In the Vietnam trilogy of films, Stone admits to having learnt something about the concepts of pain and suffering. Through the movies, he became in touch with his suffering on `The Platoon' as a soldier. Then, after the Vietnam experience, Stone could live through the experiences of Ron Kovic in a wheelchair and empathize with what his brother in arms went through. Finally, through Le Ly, he was able to empathize with the experience of a Vietnamese peasant girl among other innocent victims of the war. The trilogy of Vietnam films gives the director and the audience the wider picture and idea of the Vietnam War (Riordan, p. 324).…
Many people, in some point in their lives will experience a death of a loved one and will try to cope with it as best as they can. In “The Things They Carried” by Tim O’Brien, O’Brien talks about his war stories and how he and the soldiers handled the deaths of the soldiers while at war. The soldiers had to deal with the stress, sadness, and guilt when seeing their partner get killed. O’Brien talks about the different coping mechanisms the soldiers use when facing the death of a fellow comadre. The soldiers tell jokes, write letters, tell stories, take responsibility of their death, and even reenact the death scene.…
One figurative example of death was the death of freedom. In 1944, Nazis came into Hungary and started ghettos, where they held Jews in their own city. This also happened to Elie’s town of Sighet. They were fenced in by barbed wire, and the Germans came “to fetch men to stoke coal on the military trains” (Wiesel 9). In the concentration camps, if they tried to escape they were shot by the SS soldiers surrounding the camp. Everything Elie and the other prisoners did was controlled by the Kapos who would mercilessly beat them if they did not obey immediately. There was roll call every day and then they would be fed a thin soup and some bread, which the foremen could easily take away for the slightest reason. Elie was once beaten twenty five times, on a box, for “‘meddl[ing] in other people’s affairs’” (Wiesel 55), when he accidentally walked in on the foreman fooling around with a girl. So much had their freedom been taken away that when they were bombed, although they could have been easily killed in a…
Drew Gilpin Faust’s This Republic of Suffering: Death and The American Civil War tackles a subject that is not widely written about: the ways of death of the American Civil War generation. She demonstrates how the unprecedented carnage, both military and civilian, caused by the Civil War forever changed American assumptions of death and dying, and how the nation and its people struggled to come to terms with death on an unimaginable scale. The war created a veritable “republic of suffering” and Faust vividly portrays the United States’ ordeal, transformation, and new ways of dealing with the onslaught of death with her chapter titles of “Dying,” “Killing,” “Burying,” “Naming,” “Realizing,” “Believing and Doubting,” “Accounting,” “Numbering,” and “Surviving.”…
Stuck in one of those damn tunnels that the viet cong dig. He’s tied up, forced to play russian roulette against his comrades because those damn viet cong are holding them up at gunpoint. He’d watch as everyone of his comrades is forced to shoot themselves in the head until he is the last one left. He’d hold the gun up to his head, he’d pull the trigger, and blank. It was empty, and he was alive. But then bang, his face is covered with blood as one of those viet cong fighters shot him in the back of his head. He knew he wouldn't make it, but he knew at this point, it’d be a slow death, he’d know he was dying. He’d feel the blood rush out of him, and then he’d blank out. He’d be…
We start off with the young soldier going off into the glory of battle, but with a twist as he reflects back on what he remembers and makes his memories unfold. We can see that he enters the war with an adolescent outset of it all. The beginning of the book, however gloomy, informs us of this. It's extremely amazing to know that Ernst Junger lived to be 102, being the definitive survivor that he was. Bearing in mind the odds that it seemed that he would have never reached 20 at the rate he was being wounded in the story. Hurt over and over again in combat, one can only wonder how close did a bullet or a metal shard almost miss a vital organ that could've killed him had it just been an inch or two over. It's amazing how his fellow soldiers died to the left and right of him, yet he lived on and continued to thrive on the glory…
