When comparing the lines in the Vincent Van Gogh’s The Starry Night painting and Sol LeWitt’s the Wall Drawing No. 681, the lines are the opposite. In the Starry Night painting the lines of the sky are very curvy and flowing, but the lines of the buildings are very straight. The artist in this painting is showing you a vision he has had during the time he was in the asylum. The lines of the sky are erratic, and it shows how the artist was feeling very unstable during the time he painted the piece. You can feel how peaceful the buildings are, but the sky is not peaceful. The artist is fighting with himself, and it shows in the painting. The Wall Drawing No.681 shows very straight and precise lines. The artist is feeling very controlled as he painted the piece. The lines appear to be mathematical, each of the lines are the same in length and distance. As you look at each of the lines, the colors are used more than once, but the tense of the color has changed. The lines in the piece are very organized.…
The piece of Art, Smiling Girl, a Courtesan Holding an Obscene Image, painted by Gerrit van Honthorst in 1625 can be seen at the Saint Louis Art Museum. I was initially drawn to this image from across the gallery mostly due to the subject’s bright red dress with gold sleeves, it was one of the brightest colored images in the gallery. It is about three feet tall and two feet wide, it is an oil on canvas painting. As I approached the image, I was still intrigued as the image she is holding is of a naked man facing away, the subject in the painting seems to get enjoyment from this. To me this piece of art makes me curious, I want to know who this woman was and why she is holding that image. The artist seems to be communicating the importance of…
Action lies in the relationship between the artist’s choice of colours, space, and lines. He uses vibrant and rich colours to grab the observer’s attention and to create visual interest. Carmichael made excellent use of space by organizing the composition of the landscape. A foreground, middle ground, and background created depth in his work. Line is a vital aspect of movement and dynamic activity in the painting and was demonstrated through the varying lengths of bold, horizontal brush strokes. Collectively, all these formal elements, the use of contrasting temperatures of colour, thick lines, and solid forms all encapsulate the work’s energetic…
“Sunrise” is of an everyday scene in nature with vibrant colors that appear to be mixed directly on the canvas, which are all characteristics of the Impressionism period. A critic of this type of work during the period was noted as saying this painting reminded him of wallpaper. (Impressionism, 2000)…
At first glance this picture might not seem like much, for the most part there is an…
The art piece is representational, the lines are sharp and there are various and different shapes. The texture is smooth and there has been more than one colour that has been used in the painting. The tone shows that the sun is on him even though there is no sun shown in the portrait. Space and depth has been used as you can tell the objects are further away and the ones that are closer up and in detail.…
When I first saw the painting, Hôtel de France, painted by Stuart Davis, I thought that was just an ordinary painting of a building and a street that is pretty, especially in a way that looks old-fashioned. I had to come to realize that the painting was painted from what the painter sees from the scene. The painting is a picture of a four-story building of the hotel named, Hôtel de France. On the left side of the painting are the sides of other buildings. In front of the Hôtel de France building is a public urinal building. Beside it is an advertising kiosk selling some stuff and beside this kiosk is a lamp post. We can also see parts of the street. This painting was made at Paris, France particularly in the area of Montparnasse during the stay of Stuart Davis Hôtel de France in 1928 to 1929. The purpose of the painting was to convey the American artist’s feeling of great pleasure in the city being the only one of its kind. The work of Davis…
“Arnolfini Marriage” is a very famous painting by Jan Van Eyck painted in the early 15th century, which is in the National Gallery in London. According to the Catalogue of the National Gallery, the painting is just a portrait of the couple Arnolfini that is showing their marriage. Waldemar Januszczak, an author and presenter, believes that this portrait was wrongly named and it should have been called “the Arnolfini Pregnancy”. Januszczak believes that Mrs. Arnolfini is pregnant and she is dead at the time this artwork was painted. Januszczak has these proofs for Mrs. Arnolfini to be pregnant; the way that her dress was cut with the bulge on her belly and the protective gesture with comparison to the “Annuciation”, a painting by Van Cleve. The other claim of Januszczak has is the death of Mrs. Arnolfini and he supports this declaration with historical information about the danger of death in childbirth in 1500s, pregnant women paintings by Marcus Gheeraerts, the letter from Mrs. Arnolfini’s mother and the symbolism highly used in the painting.…
