The diction of being solo is spread all over
The diction of being solo is spread all over
Grief is a key theme throughout Herrick’s novel “By the River” highlighting the suffering and distress from losing a loved one. Herrick explores this theme through the death of Harry Hodby’s mother and his close friend Linda. The first element of grief depicted in the novel is shown through the quotes “we sit in the tender shade/leave him to share some time with our mother/his wife. Herrick uses collective nouns in this quote to convey the ownership of the mother that not only does it show her titles but also it shows the roles within their lives. Herrick then uses personification to describe the “tender shade” and how it has a positive connotation displaying his positive outlook on grief. A second element that is depicted throughout Herrick’s novel is shown in the quote “and dad/alone in the kitchen/stirring his tea/until it was cold in the cup” Herrick uses imagery in this quote to display the numbness in his life. By using the theme grief we clearly see the ideas about human nature and how they can have a positive and negative outlook on life.…
In the novel "Jane Eyre" by Charlotte Bronte, the author engages the reader with imagery and melancholic details. Utilizing imagery helps the reader understand how lonely and difficult Jane's life can be. Although she is an orphan, books are her escape from reality, or at least an activity to spend time.…
Edith Wharton quite deliberately brings together human emotion and the environment in her novella Ethan Frome. The characters are circumscribed by the environment in which they exist and the impossibility of escape from the environmental forces of nature, heredity and place shape the characters of the text. A moment of hope arises as Mattie and Ethan walk home together from the dance and a more romantic sense of possibility emerges. The reader is drawn to the love of Ethan and Mattie quite subtly – it grows almost organically from innocent moments shared and this is perhaps why the reader does not see their ‘affair’ as adulterous. We share the hope that glimmers in the bleak cold that is Starkfield and its characters.…
With age comes change. This is especially true for Jane in Charlotte Bronte’s novel Jane Eyre. Jane Eyre is a dynamic character that changes from a mistreated, spirited little girl to an mature, independent woman with her own values.…
This Victorian poem is about the narrator (a fallen woman), the Lord and Kate. It is a ballad which tells the story from the narrator’s perspective about being shunned by society after her ‘experiences’ with the lord. The poem’s female speaker recalls her contentment in her humble surroundings until the local ‘Lord of the Manor’ took her to be his lover. He discarded her when she became pregnant and his affections turned to another village girl, Kate, whom he then married. Although the speaker’s community condemned the speaker as a ‘fallen’ woman, she reflects that her love for the lord was more faithful than Kate’s. She is proud of the son she bore him and is sure that the man is unhappy that he and Kate remain childless. Some readers think that she feels more betrayed by her cousin than the lord. This poem is a dramatic monologue written in the Victorian era.…
The poem begins by undercutting the beautiful, pleasant imagery promised by the title through the terse bluntness of the “dusk, and cold.” Flowers are indeed present as the title suggests, but only “frail, melancholy” ones, gathered by the subservient act of “kneeling” among “ashes and loam”. There is a definite sense of ending – both of the day, and of something grander. The persona’s attempts at engaging with the natural world are crudely rebuffed – she cannot succeed in her musical engagement, merely “try”, which results only in an “indifferent” blackbird “fret[ting] and strop[ing]” under “Ambiguous light. Ambiguous sky.” This unfriendly environment in which the poem begins foregrounds the sense of loss which characterises so much of Harwood’s poetry, an inevitable, confronting finality emphasised by the bluntness of the language and plethora of full stops. The adult world presented here is one of uncertainty, difficulty and ambiguity.…
“To live in these conditions” Stella is not what I like to indulge myself in; oh never, never could I imagine, could I picture - Oh “Only Poe! Mr. Edgar Allen Poe! – could do it justice!” ha! I suppose nearby is the “ghoul-haunted woodland of Weir!” I have started to indulge myself into some of his works Stella, and he is such an exquisite writer. Oh Stella, this countryside retreat does seem to remind me of the wonderful Belle Reve; “a great big place with white columns”. Oh I wonder how the old plantation is going… oh there is that “varsouviana” music I keep hearing! Ha! It makes me feel like dancing!…
