After Marion asks why Norman doesn’t put his mother “someplace”, menacing music begins to play and Normans face gets much closer to the camera and he forgets what has been talked about, forgets his mother’s words and his facial expression changes, suddenly from calm to threatening. Talking as if he knows what it feels like to be inside a “Mad House”. This is the part of the scene that makes the viewers, alongside Marion, uncomfortable and nervous, and they see that Norman might not just be the simple motel owner he pretends to…
From Edward Scissorhands and Charlie and the Chocolate Factory, to Big Fish, director Tim Burton has been proving his amazing capability to weave extraordinary, almost dreamlike worlds. Although many directors use cinematic techniques to show or prove something, Burton clearly has a special gift. Burton’s use of cinematic techniques is very unique compared to other directors. Burton uses lighting, characterization, and music to show the mood of the scene.…
A good movie starts with the setting; in a horror movie the setting is key. In Psycho the setting is a small motel right off the highway. Behind the motel is a big, old, eerie house that Norman Bates and his mother live in. One of the main characters, Marion Crane is a young woman who is working for her boss, who sells houses. When Marion goes into work she does not feel well, and asks her boss if she can go home early. He says yes but asks her to do one thing before she leaves. Her boss makes a sale on a home and is paid, up front, forty thousand dollars in cash. He asks Marion to take the money to the bank before she goes home, but the money never makes it to the bank and Marion never makes it home. Marion plans to take the money and leave town to go to California to start a new life with her boyfriend Sam Loomis, who knows nothing about her leaving town or stealing the money. Marion packs her things and the money and sets off for California. On her way out of town she runs into her boss as he walks across the street and she is stopped in her car at a red light. As she is on her way to Fairvale, California she stops on the side of the road to sleep when she is awoken by a police officer, who is very suspicious of her actions, but lets her go on her way because she has done nothing wrong. Marion stops at a car dealership on her way and decides that it is smart to buy a new car…
The only sound playing is the rapid flapping of the soft black feathers. It feels as though it will never cease. All that is shown is a black, shiny wall of furious birds. It traps viewers and develops a feeling of helplessness. They feel as though they are suffocating from torn feathers cluttering their airways even though their rational side tells them none of it’s real. This is what audience members of the movie, “The Birds”, reported feeling during the immersive experience. Some felt so claustrophobic that they had panic attacks. Cinema: the art of tapping in to an audience’s deepest emotions and using it to provoke a specific sensation. Few are able to master this fine art, however, “The Birds” by Hitchcock is a perfect example of a…
In Hitchcock’s “Psycho” we see the shower scene, one of the most cherished scenes in cinema history. As soon as Marion steps into the shower the viewer is given a sense of suspense and disorientation through the editing of the various close ups, extreme close ups and zooms. This editing functions as a way to reveal Norman’s perspective to the audience. The hectic, confounding editing changes the viewers point of view to that of a madman. When Norman begins to stab Marion the knife is actually never shown penetrating her skin, it is all implied, but due to the sound and quick editing we infer that it does. The sharp scratches in the music being in sync with the stabbing, and the sounds of the jabs all show relations between the editing and sound…
The theme of deeply ingrained values is also present in A Nightmare on Elm Street…
For this essay I will be focusing on the scene in which Melanie is heading to the school to see Annie when they are suddenly attacked by numerous birds while trying to get the school children to safety. I will be focusing on the two micro features, sound and cinematography. The sound that is used in a film can be used to deliver information about what the atmosphere of the scene is or what a character’s state of mind is during the specific scene while cinematography supplies the audience with appropriate ways to ‘read’ the specific scene.…
Discuss the ways in which Hitchcock sets the scene for the audience in the opening minutes of his film 'Rear Window'(1954) - 500 words…
In conclusion, Alfred Hitchcock is the master of suspense and remember suspense does not always have to be horror, in fact as we now know one of Hitchcock’s greatest secrets was incorporating humor into his works. He, of course he also has a specialty in mounting tension, and his success as a director shows in many of his movies including but not limited to north by northwest, vertigo, and…
Alfred Hitchcock’s suspense Rear Window (1954) is focused on Jeff, formally L.B. Jefferies, a cooped up action-shot photographer. After being injured from work, Jeff is left with a full-leg cast and nothing to do but peer at his neighbors (a salesman with a spotty marriage, a dancer, a failing musician, a lonely woman and others) through his back window. Jeff’s girlfriend Lisa Fremont, a model and fashion consultant, and the enthusiastic Stella, Jeff’s home nurse, both assist Jeff by being his ‘feet on the ground’ and doing the actions he cannot due to his immobile condition. Initially, Jeff is watching his neighbors for entertainment to help pass the time, but later Jeff narrows his focus onto Lars Thorwald, the salesman with the dissipating…
According to The Film Experience " … a film bears the creative imprint of one individual, usually the director …" and that it " … is taken to reveal the personality of its director …" such that the director is referred to as an auteur (p. 464). Certain decisions made by the director Alfred Hitchcock to employ similar idealistic themes throughout the movies Psycho, The Birds and Rear Window let him express his creative style. Voyeurism is undoubtedly the most recognizable feature in Hitchcock’s movies, similarly addressed in each movie in the form of an assault, where the audience’s dimension of voyeurism feels somewhat compromised as the characters of each movie are poetically punished for their voyeurism following an eloquent, skin crawling suspense, causing both the audience and characters to reflect and question the voyeurism we are somewhat predetermined to do.…
Rear Window is a 1954 suspense film, which was directed by Alfred Hitchcock. It was written by John Michael Hayes. The film starts James Stewart, Grace Kelly, Wendell Corey, Thelma Ritter and Raymond Burr. The plot of the film is about a photographer who confined to a wheel chair after being in a racecar accident because he was trying to take a picture. Jeffries is the main character the one confined to a wheel chair is also in love with Lisa Fermont his girlfriend. However, Jeffries does not want to get married because he is afraid that after getting married he would have to give up his photography career and freedom, because he thinks that Lisa Fermont is not physically prepared to travel with him. After being stuck in his apartment for…
The Life of Alfred Hitchcock "Always make the audience suffer as much as possible". Alfred Hitchcock. Alfred Hitchcock was one of the first celebrity director. Alfred Joseph Hitchcock was born on August 13, 1899 in Heytonstone, England. His early life could be compared to a Charles Dickens novel full of hard work.…
The way films are created and pieced together has progressed greatly over the past century, where before 1910 there was little use of film techniques such as special effects, animation, complex transition sequences and many more. However the introduction of film techniques have helped films gain a sense of genre and establishment as they were used to create specific intensities set out by the director; this is where roles corresponding to certain areas were introduced such as cinematographers, production designers and lighting directors. A classic example of a well-known director would be Alfred Hitchcock (1899 – 1980) who is famous for creating suspense films like The Birds or Psycho. I am mentioning him as he had revolutionised the way films…
Alfred Hitchcock’s Psycho, since it’s release dating back to 1960, has been parodied- by shows like The Simpsons or Scream Queens- and have inspired spinoffs- Bates Motel- and remakes including Psycho (1998), Director Gus Van Sant’s attempt at remaking the iconic film with a major studio backing. The director Van Sant said at the time of release that he tried to recreate the film through a shot-by-shot remake and give people the chance to see Psycho but in full colour. As far as I can see, Van Sant was wrong in saying that it was a “shot-by-shot” remake and that he was faithful to the original as he once had claimed and there is proof of the differences between the original and the remake that changed the narrative and how the film was perceived.…