From the muted, sickly green of the walls, to the stark contrast of the blood-red carpet, color plays an important role in setting the tone of this piece. Correspondingly, the colors used in the chief subjects of the painting (young girls, sunflower, carpet) are less organic than the hues used for the more subtle areas of the painting (walls, door, steps). The neutral tones of the background help to “corral” the viewer's eye into looking at the focal point and the action happening around it. In the same token, Tanning’s use of complementary colors allows the red carpet to seemingly “cut” through the painting, providing a perfect backdrop for the vibrancy of the yellow sunflower. The two girls are dressed in white, yet, the figure against the door frame carries semblances from the sunflower and the carpet, represented in her cardigan and the petal she holds. The two lost petals at the foot of the stairs become almost an afterthought when compared to the stark hue of the sunflower, as they are slightly more muted shade of yellow. Finally, the open door at the end of the hallway leaves the viewer with many unanswered questions. Upon first glance, the hazy warm tones may convey a sense of an emblazoned fire, but upon further inspection, it could simply be the light of a hotel lamp flooding the hallway. What is happening behind the door? Is this where the girls came from, and if so will they return? Tanning leaves all these questions up in the air with her use of ambiguity in the focus and color of the final…
Café Terrace at night is an oil canvass painting by the famous Dutch Artist Vincent Van Gogh. In the Painting, Van Gogh depicts the exterior of a side walk café on a starry night. We also see many people wandering on the streets or sitting on the terrace of the café. In the corner, we see a tree looming over the cobbled street. As it is taken place at night, we see that both of the buildings are illuminated. We also see a horse and a carriage ride up to the café. On the balcony of the cafe we see multiple white tables with wooden chairs and a street lamp on the wall under a mezzanine. Van Gogh uses many shapes such as a rectangle to outline the pillars of the building or the outlining of a door and its window. Van Gogh also uses violet and blue in the sky and the stars are painted yellow with a light blue tint around them. The wall of the café gleams of yellow from the light in the lamp. The shutters of the window are painted lime green. There is also a contrast in the customers of the café and the pedestrians as the pedestrians are wearing lighter and more elaborate clothing as opposed to the customers who are wearing dark and simplistic clothing. The waiters are wearing black and white clothing and carry trays containing various items. Lastly, the shadows of the buildings are shown in dark tints on the cobble floors.…
The bold curved lines of the sky flow directly into the figure and endure to form the body of the individual. Van Gogh uses long, heavy yet equal brushstrokes to express feelings and motion. Motion is the main element in this painting Vertical lines such as the tree and church tower delicately breaks up the composition without withdrawing from the powerful night sky. Van Gogh's use of white and yellow creates a twisting result and draws attention to the sky. And the usage of color to send emotion. Munch also used colors that were contrast between hot and cold colors, contrast of complimentary. By using artless forms, Munch is able to force his viewers to focus on the emotions that the sight and subject secrete rather than simply viewing an exact picture of one particular scene. The cautious use of balance also helps the viewers understand the indirect consequence of The Scream. Munch placed the unpleasant figure in the focal point and attains a sense of balance by inserting two smaller figures who are walking into the scorching sunset in the distance on the left side and by creating a dominant arch in the upper right hand corner. But the focal point created by Van Gogh is the tree-like structure projecting out on the bottom…
Here he found a house to rent which was known as “the Yellow House.” Van Gogh’s friend and brother were supposed to be coming to Arles to live and paint with him, which made him very happy. While living here he painted The Bedroom which described his actual room in his house. The Bedroom was painted in 1889 on a canvas using oil and is located at the Art Institute of Chicago. The Bedroom is a painting consisting of what seems to be a normal room.…
Gordon Bennett appropriated Vincent van Gogh’s post-impressionist painting style, using expressive brush strokes and clear and dramatic colour contrasts. Bennett was inspired by the ‘grotesque’ style of art, which is normally associated with bizarre, ugly or disturbing imagery. The sky in this artwork appropriates van Gogh’s Starry Starry Night, but incorporates a traditional Indigenous painting style known as dot painting. The figure standing above the bed from van Gogh’s Bedroom At Arles appears to be of Aboriginal descent and seems to be looking over the Romanesque heads characterize classical roman art styles and sculptures. Bennett1 describes his art work as “a decapitated Aboriginal figure standing over Vincent van…
- Impressionists are concerned with capturing a sense of immediacy in their artwork. Their works are assymetrically balanced. The subject matter is often casual and more everyday life pictures and scenes. William Chadwick shows the play of light and shade on the Griswold side porch "On the Piazza". The impressionists unlike other types of artists do not mix their paint colors. They generally use the pure colors to capture their work. Their use of color is also seen in how they depict shadows. Unlike previous artists who used neutral or darker shades like black to paint a shadow, Impressionists used color to show shadows.…
Distintively visual features have been used in the colour, shading, lighting and placement in starry starry night. The use of the colours in the painting have been choosing to grabe your attention and get your eyes onto certain points of the painting. The bright yellow of the moon and star’s with shading around them of the deep purple of the skyhelp see the emotions of van gogh. The lighting of the painting is a very bright feactures with a dark background, but also the town is seen in a dim light and seen as almost a different element in the painting. This is done to show van gogh’s absent from society. The placement of these elements on other elemsnts of the paintings placement of the large moon and the stars with large trees but a small…