This part transports the listener to a march that the military put together in order to show off its strength. The climax is intense by having a percussion play the slow but strong beat that gives the climax its intensity. The beat isn’t the only musical aspect that gives this part its march like feeling. The melody collaborates well with the rhythm in order to create music with such intensity that is capable of putting its listeners in awe. In Glenn Gould’s performance, he lacks the instruments necessary to achieve this. Instead, he attempts to make up for deficit by performing extra notes in order to make it extravagant. Unfortunately, he goes over the top and the section ultimately fails to express in a comprehensible manner. At 3:00, Gould begins to dramatically pick up the tempo and starts pounding on the piano keys. This sudden burst in intensity is off putting. It begs the question of whether or not the conductor is opposing the composer. It leaves the listener confused due to its over the top explosiveness in a piece that isn’t meant to be explosive. Fortunately, Gould manages to play it at the correct tempo and with correct emphasis on the dynamics in order to create the epic tone that makes this piece so satisfying to listen to despite using a different
This part transports the listener to a march that the military put together in order to show off its strength. The climax is intense by having a percussion play the slow but strong beat that gives the climax its intensity. The beat isn’t the only musical aspect that gives this part its march like feeling. The melody collaborates well with the rhythm in order to create music with such intensity that is capable of putting its listeners in awe. In Glenn Gould’s performance, he lacks the instruments necessary to achieve this. Instead, he attempts to make up for deficit by performing extra notes in order to make it extravagant. Unfortunately, he goes over the top and the section ultimately fails to express in a comprehensible manner. At 3:00, Gould begins to dramatically pick up the tempo and starts pounding on the piano keys. This sudden burst in intensity is off putting. It begs the question of whether or not the conductor is opposing the composer. It leaves the listener confused due to its over the top explosiveness in a piece that isn’t meant to be explosive. Fortunately, Gould manages to play it at the correct tempo and with correct emphasis on the dynamics in order to create the epic tone that makes this piece so satisfying to listen to despite using a different