Giving fashion an exact definition is difficult to do because it has different connotations throughout the history, it has changed over the years to suit social customs and people in different social structures (Kawamura, 2005). The fashion industry primarily includes the designing, manufacturing, promoting, advertising and retailing of ‘fashionable’ clothing, but also includes a range of supporting professions and boundary industries (Burke, 2008).
Fashion now occupies the centre ground in popular understandings of modern culture (Breward, 2003). It runs in tandem with the publications of a variety of ground-breaking text that have aimed, over the past years, to place the study of fashion alongside other popular phenomena including theatre, journalism, advertising, and film, recognising the potential as a significant culture force. For one, fashion photography has throughout the decades appealed to the thought of beauty, style and commodity. “The great interest in fashion photography is a symptom of the contemporary obsession with power.” (Liberman, p7). The influence is expressed through the means of the image in fashion photography. “Fashion only exists in representation.” states Ulrich Lehmann (Lehmann, p139). Oscar Wide once also stated, “In all unimportant style, not sincerity, is the essential. In all important matters, style, not sincerity, is the essential.”
People are wearing clothes, but they believe or wish to believe at least, that fashion is what they are wearing and that they are consuming fashion and not clothes. This belief is born from the socially constructed idea of fashion, which means a great deal more than clothing (Kawamura, 2005). Fashion has always helped define the human condition and designers are the weathermen, prediction or foreseeing what the public will need, providing a wardrobe to protect, expose or purely entertain (Jones, 2006).
Coco Chanel stated: “Fashion is always of the time in which you live. It is not something standing alone.” Fashion goes along with much more than the clothes you wear, people use fashion to capture the public’s attention, from photography to decorating interiors, it has to be considered whether the public will like it or not. Neither fashion nor style is eternal, it changes as years go by and things we dealt with every day develop.
Reference
1. Breward, C (2003). Fashion (Oxford History of Art). USA: Oxford University Press. 1-4. 2. Houston, O. (2009). Exoticism and Fashion Photography: An Essay. Available: http://fashionorientalism.blogspot.com/2009/05/exoticism-and-fashion-photography-essay_10.html. Last accessed 19 March 2013. 3. Kawamura, Y (2005). Fashion-ology: An Introduction to Fashion Studies. New York: Bloomsbury Academic. 140 - 150. 4. Nightingalre, V. (2011). My essay on How Fashion Communicates. Available: http://victorianightingale.tumblr.com/post/8382786141/my-essay-on-how-fashion-communicates-meaning. Last accessed 19 March 2013. 5. Terry, J and Rushton, S (2006). Fashion Now (Icons). USA: Taschen. 1-3. 6. Burke, S (2008). Fashion Entrepeneur. Everbest, China: Burke Publishing. 19.
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