In an Inspector Calls, Priestley uses a range of dramatic devices to keep his audience on-edge. A very effective dramatic device Priestley uses is cliffhangers. For example at the end of the play when Mr. Birling answers the phone and is told that the Inspector is in fact “a hoax”. Ending the play on a cliffhanger leaves the audience wanting to find out what happens next and keeps them thinking about the play and it's moral meaning after they have seen/read it. Another example of the use of a cliffhanger is at the end of Act 1 when Gerald admits to Sheila that he had had an affair with Eva Smith. The Inspector then enters and simply says "Well?” This simplicity is a very successful way of hooking the audience and making them want to know what happens next. Act 2 then begins in the same way as Act 1 ended; Priestley decided not to change anything in order to achieve a sense of continuity, which is a dramatic device intended to keep the audience concentrated on a particular focus
In an Inspector Calls, Priestley uses a range of dramatic devices to keep his audience on-edge. A very effective dramatic device Priestley uses is cliffhangers. For example at the end of the play when Mr. Birling answers the phone and is told that the Inspector is in fact “a hoax”. Ending the play on a cliffhanger leaves the audience wanting to find out what happens next and keeps them thinking about the play and it's moral meaning after they have seen/read it. Another example of the use of a cliffhanger is at the end of Act 1 when Gerald admits to Sheila that he had had an affair with Eva Smith. The Inspector then enters and simply says "Well?” This simplicity is a very successful way of hooking the audience and making them want to know what happens next. Act 2 then begins in the same way as Act 1 ended; Priestley decided not to change anything in order to achieve a sense of continuity, which is a dramatic device intended to keep the audience concentrated on a particular focus