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The Hurt Locker is a film directed by Kathryn Bigelow that follows a bomb disposal squad towards the end of their tour of duty. The film centers on the character Sergeant William James, who is the team leader of a U.S. Army EOD unit, and his experience leading his squad in Iraq. Overall, the film is very well done and has many very appealing aspects. One of the best elements of The Hurt Locker is the editing of the movie. The editing style of The Hurt Locker adds to the overall film by adding suspense, setting the pace and emphasizing the chaos involved in war. In the film The Hurt Locker, the editing adds to the overall production by aiding the music in creating a suspenseful atmosphere. The editor accomplished this by editing taking a shot that actor’s facial expression and then cutting to whatever they are looking at. This adds suspense because it makes the audience sit on the edge of their seat and wonder what the characters are looking at before it is actually shown. Another way that the editing style of The Hurt Locker adds to the suspenseful atmosphere present in the film is by rapidly showing many different shots of the environment that the actors are in. This technique aids other elements in creating suspense because it makes the audience think that they should be seeing something when in reality there is nothing there. Overall, the editing in The Hurt Locker was effectively used along with audio and other elements to create the suspense present in the film. Another example of the effective use of editing in The Hurt Locker is the way in which the editing is used to set the pace of different scenes throughout the film. One example of this technique is how in the scene at the UN the cuts are very rapid to make the entire scene flow faster. This makes the audience uneasy and gives the appearance that something big is about to happen. Another scene in the movie that uses editing to set the pace is when they are driving back from the final

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