When I finished reading the story Where Are You Going, Where Have You Been? I couldn't believe the ending. The main character Connie is your average teenage girl, however, she is a little more conceited than others. In the story, the author describes that the setting is in the summer and that's why she is going out with her friends almost every other day. The author also gives a hint by foreshadowing the line "Gonna get you, baby," which shows what's going to happen in the near future. I think the theme of this story is that when Connie goes out with her friends, she is going through adulthood. For example, at the end of the story when she opens the door to go outside with Arnold, she is leaving her childhood and making a jump straight into…
In hopes to seem more mature, Connie dressed, walked, and talked like she was older than fifteen. To go along with her I’m-so-grown-up attitude, she also got the older boys attention. Connie often daydreamed about the boys she met, however “all the boys fell back and dissolved into a single face that was not even a face but an idea, a feeling, mixed up with the urgent insistent pounding of the music and the humid night air of July.” Connie did not realize how young and immature she was until Arnold showed up at her house and wanted to take her away. It was only then that she came to notice where her rebellious actions made her end…
The ambiguous resolutions of Where Are You Going Where Have You Been and The Night Rhonda Ferguson Was Killed is a coincidence that I found quite strange. In Where Are You Going Where Have You Been, the author doesn’t tell us what happens to Connie after Arnold Friend forces her to go with him. Does she die? Does she Live? Similarly, the Night Rhonda Ferguson Was Killed, the answer as to how Casandra will manage to overcome her friend’s sudden death and her life’s struggles remains to be open to interpretation.…
Arnold Friend is a mysterious character and nothing is known about what happens to him and Connie after the story ends, but their short interaction could be compared to long-term abusive situations in relationships, friendships, and families. When Connie first interacts with Arnold he seems like a…
The two short stories “Where are you Going, Where Have You Been?” by Oates and “Castle Nowhere” by Woolson offer a strong basis for comparison and contrast in terms of canonical and non-canonical texts through characterization, genre/tone, setting, themes, and symbolism. While many of the obvious differences reside in concrete categories like setting, genre/tone, and characterization, there are alluring similarities in theme and symbolism that can allow the reader to conclude the canonization of “Where are you Going, Where Have You Been?” is due, in majority, purely to structural literary components.…
This is obvious in Connie's situation through her actions. She endangers her own life to spare her family from the wrath of Arnold Friend, "You don't want them to get hurt,' Arnold Friend went on, Now get up, honey. Get up all by yourself.' She stood." (p. 510). If she had refused to go, her family would have been put in danger, yet, through the story Connie appears to be very unattached from her family. There is a large amount of tension between her and her mother, "her mother, who noticed everything and knew everything and who hadn't much reason any longer to look at her own face, always scolded Connie about it," (p. 499). Connie's father is uninvolved in her life, "their father was away at work most of the time and when he came home he wanted supper and he read the newspaper at supper and after supper he went to bed. He didn't bother talking much to them " (p. 499) and Connie shows no appreciation for her sister, "she was so plain and chunky and steady that Connie had to hear her praised all the time by her mother and her mother's sisters," (p. 499). She is leading a typical rebellious teenage life where she avoids parental guidance but still has a deep appreciation for them and would risk her own life to spare…
In this classic tale, Connie is very young and naïve and it certainly doesn’t help matters that she has negative influences in her life. Her own mother was a negative influence who corrupted her and led her to the path of the dark side, which would lead to her downfall. Considering the circumstance that "her mother had been pretty once too, if you could believe those old snapshots in the album, but now her looks were gone and that was why she was always after Connie." (Oates, 312) It has been demonstrated that Connie reminded her mother of herself when she was young, which made her own mother dislike her and favor the younger daughter, June.…
Throughout the story the author conveys Connie’s relationships with her immediate family members as being relationships that are dysfunctional, especially the relationship between Connie and her mother. "Why don 't you keep your room clean like your sister? How 've you got your hair fixed—what the hell stinks? Hairspray? You don 't see your sister using that junk." (Oates 1). The constant comparison the mother makes between Connie and her sister June, is symbolic of Connie not yet having an identity of her own. I don’t think her mother is aware of the negative effect that the comparison will ultimately have on Connie, but without a doubt, all the comparison does is make Connie more rebellious and defiant against her mother’s wishes. These comparisons also motivate Connie to quickly become her own person. Connie’s relationship with her father is also portrayed as being a negative relationship. He is explained as the type of father who goes to work every day and comes home to eat and go to sleep. Connie didn 't seem to have a lot of attention from her father, which may have been what was encouraging her to find male attention somewhere else. Does this have an effect on the…
