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The novel Jane Eyre is predominantly a bildungsroman, Jane’s development throughout the novel is one of the most important aspects of the narrative. During Jane’s time at Thornfield she makes huge emotional progress through her relationship with Rochester and the discovery of Bertha Mason, eventually resulting in her departure from Thornfield.…
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Charlotte Bronte’s Jane Eyre tells the story of Jane’s growth and development as she searches for a meaningful existence in society. Author Faith McKay said, “No matter what your family happens to be like…it affects who you are. It matters.” Jane is an orphan, forced to battle a cruel guardian, a patriarchal society, and a rigid social order. (Anderson, “Identity and Independence in Jane Eyre”) Jane has concrete beliefs in what women deserve, as well as obtainable goals for how she imagines her place in society as a woman (Lewkowicz, “The Experience of Womanhood in Jane Eyre”) and with self-growth, Jane Eyre was able to define herself as well as equip herself with wisdom and…
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Victorian mores are the unspoken rules known and observed by society. In the eighteen-hundreds several mores were very important including justice, Christianity, high standards of honesty and morality, and women’s roles. All good people are part of a family, a Christian family and women are to serve men as they stand unequal to them. Marriage is simply a tool to gain more money and connections, and only people of the same social class are worthy of each other. Whichever social class someone is born into they remain in unless of course they are rich or beautiful, the poor and plain are simply there to be the butlers, maids and governesses of those who are high up. Several of these mores are demonstrated and contradicted in Charlotte Bronte’s 1847 masterpiece Jane Eyre. Jane Eyre is the life story of a young heroin that faces incredible odds and terrible situations and still manages to follow her heart and morals through an exciting life that leads her to a blissful ending. Charlotte Bronte uses her narrative to display several of the Victorian mores and demonstrate why they’re important, and alternately disprove the significance of others.…
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Though Blanche, from Jane Eyre by Charlotte Brontë, thinks that opposites attract and thus that she will marry Rochester, Brontë has different ideas about foils. Near the end of the novel Jane marries Rochester effectively quieting Blanche’s ideas. However, Brontë does use foils in the novel for a different reason. She uses characters will opposite personalities to reveal more about them, and to keep the reader from overlooking many of the major characters’ traits. For instance, without Blanche, who is a foil of Jane, one may have thought Jane a simple and plain governess and nothing more. Similarly, without St. John the reader could have missed Rochester’s passionate side, or with no Mrs. Reed how supportive Miss Temple really is. Using foils, Brontë reveals more about the personalities of the major characters, and keeps the reader from overlooking many traits. One can see that Jane and Blanche are opposites from before they even meet. While Jane is rather plain and unattractive on the outside, Blanche is described as beautiful with, “the noble bust, the sloping shoulders, the graceful neck, the dark eyes and black ringlets” (183) Even Jane cannot deny that Blanche is beautiful. In addition, Blanche grows up in a rich noble family while Jane is an orphan who was sent to a lowly boarding school. The opposites do not stop at their looks and backgrounds, for even Jane and Blanche’s personalities are completely different. Jane is an independent, passionate, and respectful young woman, although she often seems very practical and rational. Blanche flaunts herself, gossips, talks about marriage, and can be very rude as shown when she says “she (Jane) looks too stupid for any game of the sort” (194). While Jane was in the room, Blanche speaks loudly and rudely of her without a second thought. In addition, Blanche only wants Rochester as her husband for his money, and for the title of a wife. She likes the fact that he is not handsome because as a…
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Charlotte Brontë’s novel, Jane Eyre was produced in the Victorian era, when social elitism was in its prime and there was great segregation between the upper and lower estates. The former was composed of the clergy and nobility and was defined by wealth, privileges and lavish lifestyles. The middle class, conversely, were the most frustrated by the exclusiveness of the upper estate. Possessing skill, intelligence and assertiveness, they believed that rank and power should derive from talent and merit, rather than from noble birth. Through the demonisation and infliction of a tragic downfall upon “Master Reed”, Brontë condemns the life of pleasure and honour, the lifelong inactivity so heavily indulged by those born into the aristocracy. By characterising Mr Brocklehurst as excessively and hypocritically pious, Brontë highlights the upper clergyman’s propensity to masquerade as a great nobleman, rather than to exercise the competence and benevolence integral to his role. Finally, Brontë implements a love of “servitude” and disdain for a “still … doom”, as well as the ambiguous social position of a governess in her protagonist, Jane Eyre, rendering her an agent for the middle class’ philosophy on worthiness of privilege. Ultimately, Brontë’s Jane Eyre calls for the reformation of the Victorian social structure as the extremities involved in social elitism ignore the inherent needs of man.…
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While reading this book, the reader may pity Jane. Charlotte Bronte creates a consistent thread until the end of the book. Jane struggles with the same problem throughout the work, which is betrayal. She deals with it a place that was supposed to be her home, school and the work place.…
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The novel Jane Eyre is a story about a stoic woman who fights her entire life through many trials and tribulations until she finds true love and achieves an almost nirvana-like state of being. The manner, in which Charlotte Bronte writes, her tone and diction especially, lends its self to the many purposes of the novel. The diction of Bronte usually had characteristics of gothic culture and showed the usually negative and angry inner thoughts of Jane. The tone of the novel was there sympathetic towards Jane and displayed her as an intelligent and kind person who has been given a terrible lot in life. This allows the audience to feel connected with Jane because most people have gone through times in their life where they have felt similar emotions to that of Jane. This common thread between Jane and the audience allowed Bronte to better explain the internal struggles of Jane Eyre.…