These people at the end of the day, it is unfortunate that they had to have their life taken from them but in the state of war, you don’t have time to worry about others because your life is on the line and you don’t want to be the one who gets killed. Many times in the book, scenes have been described showing how these men have died such as, “When he went ahh ooo, right then Ted Lavender was shot in the head on his way back from peeing.” (Pg.12) “His jaw was in his throat, his upper lip and teeth were gone, his one eye was shut, his other eye was a star-shaped hole….” (Pg.118) “Speaking of courage was written in 1975 at the suggestion of Norman Bowker, who three years later hanged himself in the locker room of the YMCA in his hometown of in central Iowa” (Pg.149) “He was under the mud and water, folded in with the war, and their only thought was to find him and dig him out and then move on to someplace dry and warm.” (Pg.155) “His face was suddenly brown and shining. A handsome kid, really. Sharp grey eyes, lean and narrow-twisted, and when he died it was almost beautiful, the way the sunlight came around him and lifted him up and sucked…
Death is an ever present thing in a war. People are killed in wars. Tim once killed a man and he still dwells upon his death and the blame and guilt. He comes to terms with his death by saying, “Here is the story-truth…I killed him. What stories can do, I guess, is make things present. I can look at things I never looked at. I can attach faces to grief and love and pity and God. I can be brave. I can make myself feel again.”(172). Tim has finally accepted his role in the man’s death. It was courageous of him to reconcile with himself. Courage is facing opposition and overcoming it. It takes courage to accept the hard truth that someone you know has died or that you were the cause of someone else’s…
It was another hot day at the hilltop in Afghanistan when combat called for action. American soldiers caught the enemy in the open and without enough cover, soon the valley turned into one enormous shooting gallery. The action seemed casual, soldiers acted without much thinking, like riding a bicycle as it came all natural like of second nature. In a matter of minutes it was all over, the scouts reported over the radio they saw a guy crawl in the mountainside without a leg they watched until he stopped moving and announced his death. Everyone at the camp cheered. This was to the non combatant bothersome, but the cheering had a more profound meaning and it was that the dead enemy could not hurt anyone else. are represented at the ground, after all, these young guys have…
Death is something we all fear and scared by. I was reminded of this on my recent travels to Phat Diem, “[I] didn’t want to be reminded of how little we counted, how quickly, simply and anonymously death came”. I bore witness to the death of many innocent souls; the death of civilians caught in the crossfire. My thoughts ran wild with questions, as everywhere I looked there was bloodshed and despair. Will my turn come? How many need to die? At what cause are these people being slaughtered? And the most importantly, when will this all end?…
dying for a cause” (312). It is hoped that this viewpoint will aid our cause, as the psychological…
ABSTRACT: The cultural (and media) significance of dying rests in the symbolic context in which representations of dying are embedded. An examination of that context of mostly violent suggests that portrayals of death and dying representations functions of social typing and control and tend, serve symbolic of on the whole, to conceal the reality and inevitability the event.…
First, life has seen the terrible things of war. Life said “Have you ever seen a dear friend lying in the grass with the top of his skull off and his brains sliding out of him like wet oats.” Life said this because he has been to war…
he word death is the action or fact of dying or being killed. The end of life a person or organism.Death is an emotional rollercoaster that causes great pain to your loved ones and friends. Death is portrayed all through the book ‘Sunrise over Fallujah’ by Dean Walters. In sunrise over Fallujah there's a civil affairs unit in iraq seeing death everyday in large amounts. Seeing the death of innocent people and doing the killing themselves is causing the unit mental state to be compromised with. The unit have seen multiple kids being killed. Seeing the kids being killed played a larger effect on things more than seeing adults being killed. Although they’re from different parts of the world they still have the same emotions as they do.…
Death was a constant companion to those serving in the line, even when no raid or attack was launched or defended against. In busy sectors the constant shellfire directed by the enemy brought random death, whether their victims were lounging in a trench or lying in a dugout(many men were buried as a consequence of such large shell-bursts).…