressee should sexually unite with him. The speaker attempts this proposition through finesse in manipulating reason, form and imagery. The reasoning employed would be familiar to a reader educated in Renaissance England, as it is reminiscent of classical philosophical logic, entailing a statement, a counter-statement and a resolution. In line with this method Marvell’s speaker codes his argument in classical imagery. To understand this argument I will be approaching the poem in three clearly defined sections, which are denoted in the poem with indented lines.…
The speaker also uses hyperbole in order in exaggerate the amount of love felt toward her husband. The use of the lines, "I prize thy love more than whole Mines of gold, or all the riches that the East doth hold," and, "My love is such that rivers cannot quench," shows that the wife in the poem truly believes there is nothing better in the earth then the love that is shared between her and her husband.…
he Haywain, by John Constable, is a brilliant piece of artwork that thoroughly encompasses most, if not all, elements and principals of art. Constable masterfully incorporates these concepts to provide his audience with a clear and realistic depiction of a rural farm scene. This scene includes a house dating around the 1820’s, a semi flooded front porch, over hanging trees that stand in the middle ground, and a vast meadow containing a few cattle in the background. Two men and a horse drawn cart are wading through the flooded area in the direction of a girl poised on a stair step just above the water and dispersing storm clouds float overhead. Constable is seemingly implying a sense of quiet persistence in the piece, through a mood comprised of many similar principals.…
In the next stanza, the overwhelming idea of the narrator that “the winged seraphs of Heaven coveted her” and he for their “love that was more than love” is introduced. Most…
In the lover’s song, he/she applies repetition to stress that the love between one another will never cease. The lover uses multiple literary devices in his/her song, one of which includes a hyperbole that indicates that their love will end when a river jumps over a mountain. Along with the hyperbole, the lover personifies the salmon and continues to highlight the eternal love between the lover and his/her beloved in this line, “And the salmon sing in the street,” (line 12) this exhibits scenarios that are unlikely to occur. Additionally, the lover continues to emphasize their everlasting love with his/her diction in the song, “I’ll love you till the ocean is folded and hung up to dry.” (lines 13 &…
As he declares how “[he] love[s] to hear her speak,” he suggests a strong turning point within his comparisons; that perhaps, after depicting all of the contrasting differences that he sees in his close other, he will go on to point out all of the pleasing qualities that he sees within his mistress, such as her voice (9). However, as the speaker splits this line by using the turning word, “yet,” he quickly returns back to describing her to the beautiful things that lie within the material world. Continuing the pattern of making comparisons across two lines, he contrasts the lady’s voice with the worldly music, which “hath a far more pleasing sound”…
Use of intense simile and metaphor throughout “Modern Love” also demonstrates a grim view on the concept of modern love. The muffled cries of the wife are called “little gaping snakes” showing how afraid and vulnerable the husband is to them. The man’s wife has a “Giant heart of Memory and Tears” which shows the heavy, almost useless organ that the wife carries around within her, empty of love, only able to remember the sadness to which she has been subjected to. Then, the husband and wife are said to be “like sculpture effigies” in their “common bed,” lying “stone-still.” Instead of two lovers talking to each other and loving each other in their bed, a place shared between the two of them, they are “moveless” and silent. This makes modern love seem empty of joy, empty of companionship, and devoid of love.…
For instance, all of stanza 3 talks about what she would do if “only centuries delayed.” She talks about waiting centuries, giving the feeling of a daunting amount of time she must wait. She also speaks of counting these centuries on her hand showing the importance of the passage of time in this poem. In addition, the majority of stanza 2, which talks about “winding the months up in balls and putting them in separate drawers” says that time doesn’t matter to her, as she would just “put them away.” Also, in this stanza she uses the word “if,” to show that she doesn’t know exactly how long she must wait for her loved one to return. To conclude, the paraphrasing in stanzas 2 and 3 emphasize the importance of time passing quickly and not mattering but still represents the anxiety of waiting for long and undetermined amounts of…
As humans we act upon our desires, and hesitate no longer and just seize the moment before time, and ultimately life, expires. In To Coy His Mistress, Andrew Marvell’s argues that, in a world where death rules supreme and time is limited, life’s true meaning and purpose can only be found in physical pleasure. Instead of saying that death is coming to an end, Marvell substitutes lifes fear of time flying by (winged chariot). “Time's wingèd chariot hurrying near” (line 22). The speaker becomes more disappointed with the mistress since quite a while ago secured virginity and tires to tell her that death is close regardless they have not had intercourse.…