Who Framed Roger Rabbit

A film made at the turn of the twenty-first century with the sound of a speakeasy alive during the prohibition. Who Framed Roger Rabbit incorporates the films genre explicitly into the film’s soundtrack. Dramatically motivated, the music by Silvestri shows how his work is evidence of himself being well versed in the medium of film and narrative structure. Using many distinct elements, the sounds in the film help to create an extravaganza of the feature-film for what it's worth (Barsam 378). Much of the soundtrack has highly rhythmic melodies that force a fast-paced, high stakes melodramatic consequence to the actions on the screen And the music helps to establish a tone for the film in ways that cannot be implemented on the screen for a family-animated
Strongly featured from introducing Jessica Rabbit to the stage to perform her burlesque show we hear complimentary music. Throughout the scenes featuring the femme fatale Jessica Rabbit, the songs “ I’m Not Bad, I’m Just Drawn That Way”, and “Caught With His Pants Down” encourage the ideas of influence the music has on interpretation of a character’s demeanor or probable intentions (Barsam 379). So to say, the underscoring makes a point to pinpoint Jessica Rabbit’s personality as being as if the others characters are in the presence of a “floozy” or the ideal image for the sensual woman of the time period made from the male concept and point of view from the other male characters in the scenes with her. the presence of or through the music and impose musical traits to her character.
“Roger’s Song (Merry-Go-’Round Broke Down)” appeals to the animated and Disney aspect the film offers full throttle. By implementing creative lyrical rhymes and lively piano rhythms, the music is still in sync with the history of the time-period the movie showcases but is befitting for the animation the movie presents to kids. With the inclusion of Roger Rabbit’s flabbergastingly, silly vocal presence and a damp lips, Roger Rabbit’s character creates this somehow, undeniably dizzy sound for the audience that helps reassure Eddie Valiant’s choice in his annoyance he feels
The surprising element is the music choices that enable the scene to standout. That being said, “Cab Chase” is a great take on a movie classic song featured in film noir and crime-thriller movies. With being inventive it adds a new element to the age old similar song, while still honoring the thrilling and suspenseful music one would expect in a car chase scene. The song is dramatic and animated “at every turn” with its strong percussion, adamant horns, and lightning-fast rhythms on the piano and upright bass. It’s the instruments’ way of singing the sounds the busy city would make in a car chase but allow the creativity to explore as Eddie Valiant is driving an animated taxi-cab and being chased by “animated, anthropomorphic gangster