He says, “to die, to sleep – no more – and by a sleep to say we end the heartache and the thousand natural shocks that flesh is heir to” (III:i:68-71). He comes to this conclusion because he no longer wants to suffer, but the idea of suicide is very irrational. Hirsh writes, “Hamlet’s omission of any reference to his personal situation is coupled with another kind of omission that makes the speech a tour de force of impersonality. In the entire thirty-four lines of the speech until he overtly addresses Ophelia, Hamlet never once uses a first-person-singular pronoun” (“The ‘‘To be, or not to be’’ Speech:”). During this speech Hamlet refers to himself in third person. For example, he says, “That patient merit of th’ unworthy takes, when he himself might his quietus make with a bare bodkin?” (III:i:82-84). One can assume that talking about yourself in the third person shows that you are truly turning mad. Hamlet contemplates about his own death as though he is not talking about …show more content…
In the first speech he has reason for the what he says about his mother’s affair and his father’s death. He is upset about his parents and wants a way out, but know not to speak openly about his feelings or else it would be treason. In his second soliloquy he believes he finally has a plan to see if Claudius is truly guilty. He does not want to kill the wrong guy, a smart choice, but during this speech Hamlet also acts as though he is the only one aloud to cry. He insults the players for their lack of real emotion because Hamlet believes only he can feel pain. His third soliloquy begins with him questioning if he should even be alive. He looks at suicide as a way to escape from all of his problems and the way out of killing Claudius. At this point, Hamlet’s madness is surrounding him, his only way out of his self-hate is Ophelia. In his last soliloquy Hamlet wants his plan for revenge to just be done with. He wants to kill Claudius just so he can stop stressing out about avenging his father’s death. Hamlet is now truly crazy because he looks at killing another man as a survival tool. He believes he should be, “exposing what is mortal and unsure to all that fortune, death, and danger dare, even for an eggshell” (IV:iv-54-56). Hirsh also writes, “Hamlet expressed disgust with life and a longing for death . . . In his disgust and longing for death were provoked by an intensely personal grievance—his mother’s marriage to