In ‘Toads’, Larkin opens with a rhetorical question with an image of an unpleasant toad squatting on his life. ‘Squatting’ is an unsophisticated and an almost primitive position to be in. Larkin compares the work load he gets with a ‘toad’ which squats on his life as if to defecate on him and ‘waste’ his time. The use of a simile in using his ‘wit as a pitchfork’ suggests an idea of poking to toad to try and get it to move from his life. The toad is described as a ‘brute’ who bullies him by giving him loads of work just to make his life miserable. The idea of him working six days a week and only having one day off for rest indicates how this was a long time ago where people worked longer. The sibilance in the first two lines of the second stanza suggests a hissing sound over his life and the slyness of the toad. The hyphen indicates a sudden halt where he contemplates the fact that he has been poisoned with work by this toad. Juxtaposition is incorporated in the second stanza.
In ‘Toads’, Larkin opens with a rhetorical question with an image of an unpleasant toad squatting on his life. ‘Squatting’ is an unsophisticated and an almost primitive position to be in. Larkin compares the work load he gets with a ‘toad’ which squats on his life as if to defecate on him and ‘waste’ his time. The use of a simile in using his ‘wit as a pitchfork’ suggests an idea of poking to toad to try and get it to move from his life. The toad is described as a ‘brute’ who bullies him by giving him loads of work just to make his life miserable. The idea of him working six days a week and only having one day off for rest indicates how this was a long time ago where people worked longer. The sibilance in the first two lines of the second stanza suggests a hissing sound over his life and the slyness of the toad. The hyphen indicates a sudden halt where he contemplates the fact that he has been poisoned with work by this toad. Juxtaposition is incorporated in the second stanza.