The CHOC Children’s Breathmobile is the mobile asthma clinic dedicated to serving underserved children who may be unable to travel or pay for preventive asthma care in Orange County. As a volunteer, I helped nurses organize patients' charts, fax medical records, and confirm appointment schedules for patients' parents. Sometimes, I came with nurses and doctors to clinic sites to serve as a translator or simply shadow doctors. One doctor told me that regardless of whether the patients had insurance, the doctor would not turn anybody away if they were in need. Through this experience, I learned that the most gratification I could get is not receiving, but giving back to the…
B.Commissioned a lieutenant colonel in 1754, he fought the first skirmishes of what grew into the French and Indian War.…
Hamlet, written by Shakespear, is an excellent play that many directors have creatively adapted into a film. Because the play is so long and the story line is dark and intriguing there are many takes on how to portray the characters and scenes. To be or not to be, a scene in Act III Scene 1, is a monolog of Hamlet contemplating profound questions of life. In the book, the emotions and apprehension he has during are not active through the black words on a white page. This allows directors to add their own flair to the story. In Hamlet with Mel Gibson starring as Hamlet and another film with Kenneth Branaugh as Hamlet, Hamlet is incredibly distraught as he wrestles with the question of life. Both films are creative and excellent adaptations to the play.…
Finally, the graveyard scene shows how Hamlet views death and that he fears how no matter who you were or what you…
In life there are various unpleasant and distressing situations that people have to go through, but do not like to face. One of them is death. Death is a fact of life. Regardless of how wonderful, kind-hearted, and modest or extremely horrible a person is, death is inevitable. Being a teenage girl, I know one of the things I do not like to think about is the death of my parents. It is unquestionably difficult to think about how someone can be taken away from this world in just a blink of an eye. In spite of how great one’s love is for another person, it does not stop a person from dying. That being said, one of the most painful facts of life that Hamlet went through was the death of his father. Although the play never truly introduced King Hamlet, it was so clear that the King and Prince had an exceptionally close relationship. Hamlet not only looked at King Hamlet as a fatherly figure, but as a role model and inspiration to those in Denmark. In addition, at the time, Hamlet did not even know how has father had died. There were many questions still waiting to be uncovered, but Prince Hamlet felt as if he had nothing. With his father not around, Hamlet feels as if he does not belong and is depressed for months. He wishes as if he could disappear and that the world is meaningless. “How weary, stale, flat, and unprofitable seem to me all the uses of this world!” (1364). Thinking life is featureless; Hamlet would highly consider killing himself if it was not a sin.…
From the film's first scene, which happens not on the bulwarks with the phantom of Hamlet's father however at the killed lord's memorial service, we are bolted into Hamlet's anger and disillusionment. Gibson plays him, there's nothing adademic or neurasthenic about this irate youthful man; he's not a hypochondriac. Rather, he appears to be somewhat foursquare and plain and all excessively advocated in his shock. Gibson's execution is powerful and extravagant; he's amusing to watch, and there's never a minute when he appears to be short of what sufficient to the undertaking he's embraced.…
The branagh version of Hamlet’s soliloquy in the portrait scene really depicts what I imagined it would sound like. For his soliloquy, his quietness of voice seems proper for this moment with himself. His words, “To die; to sleep; To sleep; perchance to dream; ay, there’s the rub,” are all solemnly said, Branagh creates this serious mood…
Often times life will present one with a situation where the best decision is to take action. In William Shakespeare’s “Hamlet”, Hamlet’s second soliloquy reveals Hamlet’s initial inability to take action due to his lack of courage.…
Throughout Hamlet, William Shakespeare’s eloquence and use of thematic imagery helps convey Hamlet’s state of mind as troubled and ambiguous, establishing him as a tragic hero whose feelings of death are nothing short of an enigma. From the opening scene with the ominous apparition to the brutality of the final scene, death is seemingly portrayed further than that of its simplistic physical nature. Hamlet’s thought provoking and introspective nature causes him to analyze death on different levels, ways that are much more profound. Hamlet’s acceptance of death is gradual but very much evident in the play, as his idle nature transitions to one of cowardice and eventually determination and resolve. As the reader is introduced to Hamlet,…
