In his painting, Paris Street: Rainy Day, Gustave Caillebotte showcases his view on late 18th century Paris. The figures nearest to the audience are blurred and seemingly out of focus whereas the pedestrians and carriage towards the center of the town square have sharp edges and are more distinctly defined. The images in the background of the painting remain nebulous and dim. The point of focus advances the viewers eyes to the buildings in the background. Caillebotte demonstrates a two-point perspective using parallel lines in his arrangement of roads and buildings. This two-point perspective sends the focus to the back and blurs out images on the foreground.…
The painting is made up of very warm colours, of browns, yellows and oranges. There is an interesting patch of blue sky in the to right hand corner, and definitely doesn't match the rest of the sky which is very dark and almost like a sunset. The constable looks very out of place with his formal uniform, quite opposite to Ned Kelly who seems like a natural part of the scenery.…
Throughout the entire film, candles were used to create the vintage feeling of the medieval time, but more importantly, lighting controls the atmosphere for every scene in the film. For instance, the scene when Alnaud went to Martin’s village as “the real Martin Guerre”, the house was lighted by candles with a warm and sweet feel. Another example would be when Alnaud and Bertrande walked on a empty field, two guy covered with straws showed up and stopped them since they recognise that Alnaud is not the real Martin Guerre. In this scene, the lighting is really dark, we can barely see the characters face. With the help of the fog, it creates a sinister feel, and also could be a foreshadowing for Alnaud and Bertrande’s ending. Yet another case happens near the end of the film just before the Alnaud’s death. Alnaud confessed to the whole village with a candle on his hand, different from the first example where candles create pleasant environment, this time candle provides a hopeless and heartbreaking atmosphere. It is very interesting that same kind of light source can also creates multiple mood depending on the progress of the…
What struck me when I first saw this painting, other than the pretty flower garland, is how brightly illuminated she was. Her porcelain skin is highlighted as if the sun or some form of light shines down on her. This is in contrast to everything else being much darker. The contrast between her bright aura and the dark surroundings could the author’s way of symbolizing Madame de Thorigny’s status and wealth. It could also be a way of emphasizing her being the focal point of the painting. I noticed her gaze…
This creates a calming factor or cool factor. The painting seems to be placed in a place where it is to be foggy and…
For the subject of my final paper I have chosen Champs de Mars: The Red Tower by Robert Delaunay, 1911 (Figure 1). I was initially attracted to the piece because it reminded me of a stain glass window. Delaunay’s command of bold color in the center of the piece makes it seem as if light is streaming through the painting from behind the canvas. The stain glass affect is intensified by the stylization of the Eiffel Tower. I was interested in what properties of the painting caused me to view the painting in such away. Why the application of the colors made it seem as if the painting was being illuminated from behind?…
“Sunrise” is of an everyday scene in nature with vibrant colors that appear to be mixed directly on the canvas, which are all characteristics of the Impressionism period. A critic of this type of work during the period was noted as saying this painting reminded him of wallpaper. (Impressionism, 2000)…
This piece of art was created by Claude Monet. He is known as the classic impressionist. In this painting, he captures the ever-changing nature of light and color. Unlike a lot of paintings, you can see the brush strokes in this painting. But I believe that the brush strokes used help create the piece of art and they help show the leaves and flowers on the trees. Also, it helps make the clouds in the sky look more hazy and beautiful.…
I believe the bright colors are making a statement to emphasize on the major parts of the artwork. Showing the motion, makes you move your eyes along the imaginary wave. The slight tone of yellow makes me think of the sun come through the wave. The soft light of the off white background makes me think of a light blue sky that is clear of everything. Vague colors made me stare at the picture for long periods of time so that way I could understand why he created this on in particular. I thought maybe like times when he got bored and went to the museum; he created a scene of his bus ride there. Maybe he pictures himself at a beach and what it would be like to sit and watch someone ride a…
The contrasting colors have a major effect in this painting. The light blue wall in the back looks like a dazzling blue sky on a sunny day, but directly behind the men two darkened shadows lurk like massive storm clouds. The…
Monet uses loose brushstrokes and does not blend his colours. This gives the painting an unrealistic aesthetic. The steeple of the town centre looks much like Van Gogh’s later Starry Night. The artist still does retain aspects of classical landscapes in his use of light and shadow to form the waves. The precarious blending of the natural aspects is very different to traditional techniques. Monet challenges the artists of the past with his innocuous shapes, silhouettes and brushstrokes. His use of blending creates a haze over the image which really does lend viewers an impression of the scene rather than a realistic image of recollection.…
The bold curved lines of the sky flow directly into the figure and endure to form the body of the individual. Van Gogh uses long, heavy yet equal brushstrokes to express feelings and motion. Motion is the main element in this painting Vertical lines such as the tree and church tower delicately breaks up the composition without withdrawing from the powerful night sky. Van Gogh's use of white and yellow creates a twisting result and draws attention to the sky. And the usage of color to send emotion. Munch also used colors that were contrast between hot and cold colors, contrast of complimentary. By using artless forms, Munch is able to force his viewers to focus on the emotions that the sight and subject secrete rather than simply viewing an exact picture of one particular scene. The cautious use of balance also helps the viewers understand the indirect consequence of The Scream. Munch placed the unpleasant figure in the focal point and attains a sense of balance by inserting two smaller figures who are walking into the scorching sunset in the distance on the left side and by creating a dominant arch in the upper right hand corner. But the focal point created by Van Gogh is the tree-like structure projecting out on the bottom…
Indeed, Claude Monet had painted this wonderful Sunrise with oils on a canvas in the spring of 1873. Displayed at nineteen and a quarter by twenty-three and a half inches in the Impressionist room at the Getty Center, this magnificent work of art was one of the first examples of the Impressionist style of painting (Getty didactic placard). The focus of this painting is a boat sitting serenely in the water during sunrise. The boat is surrounded by several other ships captured in the dense morning fog, which is slowly being dissipated by the rising sun. The mixture of colors is beautiful; Monet truly achieves his goal of capturing what the eye sees, reflecting the light of the sun perfectly onto the water and creating a…
“The Seine at Lavacourt” is an impressionism painting done by Claude Monet. The whole painting does not have clear or strict lines, shapes and edges because these are characteristics of the impressionism painting. He used many bright colors and soft brushwork to display a peaceful scene of the Seine River. The Seine at Lavacourt is one of the masterpieces from his Seine collection. His painting actually influences the future development of realism, neo-classicism, japonisme (Claude Monet Biography, n.d.).…
- Impressionists are concerned with capturing a sense of immediacy in their artwork. Their works are assymetrically balanced. The subject matter is often casual and more everyday life pictures and scenes. William Chadwick shows the play of light and shade on the Griswold side porch "On the Piazza". The impressionists unlike other types of artists do not mix their paint colors. They generally use the pure colors to capture their work. Their use of color is also seen in how they depict shadows. Unlike previous artists who used neutral or darker shades like black to paint a shadow, Impressionists used color to show shadows.…