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Jane Eyre, written in 1847 by Charlotte Bronte, chronicles the journey of the title character as she faces hardships and adversity along her journey into adulthood. Orphaned as a young child and given up by her caregiver and Aunt, Jane perseveres and appears to have found happiness when she becomes engaged to her employer, Edward Rochester. A critical moment in the novel occurs when Jane comes to the shocking realization that her fiancé already has a wife, Bertha, whom he keeps locked away in the attic at his home. Ultimately Jane and Rochester wed and have children, but only after he is severely disabled in a fire and Bertha has committed suicide by jumping to her death. Although Bertha never utters a single word throughout the novel, she remains a pivotal figure, and her presence is strong. She may be seen both as Jane’s alter-ego and the physical manifestation of her repressed feelings (Beattie 5-9). Furthermore, Bronte uses Bertha as a tool to speak to the nature of gender inequality in nineteenth-century England.…
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Charlotte Bronte’s Jane Eyre illustrates the significance of self-respect, confidence, and integrity in overcoming several predicaments. Bronte portrays this through Jane, who possesses both a sense of self-worth and dignity, which are continually tested and depicted throughout the novel. These attributes are illustrated when she refuses St. John’s hand in marriage, leaves Rochester after discovering his secret that he is married, and when she bravely stands up to Mrs. Reed.…
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Charlotte Bronte’s novel, Jane Eyre, is a coming of age story, about a young, orphaned, and submissive girl growing up, through many hardships, into a young, passionate, and free willed woman. Charlotte Bronte begins the story with a ten-year-old Jane Eyre living with an impartial and sometimes cruel aunt, Aunt Reed. Aunt Reed, after neglecting Jane for the whole of her life, finally decides to send her away to boarding school, to Lowood School. Upon her departure, Jane expresses a measure of autonomy and agency, the first of many episodes in which she “gathered her energies and launched them in this blunt sentence – ‘I am not deceitful; if I were, I should say I loved you; but I declare I do not love you” (pg. 30). Here Jane, after living so many years in silence, makes a choice to stand up for herself, by letting Mrs. Reed know her true feelings about how she has been treated thus far; she is in a state of self-governing. Jane Eyre continues to fight for autonomy and agency – through her departure from Lowood to Thornfield, in her growing relationship with Mr. Rochester, and then through her decision to leave behind Thornfield and Mr. Rochester, and finally to go back – as she matures, and evolves from a child into a woman.…
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In Jane Eyre by Charlotte Bronte, Bronte’s use of foils to reveal Jane’s true character enriches the reader’s interest when reading the novel. Characters in the novel such as Georgina Reed, Blanche Ingram, Helen Burns, Bertha Mason and Mr. Rochester show a meaningful contrast to Jane’s personality.…
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Today, Charlotte Brontë’s masterpiece Jane Eyre continues to sell even 150 years after its release and has been mimicked ever since. What makes Jane Eyre so captivating to a modern audience is the plainness of the eponymous main character, a trait that is not found in many classic novels. It seems as though readers always turn to Jane Eyre when they feel the way she does throughout the majority of the novel; depressed and useless. Charlotte Brontë’s excellent use of character development amazingly turns a rather bleak story into an optimistic one of triumph and love. Charlotte Brontë uses her abilities as a writer to manipulate Jane’s voice throughout the novel by creating parallels between herself and Jane as a narrator by simulating the development of her character through her own description of events in Jane’s life, and as Jane recalls specific events from her childhood leading up to her marriage to Mr. Rochester she includes with beautiful detail the emotions she felt at every important moment, encapsulating the development of her character from her lonesome days at Gateshead to her wicked but motivating years at Lowood Institution and ending with the memories of her life in Thornfield…
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prospect of a marriage of equals. Others were to read the ending as a compromise with contemporary patriarchal ideals of marriage.…
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Bertha Mason-Bronte uses Bertha to symbolize not only Mr. Rochester’s past mistakes and baggage, but everybody’s. She also symbolizes Jane’s fear of oppression and subordination.…
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This scene convinced readers that the later scenes, where Jane reacted to the auditory apparition of Mr. Rochester calling for her, were somewhat understandable. After Mr. Rochester had admitted that he was in fact married, Briggs, Mason, and Wood visited the third story of Mr. Rochester’s home where the “lunatic [was] kept there under watch and ward” (chapter 26, p. 16). Bertha Mason is Mr. Rochester’s wife who was once “a charming partner,” but had gone mad and often “snatched and growled like some strange wild animal” (chapter 26, p. 16). The sudden introduction of a beast-like human revealed elements of fiction and horror, both of which are defining characteristics of Gothic literature. Readers might have criticized how abruptly the reality of the story had diminished; however, this scene would play a crucial role later in chapter 35. Without this introduction of Bertha, it would have been completely out of the blue to have heard Mr. Rochester’s voice, since the notion of fiction would be missing. By presenting Bertha as a monster, the story’s fictional mood ironically created a reality in chapter 35 in an otherwise nonsensical…
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