The auteur theory is something that is extremely relevant to films like Stellet Licht and Amores Perros. Both films are told in a way that is not average whatsoever, and the decision to make mostly came from the director.…
The film I have chosen to review and analyse under the theoretical frame Genre is Angels with Dirty Faces, a gangster film directed by Michael Curtiz starring James Cagney and Humphrey Bogart. In Andrew Tudor’s book “Theories of Film”, he argued that genre is “what we collectively believe it to be”. I believe that when Tudor says “we” he means the audience. Audiences have an expectation of what they assume a film to be like and this is down to genre. According to Jill Nelmes, “Genre is a fundamental means by which we communicate”. Characters, setting and events are made predictable to assist the audience in fulfilling their expectations. The study of Iconography also has a lot to do regarding genre and how such things like props, costumes and settings can tell the audience what genre a film is supposed to be in. When films are placed in certain genres, recurring events and characters are expected. The likes of Al Capone and James Cagney were recurring actors on contract used for the gangster genre in the Hollywood Studio System around the 1930s and this entertained the audiences as they knew what to expect from their idealised actors from the roles they played.…
David Fincher began by directing commercials for clients like Nike, Pepsi, and Coco-cola, and soon moved into making music videos for Madonna, Sting, The Rolling Stones, Michael Jackson, Aerosmith, George Michael, Iggy Pop, The Wallflowers, Billy Idol, Steve Winwood, The Motels, and most recently, A Perfect Circle. However, he is really known as an Auteur for his work in blockbuster films. His use of weather, especially rain, shadows to conceal figures and faces, fluid tracking with a camera than seems to go everywhere, single frame inserts, and a tendency to shirk traditional Hollywood endings all represent a strong and unique style evident in three of his most popular films: Se7en, Fight Club, and Panic Room.…
Historically, his reputation developed around four factors. First there were the films themselves, which were not only masterpieces but almost attracted controversy and indeed censorship, in their home country as well as abroad. Secondly, in conjunction with the films, there were the theoretical writings, in particular those of the 1920s, which both rationalised his own practice and provided a possible model for cinema more widely.…
The purpose of the auteur theory is then to analyze films if not to understand the characteristics that identify the director as auteur. In the study of film criticism, during the 1950s, the basis behind “auteur theory” studies how a director's film reflects the director's personal and creative vision, as if the director was the original creator or author. François Truffaut, the famous French film director and critic, maintains that a good director (including the bad ones), exhibits such a distinctive style if not promotes a consistent theme that his or her influence is unmistakable in the body of his or her work. Like Truffaut, Andrew Sarris believed through analyzing film, an ‘auteurist” becomes appreciative of directors whose works detail a marked visual style as well as those whose visual style was less noticeable but whose movies reflected a consistent theme. As a result of this influence by critics like Truffaut, the auteur theory and “auteurism” have become a very crucial and influential aspect of film criticism since 1954.…
Kracauer, Siegfried. “Basic Concepts.” Film Theory and Criticism. Braudy, Leo and Cohen, Marshall. New York: Oxford, 2009. 147-158.…
An auteur is a filmmaker whose movies are characterized by their creative influence. Garry Marshall is an American filmmaker, he has directed more than 15 films in his career. Garry Marshall’s films The Princess Diaries, Valentines Day and Overboard share a common theme of love and a genre of romance and comedy, he likes to use the same actors in his films and have the common plot of a double twist. Garry Marshall likes to keep to the same character persona and film techniques but these generalized similarities are not obvious to the audience, therefore Garry Marshall is not a recognizable Auteur.…
Elsaesser, Thomas, and Malte Hagener. Film Theory: An Introduction through the Senses. New York, New York: Routledge, 2010. Print.…
After viewing “the 400 blows” one feels a very strong connection between the filmmaker and the subject of the film which turns out to be present even more than anticipated since the film is indeed semi-autobiographical and most of the events depicted in the film are directly inspired from Truffaut’s own troubled youth and his uneasy relationship with his parents (Neupert, History, 182). However, what one would expect from a “new wave” film is not directly noticeable at first sight like it is in Breathless (Godard, 1960), although, as soon as we delve deeper into dissecting the movie we discover that it is far from being ordinary and it is full of unexpected twists relating to both from and content.…
In a film career lasting over a quarter of a century, he remains an icon of the French film industry, having worked on over 25 films. Truffaut's film The 400 Blows (1959) came to be a defining film of the French New Wave movement. He also directed such classics as Shoot the Piano Player (1960), Jules et Jim (1961), The Wild Child (1970), Two English Girls (1971), Day for Night (1973) and The Woman Next Door (1981). Truffaut‘s first American film was an 1966 adaptation of Ray Bradbury's classic science fiction novel Fahrenheit 451, showcasing Truffaut's love of books. His only English-speaking film was a great challenge for Truffaut, because he barely spoke English himself. This was also his first film shot in color“…
The play, “Beauty”, explains the story about two foolish girls, fighting over a magical wish to receive a feature that each other has. Although it is heart wrenching that each of these girls are begging to change their features, it shows us the play’s underlying message; We will always have problems that will affect us. The author of the story, Jane Martin, shows us this simple message along with a comical aspect.…
It is believed that a director can either be classified as a metteur-en-scene or an auteur. The classification of an auteur originates from the early 1950's, when a magazine in France, Cahier du Cinema' produced by directors of the French new wave' believed that certain directors including Hitchcock left a personal stamp on the films they produced. Francois Truffaut said. "There are no good and bad movies, only good and bad directors" indicating that he believes the success of a film is reflected on how the director interpreted the script. Auteur theory is based on the idea that the film director is the artist, meaning that a director could be seen as a parallel to a novelist or painter.…
Francois Truffaut was born on Feburary the 6th of 1932 in Paris. He quit school and did odd jobs until he started his career as a journalist and with the help of his friend he began to publish movies in Cahiers Du Cinema. In 1955, he made his first short film. His first real film was “The 400 Blows”, and he received many awards for it. He made films that were about love and emotional. Francois was also the leader of the group of the New Wave.…
“I never read reviews. I'm not interested. But I value a lot the reactions of the spectators.”- Hayao Miyazaki.…
In Robin Wood’s essay: Ideology, Genre, Auteur, Wood revisits Hitchcock’s films and analyses the different characteristics in the films. Wood focuses mostly on Shadow of a Doubt and It’s a Wonderful Life in which he compares and describes the different values of Hollywood cinema. One of Wood’s major points to hear two opposing views. Wood stresses that a critics job should be to look at a piece as a whole rather than at the particular aspects of one of the theories or too superficially, like a genre. Wood, however, then demonstrates what a proper critic should be like, by analyzing and comparing every single aspect, characteristic, and plot details in Shadow of a Doubt and It’s a Wonderful Life.…