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Kenneth Slessor, a renowned poet and journalist was born on the 27th of March 1901 in Orange, New South Wales. Throughout his eventful life, Slessor was able to compose an array of poems through which he was able to convey his experiences through life. But why exactly are his poems still considered so relevant and significant in this era? Firstly, Slessor’s poems were widely recognised for their ability to accurately depict his understanding of humanity, life, death and change. Across his oeuvre he conveys a unique yet consistent view of the meaning of life and death. He presents this through the use of poetic techniques such as metaphors, repetition, similes and alliteration which are evident through all of his poems. Good morning/afternoon Mr Younes and Yr. 12.…
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An elegy is a lyrical poem which expresses a poets grief or sense of loss. Through Slessors precise use of rhythm and imagery he creates a negative image about war making it an anti-war poem. In the poem a slight theme of continuity is seen “ the convoys of dead sailors come” is an example of this as it indicates how the soldiers who died left the same way they came, continuing their cycle of life. The entire poem is seen to serve as an onomatopoeia to reflect the constant movement of waves…
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Feelings are presented differently throughout the poems. In ‘harmonium’, Armitage uses colloquialisms which shape the speech patterns of Yorkshire dialect, and also showing discomfort between the feelings of father and son. At the start of the poem, Armitage begins with ‘for a song’, which explores the idea of memories of the past ‘struck a chord’. Armitage also highlights his father’s vulnerability, as he is a ‘dead weight’ which may suggest that he is a burden to his son as he gets older, where they have formed feelings of regret. Similarly, in ‘Brothers’,…
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Silverstein’s technique of poetry is like that of a fourth grader, yet thus is the basis of its appeal (Kimmel). He rarely ventures to write a free verse or blank verse except maybe when narrating a story or his seldom use of large vocabulary. His poetry is therefore committed to traditional language, rhyme, and proper stanza format. His rhymes tend to be imperfect and rough. Using the –ing and –tion words, he tends to make his less-than-perfect poetry quite straightforward and easy (“Weirdness” 2). His poetry shows familiarity between sound and subject that appeal to the senses when read aloud. The words and phrases Silverstein uses are not overused, but are precise and memorable to the reader (Maslow 3).…
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While “Death, Be Not Proud” is in sonnet form, “Because I Could Not Stop For Death” comes in four-lined stanzas. The rigid and strict structure of the sonnet in Donne’s poem adds to the sureness with which he addresses Death. But while Dickinson’s poem follows its structure, the four-lined stanzas contribute to the poem’s meandering tone and mysterious words. The two poets skillfully use the tools available to them to fit the topics they address. These two poems differ in their tone and form.…
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“In the selection of Owen’s poems, compare the ways in which he reflects on the price paid by soldiers during wartime. You should look for connections across the poems studied, in relation both to the situations and feelings described and the way in which Owen has used language for effect.”…
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‘On My First Sonne’ by Ben Jonson and ‘Mid-Term Break’ by Seamus Heaney are both poems which explore the themes of death and loss and are both written about the death of a child. In the case of Ben Jonson it was the death of a son and for Seamus Heaney it was an infant brother. The similarities of the poets are not just the fact that they have both suffered the death of an infant, but also the fact they are poets and play writes which result in similar tones and styles throughout the poems. Both poems are considered as elegies as they lament the death of the child.…
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The poem the ‘The Anniversary’ By John Donne, is a metaphysical poem about the sun itself growing older each year, this process reminds Donne that him and his lover are closer to their end. The second poem is called ‘One Flesh’, and is written by Elizabeth Jennings. In the course of this poem Jennings explores the relationship and separateness of her now elderly parents. There are multiple contrasting factors between these two poems, considering they are both written from different time periods and view love in sharply differing perspective.…
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The key goals of Reconstruction were to readmit the South into the Union and to define the status of freedmen in American society. The Reconstruction era was marked by political, not violent, conflict. Some historical myths are that the South was victimized by Reconstruction, and that the various plans of Reconstruction were corrupt and unjust. Actually, the plans were quite lenient, enforcing military rule for only a short period of time, ignoring land reform, and granting pardons easily. The task of Reconstruction was to re-integrate America into a whole nation, securing the rights of each man and establishing order once again. There were three major Reconstruction plans; Lincoln, Johnson, and Congress each offered a strategy to unify the nation.…
