In scene four of “ A Streetcar Named Desire” Blanche attempts to convince Stella that she can get out of her situation with Stanley, but Stella insists she is not in anything she wished to get out of. Stella makes it clear that she is happy about her relationship with Stanley through their sexual chemistry by saying “ But there are things that happen between a man and a woman in the dark”. Stella believes that there is nothing wrong and she can’t understand why Blanche is so frantic. Blanche tries to persuade Stella that her situation with Stanley is just desire by arguing, “ What you are talking about is brutal desire- just- Desire!- the name of that rattle-trap streetcar that bangs through the Quarter, up one old narrow street and down another…”…
In the commencement of the play, Blanche is quickly described as a damsel in distress. She is portrayed as a wealthy woman “in a white suit with a fluffy bodice, necklace and earing of pearl, white gloves and hat…” (5). She resembles an embellished white moth. The fact that she is forced to live with her younger sister Stella and her domineering husband truly shows that Blanche is in a truly desperate situation. Her overall character is depicted as a traumatized woman that is in complete desolation. Experiences such as witnessing her family on a “...Long parade to the graveyard” (21). Being forced to live with your family until their tragic demise would emotionally and mentally torment anyone. She lives inside of her own world in which she…
A Streetcar named Desire is driven by the imagination of Blanche and the other nature. The handwriting in the amusement cloak from their loyalty by representation as if the events they way through didn’t occur or were not momentous. The consideration of mockery/fantasia vs. devotion seems to carry on the intention that these independence poverty to “sally” their earth. Escaping your fact and vigorous in a like globe will leaving you intricate to the stuff around you. In some suit, if you are muscular enough to restrain from the humor and illusions around you, you may termination up in the loyalty, inclination Mitch. Both Stella and Blanche found it flower in their liking to remain in a humor but if you abide in it too far-reaching it can take…
One might be led to believe that the constant transitions between various streetcars could possibly be symbolic for the unstableness that Blanche’s life provided for her. The main streetcar focused on in the play was named Desire, which furthers leads us to believe that this is referring to Blanche’s desire of genuine happiness. She represents a deeply embedded fixture, stuck in the past. She’s spent so much of her younger years, investing in temporary facets, until now that she is actually aging; Blanche wishes to appear younger than what she is. She is in great denial, wanting to reclaim and relive those miserable years of life that she could never get…
A Streetcar Named Desire written by Tennessee Williams is a play about a southern lady named Blanche from Mississippi visiting her sister Stella, who is married to Stanley and currently living in Elysian Fields, New Orleans. Blanche arrives in Elysian Fields, and throughout her entire stay with Stella and Stanley, there is tension and conflict occurring in Stella’s house. Even though Blanche and Stella were brought up in the South under wealthy conditions, the conflict is mainly caused by Blanche’s dislike of Stanley because, as a blue-collar worker, Stanley's status is lower than the DuBois’. In another aspect, Stanley’s conflict is caused by him being suspicious of Blanche since her arrival. Blanche explains to Stella that…
Streetcar occupies a specific place and time in the American literary canon. Blanche finds herself adrift in the tough, yet endearing world of New Orleans in the mid to late 1940s. In Stella’s working class neighborhood, traversed by a streetcar named Cemeteries and a streetcar named Desire, there is a sort of…
Streetcar Named Desire’s Tennessee Williams explains how Blanche and Stella are both living a lie and existing in a fantasy, where in time they must come face to face with their own realities. People that live lives they wish to have eventually with have to come to terms and realize to enjoy the life they have and stop comparing their lives to…
“A Street Car Named Desire” has many symbols in it, but the one that is most relevant is the streetcar. The streetcars are foreshadowing Blanches’ life. “They told me to take a street-car named Desire, and then transfer to one called Cemeteries and ride six blocks then get off at- Elysian Field.” (Williams…
