The imagery used in a composition has a profound effect on perspective and interpretation. Just as one may see a rotten apple differently if it were described in flowery terms, the use of imagery can turn one's perspective in a different direction. In Cather's "Paul's Case," Paul's choice of suicide is thus justified through the juxtaposition of his two lives, that of the stage and of his home.…
In the ‘Yellow Wallpaper’ the reader sees a parallel between the yellow wallpaper, and a female entrapped within the domestic sphere. When thinking about how the private sphere and public realm may apply to this metaphorical figure, it may be suggested that daytime represents the ‘public realm’ as this is when the wallpaper, alongside the metaphorical figure behind it, is most shown and observed. Contrastingly, nighttime is the equivalent to the ‘private sphere’, as this is when the wallpaper and metaphorical figure is most alone and least observed. By progressing with this ideology, during the daytime, and in the ‘public realm’ the wallpaper is described to have a “silly and conspicuous front design” suggesting that the female behind the wallpaper is portraying a somewhat fake and “silly” persona. This links with the traditional stereotype of a female within the patriarchal society of the novella. The choice to describe this as “conspicuous” suggests that this persona is obviously false. Perhaps Gilman is implying that the way women were compelled to conform to this persona should be addressed. However, in nighttime, and in the ‘private realm’, the wallpaper changes and is as “plain as can be” suggesting that the “silly” persona that this female gives off within the public realm has perhaps sucked the life and soul out of the female. It may also be argued that the term “plain” is Gilman suggesting that females within the 20th century were purely blank canvases, restricted from embracing their own true and colourful persona; and instead were metaphorically ‘painted’ to fit the stereotype in which they were limited to. It may be suggested that the fabricated persona of women within the 20th century was disregarded at night, giving such a persona little significance. More importantly, it could be argued that the focus…
"The Yellow Wallpaper" is depicted by the narrator’s sense that the wallpaper is something to interpret, it is a shadow of something that personally effects her. At first it seems merely unpleasant because it is dirty and ripped, and an "unclean yellow." Which could relate to how by the end of the story our main character has went insane, her mind is unclean. Even the description of the house starts out as the "most beautiful" place, standing desolate without any form of civilisation. Which could foreshadow our main character within the end of the story, a beautiful shell of a woman - yet her mind is so far way from any form of sanity. "There were greenhouses too, but they're all broken now" - 'broken' being the key word. She is a broken woman, a term often used for those who have lost their minds. The wallpaper in the story is described as "dull yet lurid" - could it symbolise that this woman was fairly average, yet there is something more about her, something more to her than meets the eye?…
The narrator in, “The Yellow Wallpaper,” suffers from depression, although her husband, who is a doctor, does not consider it an illness. Therefore, he keeps her on a strict rest cure. She is not allowed to do work of any form, not even care for her baby. All she allowed to do is rest in her room and breath in the air as prescribed by her husband. Because she spends most of her time in her room, she becomes obsessed with the yellow wallpaper in the room and it drives her to insanity. The lack of creative stimulation and relationships with others causes the narrator’s obsession with the yellow wallpaper which leads her to believe she is trapped behind bars in this yellow wallpaper.…
The short story “The Yellow Wallpaper” by Charlotte Perkins Gilman, symbolism is well presented throughout the story because the narrator feels due to her nervous illness she is trapped in “yellow wallpaper” though the wallpaper is really stands for her being caged by surroundings. The wallpaper is a horrid unclean, almost revolting color as observed by the narrator it is also “strangely faded by the slow-turning sunlight. It is dull yet lurid orange is some places. A sickly sulphur tint in others (Gilman 87).” The most terrible thing is that there is a shapeless pattern that fascinates her and intrigues her for hours to figure out how it is patterned. The narrator stares in the moonlight and sees a desperate women crawling and creeping, in…
Colors can symbolize an array of different feelings. In this case the story refers to several colors, which symbolize his frustrations, feelings and desires. In ‘Paul’s Case’ yellow refers to the ugliness, lies and fears in his life, blue indicates his dream world, red represents his desire to see himself differently, and purple pulses with luxury, royalty and prosperity in Paul’s new life.…
a smouldering unclean yellow… I should hate it myself if I had to live in this room long” (599).…
In “The Yellow Wallpaper,” Gilman defies gender roles in the nineteenth century, by using the main character to show women need a creative outlet, to work, and not conform to the idealistic type of woman in the nineteenth century. She also shows this story is not specifically about one family by using generic names such as John and Mary (Ford 309). The use of these unspecific names suggests that Gilman is using the story to encompass all women and not just the main character of the story that is undergoing these persecutions (Ford 309). Throughout the story, the main character is trapped in a room with horrid yellow wallpaper. that her husband said he would change it out when they first rented the house, but now has no intention to. He believes that living with something she isn’t fond of will do her some good in recovery (Gilman “Yellow” 794). At first the yellow wallpaper has little meaning other than the fact that the main character hates it and almost refuses to…
