Ibsen's ornithoid imagery only helps to enhance Nora's position as a prized sky-lard, only let out when her owner tells her she's allowed. As noted in his work How to Read Literature Like a Professor, Thomas C. Foster simply says that "flying is freedom" (Foster 136), and now that Nora can fly, she is free from the cage (the "doll's house") that keeps her trapped and on display, and can truly let her wings spread as she walks out towards her new, unmarried
Ibsen's ornithoid imagery only helps to enhance Nora's position as a prized sky-lard, only let out when her owner tells her she's allowed. As noted in his work How to Read Literature Like a Professor, Thomas C. Foster simply says that "flying is freedom" (Foster 136), and now that Nora can fly, she is free from the cage (the "doll's house") that keeps her trapped and on display, and can truly let her wings spread as she walks out towards her new, unmarried