In Tennessee William’s A Streetcar Named Desire A woman named Blanche Dubois, sister to Stella Dubois comes to visit her and her husband Stanley Kowalski. To Blanche’s surprise her sister's husband Stanley is not like the men she knew growing up. Blanche is a fading southern beauty who has experienced many things since the loss of her home, Belle Reve. Throughout the story the reader sees Blanche having episodes that have the reader thinking Blanche is crazy. By the end of the story the reader sees Blanche actually become completely crazy.…
At the beginning of scene one, the author suggests to the audience that Blanche’s sexual history is in fact the cause of her ruin. When she arrives at the Kowalskis’ Blanche tells them that they need to “take a street-car named Desire, and transfer to one called cemeteries, and ride six blocks and get off at—Elysian Fields!” This journey, the precursor to the play is there to allegorically represent the downfall of Blanche’s life. The Elysian Fields are described as the land of the dead in Greek mythology and in turn suggests that Blanche is in a depressive state. Blanche’s lifelong pursuit of her sexual desires has led to her eviction from Belle Reve, her…
The name A Streetcar Named Desire comes from the actual streetcar that Blanche has to take for her new life. In a sense, it is the story’s plot. In the story, Blanche is perusing desire with a rich man to live a life of desire. Ironically enough, everything is completely the opposite. She is tormented and emotionally and mentally torn to pieces. Everything that transpires is completely ruined. Her urge for happiness and desire was inevitably her undoing. She ends up living her life a frail and confused patient.…
The play A Streetcar Named Desire revolves around Blanche DuBois; therefore, the main theme of the drama concerns her directly. In Blanche is seen the tragedy of an individual caught between two worlds-the world of the past and the world of the present-unwilling to let go of the past and unable, because of her character, to come to any sort of terms with the present. The final result is her destruction. This process began long before her clash with Stanley Kowalski. It started with the death of her young husband, a weak and perverted boy who committed suicide when she taunted him with her disgust at the discovery of his perversion. In retrospect, she knows that he was the only man she had ever loved, and from this early catastrophe evolves her promiscuity. She is lonely and frightened, and she attempts to fight this condition with sex. Desire fills the emptiness when there is no love and desire blocks the inexorable movement of death, which has already wasted and decayed Blanche's ancestral home Belle Reve.…
Williams play “A Streetcar Named Desire” explores the conflicts of loss throughout the characters. We can see this through Blanche and Mitch from the audio excerpt from the play, we can also see in Stanley throughout the play. Williams conveys the idea of loss in blanches monologue on page 66. She expresses a loneliness and longing for love due to the loss of her dead husband whom she loved very much. Her husband was a homosexual, and Blanche had caught him with another man.…
In the play "Streetcar Named Desire" by Tennessee Williams Blanche had to take the streetcar that is named Desire, switch to the one that is called Cemeteries and then to get off at Elysian Fields; Williams' use of these names for the streetcars and the street itself summarizes the development of the main characters of the play. Every character has its own desire but the reality causes all their dreams to end up in Elysian Fields - the land of the dead according to the Greek mythology. Stella has to settle for a mediocre life with an abusing husband after she left her house at Belle Reve to find happiness. Blanche, the anti-hero who has her own view on how her life should look like and so she cannot deal properly with the obstacles she meets along the way; a fact the prevent from her accomplishing her goals. Even Stanley, the most simplistic and realistic character who is the vassal of the world, meaning that he does and say what others think, cannot live in piece anymore because he either thinks that the rape is a secret that he must try to keep for himself or he knows that his wife and friends know about it which means that he lives in an hypocritical environment in which nothing is real anymore.…
The parallelism between death and desire is first exhibited promptly after the commencement of the play. In the play, an actual streetcar named “Desire” takes Blanche to the Kowalski’s. In Scene One, she explains to Eunice “they told [her] to take a street-car named Desire, and then transfer to one called Cemeteries and ride six blocks and get off at–Elysian Fields!” (Williams 6). William’s diction Desire, then Cemeteries, then Elysian Fields alludes to the corresponding sequence: sex, then death, then the afterlife. This seemingly linear progression blatantly proposes that desire ushers death.…