He sees her the night before at the restaurant, she does not even tell him her name, or where she lives. Being the predatory person he is, Arnold Friend talks to Connie as if she is his possession when says “I know my Connie.” Connie then tries to use reverse-psychology against Arnold Friend to make it appear as if she is not who he thinks she is. Unfortunately, being the crafty person Arnold Friend is he informs Connie, “I know your parents and sister are gone somewheres and I know where and how long they're going to be gone, and I know who you were with last night, and your best girl friend's name is Betty. Right?" Eventually, Connie tells Arnold Friend and Ellie they have to leave before her dad gets home. As always, Arnold Friend has an answer to Connie’s statements when he states. “He ain't coming. He's at a barbecue.” Just like an animal in the wild, they will stalk and intimidate their prey before the…
She was her own person and was nothing like her sister June; she’d only wished her mother would see that. Connie mostly kept to herself while at home and often listened to music; listening to rock music was Connie’s way of escaping from the real world into her fantasy world. It set her at ease rather than listening to all the bickering and nagging. While out with friends her persona was totally different; Connie was very gregarious, “she had a high, breathless, amused voice” (Oates 200). Connie’s father on the other hand, was a workaholic, mostly absent; he never really did tell Connie what to do. Being that Connie’s mother always compared her to her sister she felt worthless; but when she went out, she felt a sense of belonging and worthiness. Connie became rebellious; while going to the “movies” with her friends, she was really going to the drive-in where the older kids hung out. Her appearance changed when her parents weren’t around. Clothes would be changed or modified. For example, when Connie would leave her house with her friends, she would be dressed appropriately in a pull over jersey; but when she would be out, where there were no parents around, the jersey became shorter than normal being brought up…
Connie asks Arnold and his friend to leave. Arnold refused to leave without her. Connie noticed he was wearing a wig. Arnold begins to describe Connie’s family at the Barbeque. He gives Connie details about what her sister was wearing. He also stated that Connie’s mother was shucking corn. Finally, Arnold refers to himself as Connie’s lover and shows his sexual intentions, upsetting…
Joyce Carol Oates’s short story, “Where Are You Going, Where Have You Been?” focuses on the seemingly typical life of a teenage girl, Connie. The character irony is found in the fact that a teenage girl in the 1960’s struggled with the same issues teenagers battle with in present society. Connie, the main character, fights with her parents, does not want to be like her older sister, and thinks very highly of herself. As a teenage girl typically believes, Connie imagines she is the center of attention and everything revolves around her, including everyone else’s problems. But, in contrast to most teenage girls, she conceals her sexual personality while she is at home.…
“Where Are You Going, Where Have You Been?” by Joyce Carol Oates is a short story that brings many girl’s nightmares to life. The story is one about a young, naïve girl named Connie, and her deranged abductor, Arnold Friend. Oates uses the setting in Connie’s life to create a very realistic situation. Oates also uses descriptive language to create vivid images of the setting, charters, and the emotions Connie feels. By analyzing Connie’s home setting and the descriptive language Oates uses, we will be able to further understand how Connie’s thoughts and actions were effected by her setting.…
Connie and her mom never get along. It seems if though her life is centered around boys. There are secrets and innuendos. Connie hides a lot of things from her mother about who she really wants to be. “But the two of them kept up a pretense of exasperation, a sense that they were tugging and struggling over something of little value to either of them.”…
Connie knew she was pretty, and that’s why she had a “giggling habit of craning her neck to glance into mirrors or checking other people's faces to make sure her own was all right” (752). Her beauty brought power over boys. She chose to talk to only the ones that she thought were cute or popular, and she made a point of ignoring the more common ones. “It was just a boy from high school they didn't like. It made them feel good to be able to ignore him” (753). The narrator observes that the world she lived in was a familiar one. Everything was safe, but one single day made her it all…