traffic of our stage: Albee's "peter and jerry"
The Massachusetts Review, Inc.
Traffic of Our Stage: Albee's "Peter and Jerry"
Author(s): Normand Berlin
Source: The Massachusetts Review, Vol. 45, No. 4 (Winter, 2004/2005), pp. 768-777
Published by: The Massachusetts Review, Inc.
Stable URL: http://www.jstor.org/stable/25090949 .
Accessed: 20/03/2014 12:51
Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp .
JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact support@jstor.org.
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The Massachusetts Review, Inc. is collaborating with JSTOR to digitize, preserve and extend access to The
Massachusetts Review.
http://www.jstor.org
This content downloaded from 203.135.62.20 on Thu, 20 Mar 2014 12:51:01 PM
All use subject to JSTOR Terms and Conditions
Normand
Berlin of our
Traffic
Peter
Albee's
Stage: and Jerry
premiere of a play by amajor dramatist should an event, that demands the attention of The always be something its fortieth serious playgoers and critics. To celebrate anniversary, world
to its credit, commissioned to write
Edward Albee a new to be performed with his 1958 ground play one-act
Tlte Zoo Story, to round out a full evening breaking play,
The Zoo Story tells it, the idea of expanding of theater. As Albee a two-act to in his mind for years?46 years, play was percolating
Hartford
Stage, one-act to be exact?and
now, prodded by the Hartford
Stage request for was ready to act on the idea. The result was the on May of Peter and Jerry, with Act I the world 20,2004, premiere new one-act and Act II "The Zoo called "Homelife"
Traffic of Our Stage: Albee's "Peter and Jerry"
Author(s): Normand Berlin
Source: The Massachusetts Review, Vol. 45, No. 4 (Winter, 2004/2005), pp. 768-777
Published by: The Massachusetts Review, Inc.
Stable URL: http://www.jstor.org/stable/25090949 .
Accessed: 20/03/2014 12:51
Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp .
JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact support@jstor.org.
.
The Massachusetts Review, Inc. is collaborating with JSTOR to digitize, preserve and extend access to The
Massachusetts Review.
http://www.jstor.org
This content downloaded from 203.135.62.20 on Thu, 20 Mar 2014 12:51:01 PM
All use subject to JSTOR Terms and Conditions
Normand
Berlin of our
Traffic
Peter
Albee's
Stage: and Jerry
premiere of a play by amajor dramatist should an event, that demands the attention of The always be something its fortieth serious playgoers and critics. To celebrate anniversary, world
to its credit, commissioned to write
Edward Albee a new to be performed with his 1958 ground play one-act
Tlte Zoo Story, to round out a full evening breaking play,
The Zoo Story tells it, the idea of expanding of theater. As Albee a two-act to in his mind for years?46 years, play was percolating
Hartford
Stage, one-act to be exact?and
now, prodded by the Hartford
Stage request for was ready to act on the idea. The result was the on May of Peter and Jerry, with Act I the world 20,2004, premiere new one-act and Act II "The Zoo called "Homelife"