The narrator has finally, after months of toiling over her obsession with the yellow wallpaper in the room where she was kept while ill, realized the relevance and meaning of the gloomy decoration. I chose this passage form the short story because it proves to the readers that the narrator is actually mentally ill and reveals her feelings and perception of the yellow wallpaper. This passage, in my opinion, is one of the most important parts of the short story due to the correlation of the woman trapped in the yellow wallpaper and the women in the story. This passage also clearly reveals that the narrator of the story is mentally ill, bringing the story to an abrupt and formidable ending.…
It is a bit ironic that the author chose a color so bright and usually defined as being a happy and joyful color. However, this story is not at all joyful, but is instead is very depressing and sad. The wallpaper is described in such great detail that it is very easy for the reader to picture exactly what the author is trying to say. “It is dull enough to confuse the eye in following, pronounced enough constantly to irritate and provoke study…” within this description of the the wallpaper it is obvious that the narrator is unhappy with the wallpaper and as the story goes on the wallpaper begins to play a vital role in her psychological deterioration (156). The wallpaper appears to be a border that keeps the women trapped within the shadows of the men. As the narrator begins to rip the paper off this is the symbol of freedom and the struggle to be release from the constant stereotypes and gender differences. It is interesting to see that even though the wallpaper was what was causing the narrator to deteriorate at the end of the story, the wallpaper is what finally frees…
The wallpaper is shown to be yellow and worn out. “The color is repellent and almost revolting...” (Gilman, 240). The main character is displacing her feelings and constant anger onto the yellow wallpaper of the room. It is “repellant,” similar to how she repels from John, and…
In the story the Yellow Wall Paper, the narrator is making a statement which is saying that if you are locked up in a house or "prison" you are not being allowed to be put to your full potential with society. She is using the narrator's point of view to show how mental issues start to occur when you are confined to one place and have no actual view of the outside world. That statement also includes the effects of your mind when you can only think to yourself and imagine. The main character's mind starts to go insane when thinking too much into things. Throughout the story the main character looks into every little detail of the room and analyzes it. This is the effect of having too much time on her hands and not having anything better to do.…
Coming into the home, she does not like the room, but soon after, she begins to admire what is around her. The wallpaper gains life and makes her relate herself to the wallpaper (Rao 40). She examines the wallpaper and imagines a woman trying to break free. She begins to peel the wallpaper off to set the woman free and realizes the woman is really herself. After peeling the wallpaper off, her husband enters the room and she says, “and I’ve pulled off most of the paper, so you can’t put me back” (Gilman 967). At that point, the yellow wallpaper could be a symbol of herself breaking out of confinement and freeing herself from depression. Her creative imagination takes over and Gilman expresses it by using symbolism to represent the woman being trapped in the depression…
“The yellow wallpaper” in the story is resulted from the narrator’s perception that the wallpaper is a topic she must analyze. She believed that the yellow wallpaper symbolizes things that deeply affect her emotion. The wallpaper expands its symbolism accordingly throughout the story.…
The biggest symbol in this story is the yellow wallpaper itself. This wallpaper, the wallpaper that the narrator hates so much, symbolizes one being trapped, one can see this clearly when the Narrator says, “The faint figure behind seemed to shake the pattern, just as if she wanted to get out” (Gilman). The feeling of being trapped is demonstrated from the yellow wallpaper because the Narrator begs her husband to remove this wallpaper which she is oh so disgusted by but is refused and so she is forced to live in the horrid room because of the stubborn ways of her husband. This quote is the point in the story where the Narrator basically has a breakthrough; it is where the second kind of women comes to play. In this quote, the narrator realizes that the way she is forced to live is similar to that of a prisoner’s life and she finally sees that her husband’s treatment of her is not right. Towards the end, Charlotte demonstrates how and why the narrator has become so obsessed with the yellow wallpaper. The Yellow Wallpaper symbolism is shown when the narrator says “At night in any kind of light, in twilight, candlelight, lamplight, and worst of all by moonlight, it becomes bars! The outside pattern I mean, and the woman behind it is as plain as can be” (Gilman). Had the narrator been able to change the wallpaper like she so desired, her obsession may not have been an obsession at all but because…