Music has been and always will be a way for a person to release their thoughts and emotions into the world. It keeps the hope alive that someone will hear their lyrics and understand, and make their listener feel less alone. Music is an indefinable force. A force that inspires action, creates unity, and allows a person to face their emotions just like how the musician confronted theirs. Like many others, Jane Eyre braves her emotions through different music styles that parallel her emotions and raises her to action.…
In order to illustrate the benefits of the “practice of the art of solitude,” Anne Morrow Lindbergh uses a variety of passionate diction, such as “quality,” “incredibly precious,” “richer,” “vivid,” “whole,” and “complete.” These words clearly demonstrate how embracing solitude generates one into a completely different person, as it paves way for a pure and replenished soul. Not only that, but solitude also makes one’s life more meaningful and mellifluous. Furthermore, through the employment of depressing figurative language, Lindbergh asserts that “Parting is inevitably painful, even for a short time. It is like an amputation, I feel” (36). Through the usage of this simile, it illuminates that even though separating oneself from his/her loved ones can be extremely agonizing, “…there is a quality…that is incredibly precious. Life rushes back into the void, richer, more vivid, fuller than before” (36). By stating this quote, she declares that seeking solitude pays off in the end when taken necessary risks, to form a purposeful life. Lastly, Lindbergh’s application of deceptive syntax, such as dashes in between sentences and a plethora of commas, introduces new ideas and creates pauses to show calmness, implying that solitude mollifies our inner soul. With these rhetorical strategies, Anne Morrow Lindbergh transfers passion to the reader, thus allowing him/her to experience the nature of being…
"I felt a haunting loneliness sometimes, and felt it in others — young clerks in the dusk, wasting the most poignant moments of night and life." Chapter…
As well as all of the above in this essay, I will also be concentrating on how isolation effects Jane's out-look on life, her behaviour towards others and herself, the reasoning behind her separation, and particularly how Charlotte Bronte uses Jane to convey her ideas to her readers, by representing a meaning deeper than that of it's obvious definition. I will also be looking at Charlotte Bronte's clever utilisation of imagery, language and structure helps her do this.…
Jane Eyre, as the eponymous character, has become closer and better known to us than to any familial member or friend. Because of this we understand the way she writes, and subsequently how she views her own new environment. Her vivid descriptions and powerful imagery remind us of where her imagination (more spirited than that of any other child) originated in the time spent engaged in Bewick’s ‘History of British Birds’, her only form of escapism from the dreary conditions at Gateshead Hall. So the descriptive element reminds the reader of the sharp contrast between her current peaceful, contented life and that of her childhood.…
In gothic literature, love can be presented as a transgressive emotion – one which crosses the boundaries of life itself, as exhibited in Wuthering Heights. There are however different interpretations of the presentation of love within this novel, whether it be love as an emotion provoking violence or love as an emotion which provokes tenderness. Although both presentations of love are arguably illustrated in Wuthering Heights, it may be fair to argue that Bronte portrays love more as an emotion which provokes tenderness rather than violence.…
If the poem in whole is taken as an addition to the novel, its themes of elegy, mourning and loss mirror successfully the crucial themes of Atonement. Atonement in itself an elaborate elegy, and in introducing this poem prior to the novel’s conclusion, the poem foreshadows the ending of the book. Briony, as the narrator and perpetrator suffers the loss of Robbie and Cecilia intensely, in agonizing clarity through her guilt. The entire novel is spent in concealed mourning, and the purpose of the novel is to celebrate and lessen the loss of the lovers. The lines ‘The words of a dead man / Are modified in the guts of the living’ from ‘In Memory of W. B. Yeats’ refer to the transferable nature of literature, and its constant re-interpretation as it is received by a new audience. This again mirrors the nature of Atonement; Robbie and Cecilia will live forever in Briony’s literature, as W. B. Yeats will live forever in his poetry (Norton).…
Imlay, Elizabeth. Charlotte Bronte and the Mysteries of Love: Myth and Allegory in Jane Eyre. Wiltshire: Imlay Publications, 1993. retrieved in 19 November 2010…