The emphasis of racism in each work varies significantly. In To Kill a Mockingbird, Harper Lee overstresses racism and discrimination. First of all, she exaggerates prejudice, especially towards Tom Robinson. The prejudice against Maycomb’s black community is simply unrealistic, and Lee seems to be throwing the theme of discrimination into the reader’s face.
“A third defect in To Kill a Mockingbird…is her sentimental and unreal statement of the Negro problem. Miss Lee is so determined to have her white audience sympathize with Tom Robinson that, instead of making him resemble a human being, she builds him up into a kind of black-faced Sir Galahad, pure hearted and with a withered right arm. Though the author doubtless did not mean to suggest this, her real point is that a good Negro…should not be convicted of a crime he did not commit” (Bloom's guide 62)
Sir Galahad is from Arthurian legends, and is thought to be the knightly embodiment of Jesus. Building Tom Robinson up to be “a black-faced Sir Galahad” is making him seem like some kind of idol, but that is not realistic. Another over exaggeration of prejudice in this novel is the fact that racism is the main issue. Without the topic and theme of racism and prejudice in To Kill a Mockingbird, the