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Slessor, having been a participating member in World War II, uses his poems, for instance ‘Beach Burial’, to explicitly distinguish the bodies of the dead floating through the water, and the commonality of death. ‘Beach Burial’ concludes by stating “whether as enemies they fought, or fought with us, or neither; the sand joins them together.” This is the persona’s recognition that there are dead soldiers on both sides, yet their humanity is bonded by their common fate of death. Effectively, the unity between soldiers of all nations, is through death. This is all very ironic, when the attitude of war is considered and the purpose of what soldiers are fighting for. However, the race, country and objectives of each person is no longer important upon the passing from one life to another. The war has ended up being what sentences them to death and essentially joins them as one. Regardless of the fact that ‘Beach Burial’ was written from an Australian author’s perspective, it has not pledged allegiance to a single country or alliance, nor does it celebrate a victory. It is instead, a tribute to all who were defeated. Death is an unexpected force that has the ability to change perspective. Kenneth Slessor is best known for his elegiac poems, ‘Beach Burial’ and ‘Five Bells’ and in turn, his ability to construct “a poem of serious reflection, typically involving the lament for the dead.” In these, it is the position of the elegist which Slessor inhabits through a persona, but he is truly, exclusively referencing to himself as the poet. ‘Beach Burial’ is an elegy about the multitude of lost lives through war. ‘Five bells’ along with ‘Beach Burial’ is written to lament the loss of life. His poems have a tendency to illustrate the confrontation of death and the misfortunate experience of those who are grieving the remembrance of a dead soul,…
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Cited: Chase, C. (2000). History of the Federal Parole System. Retrieved July Saturday, 2010, from http://www.justice.gov/uspc/history.htm…
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Poetry comes in many forms such as a sonnet, ode, dramatic monologue, etc. and each form and structure can change or enhance the meaning of the text. For example, through the construction of the free verse poem 'Digging ', written in 1966 in Ireland as the rural economy started to change, the reader is shown the conflicts that arise when the expectations of a father, who represents a generation of rural workers, clashes with the ambitions of an individual. In the poem 'Anthem for Doomed Youth ', written post-WWI, we see the sonnet form used to convey and criticize the events seen during and after a war (particularly with the inadequacy of the responding religious ceremonies) and its repercussions on those affected by it. Both poems achieve a very different effect and convey a completely new message as a result of the way they have been constructed.…
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A poem is an expression of emotion or ideas through literary work, often with a distinctive style and rhythm. Kenneth Slessor’s ‘Beach Burial’ and Bruce Dawe’s ‘Elegy for Drowned Children’ both present ideas on how individuals lament for the passed, through the major theme of death. Beach Burial follows the recurring events of the battle of El Alamein in WW2, whilst The Elegy for Drowned Children questions the fate of those unfortunate souls who have drowned. Although both poems incorporate drownin, they contrast in their interpretation of death and the ‘afterlife’. This idea of death is explored through the use of setting, language techniques and symbolism. The poet’s use these devices to emotionally connect with the reader, and each contribute to the specific meanings they are attempting to convey.…
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When Henry Wadsworth Longfellow wrote, “Talk not of wasted affection; affection never was wasted,” he expressed a romantic ideal ever-present in nineteenth century poetry: the ideal that naive romantic love should be valued above all else. This ideal has persisted to the present, , presenting itself in innumerable pop songs and romantic comedies; working itself so deeply into the psychology of Western culture that those unaffected may consider it a cult. In the nineteenth century, this romanticising of young love was often imbued with a languid, yearning quality; and this quality was often invoked by combining these ideals with another popular theme in Victorian poetry: the mystery and romance surrounding death. In nineteenth century romantic poetry. young love was such a serious, all-consuming quality that sometimes suicide was an acceptable, or nearly acceptable, way of dealing with the ensuing heartbreak. While A.E Housman’s poem 1896 poem “ When I was One-And-Twenty” does not glorify -or even discuss- suicide, it fits perfectly into this romantic tradition; weighing itself down with the seriousness of youthful heartbreak. In this poem, a twenty-two year old man remembers advice he was given by an old man when he was twenty-one regarding the perils of love, and mourns the ensuing heartbreak that came from not heeding this advice. Housman, who was in his late thirties when he composed this poem (neither elderly nor especially elderly), is celebrating the tragic beauty and rawness associated with losing one’s first love, imbuing the situation with an elegance and languor which admiring readers can happily relate to their own experiences. In doing so, however, he is opening himself up to the criticisms of objective and seasoned observers who – although they probably remember going through these experiences themselves – are experienced enough to know that heartbreak is neither the most distressing nor disabling part of human experience. Consequently, Housman’s work…
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Bibliography: Brooks, Cleanth. The Well Wrought Urn; Studies in the Structure of Poetry. New York: Reynal…
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