‘ [Hamlet] is a success, for he gets his man, but a failure, for he leaves eight bodies, including his own, where there was only meant to be one’- B.Nightingale…
In the first section of this soliloquy Hamlet is considering suicide but does not follow through with his thoughts because of religious reasons. This is apparent through Hamlet's words, "or that the everlasting had not fixed his cannon 'gainst self-slaughtered!" Shakespeare's use of words such as flat, stale, and weary contributes to a tone of sorrow and sadness. The long, drawn out sentences also create a tone of distress. As an actor performing this soliloquy, I would act out this first section until "...seem to me all the uses of this world!" as a despondent tone.…
Coming immediately after the meeting with the Ghost of Hamlet’s father, Shakespeare uses his second soliloquy to present Hamlet’s initial responses to his new role of revenger. Shakespeare is not hesitant in foreboding the religious and metaphysical implications of this role, something widely explored in Elizabethan revenge tragedy, doing so in the first lines as Hamlet makes an invocation to ‘all you host of heaven’ and ‘earth’. Hamlet is shown to impulsively rationalize the ethical issues behind his task as he views it as a divine ordinance of justice, his fatalistic view reiterated at the end of scene 5 with the rhyming couplet ‘O cursed spite,/That ever I was born to set it right’. These ideas are paralleled in Vindice’s opening soliloquy in The Revenger’s Tragedy, as he calls upon a personified ‘Vengeance, thou murder’s quit-rent’ and asks ‘Faith’ to ‘give Revenge her due’. This concept of acting as God’s scourging agent identifies the hubristic nature of the two character’s proposals, Shakespeare also introducing ideas of ‘heaven’, ‘hell’ and ‘earth’ that recur in the play’s cosmic perspective on revenge.…
Hamlet strips away the veneers and smoke screens that trap our minds, forcing us to confront the raw human condition in all its pain and glory. For this reason, Hamlet has never ceased to enthral audiences since its conception, and has been critically scrutinized for centuries. Shakespeare explores ideas that are universally understood: the human need for vengeance, human glory as well as human failings, and the unavoidable presence of death. Collectively, these ideas compose a deep probing of the human condition. On a personal level, Hamlet has been worthy of my interpretive study because it has provoked me to engage with my surroundings more critically, questioning established values, norms and codes of behaviour that had previously held my conviction.…
In the 1960s and 1970s, a significant antiwar movement rose in the United States in protest of the Vietnam War. Like all protest movements in American in history, the antiwar movement had a huge impact on society. As the United States became involved in the war in Vietnam in the 1960s, many Americans did not understand why the United States was so heavily interested in a South East Asian country. Various young American men between the ages of 18-36 were drafted into the war. Not to mention, Americans began to witness the horrific bombings and killings in Vietnam on live television. Public attitude toward the war became instantly pessimistic. At the same time, various musicians and groups of people from across the nation began to display their…
Gibson begins the soliloquy walking down the stairs of a family crypt. He stops midway down the stairs when light from above shines on the back of his head. The rest of his body is in darkness, creating a transition between light and darkness. Gibson walks through the family crypt in darkness and discusses the benefits of death, but when he looks upward into a skylight where the light illuminates his face, he doubts whether he could commit suicide. The meaning of the motif of light and darkness is that light represents life, whereas darkness represents death and the afterlife. Gibson's rendition also features a powerful setting of tombstones, skeletons, and a skylight. On one end of the crypt is two open graves that have skeletons in them, the camera pans toward them when Hamlet cries “to die” (Shakespeare 3.1.72). Along the floor of the crypt are a number of tombstone that feature statues on them. Hamlet is able to personally connect with this setting because one of these tombstones is where his father may be buried. The skylight is also used to convey the meaning of the soliloquy by emphasizing the phrase “native hue of resolution” (Shakespeare 3.1.92). When Gibson recites these lines, he looks up to the skylight and reflects upon how the natural beauty of life has been diluted by the sins of man. Although the setting written by William Shakespeare is not clear, he uses Polonius and Claudius in the scene as lawful espies. In this rendition, the lawful espies are not present, removing an important aspect of the scene. Unlike each of the other soliloquies this one is unique because Hamlet is not truly alone. Despite powerful motifs and a dark setting, Gibson's rendition diverges from the original intent of the…