Cited: Shelley, Mary. Frankenstein. New York City: Penguin Group, 1983. [1831 edition]
Cited: Shelley, Mary. Frankenstein. New York City: Penguin Group, 1983. [1831 edition]
In Mary Shelly’s novel Frankenstein we see not only the internal struggles of both Victor Frankenstein and the Creature he has created,…
In many novels throughout literature, enemies often share striking similarities. They push and pull at each other to the point where they lead to the each others undoing, yet they share tremendous likeness. In the novel Frankenstein, by Mary Shelly Victor Frankenstein and his creature are two sides of one person. Both despise each other, and in doing so they are despising themselves. There is a power struggle between the two adversaries, which leads to both Frankenstein, and his creature ending up alone. Shelly’s novel christens the era of romanticism and successfully merges these ideas with those of gothic style. The infatuation with discovery and creation is evident in the main character, Victor Frankenstein, and his pursuit of knowledge…
Shelley’s Gothic novel, Frankenstein, explores the complex nature of mankind by considering the consequences of an unrestricted pursuit of science. A rise in scientific experimentation with Galvanism during Shelley’s time is reflected through the protagonist Victor as he uses it to bestow life. Shelley portrays Victor and the Creature as complex beings, demonstrating both inhuman and human qualities. Despite this, the subsequent rejection by his creator and the De Lacy family drives the Creature to ‘eternal rejection and vengeance of mankind’. Victor’s initial response when meeting the creature, demonstrates his savage, cruel treatment and lack of responsibility towards his creation.…
Mary Shelley’s Frankenstein was written in 1818. This was a period where romanticism was developing, a time which focused on the sublimity of nature and on the individual. This theme is evident throughout the novel and is used to emphasise the emotions of the characters and to suggest the power of nature for both beauty and destruction. Shelley often uses the sublimity of nature as an invigorating device for victor, “when happy, inanimate nature had the power of bestowing on me the most delightful sensations. A serene sky and verdant fields filled me with ecstasy. The present season was indeed divine; the flowers of spring bloomed in the hedges, while those of summer were already in bud.” Vivid imagery is used here to illuminate the peacefulness and contemplation of the sublime nature that is constantly surrounding victor. Shelley has also illustrated this notion further by the use of alliteration, “serene sky”, to capture how perfect the world is at that time, which reinforces the peacefulness of nature and how victor feels when he is surrounded by the natural world.…
The monster describes waking up to Victor saying, “It was dark when I awoke; I felt cold also, and half frightened, as if it were instinctively, finding myself so desolate” (Shelley 71). The first time the monster awoke he was confused, cold, alone, and helpless. The monster was brand new to the world, like a helpless baby, except for being much larger and uglier. Shelley uses the setting of cold and darkness to bring out the feelings of fear, loneliness and isolation. When Victor hears about the death of his youngest brother William, he quickly returns back to Geneva. He walks out to the spot of the murder and says, “It advanced; the heavens were clouded, and I soon felt the rain coming slowly in large drops, but its violence quickly increased. I quitted my seat, and walked on, although the darkness and storm increased every minute, and the thunder burst with a terrific crash over my head” (49). The approaching rain and heavy storm pouring down of Victor makes the reader feel the anger and loneliness Victor feels. Through the setting, Shelley shows the desolation Victor feels, and passes that feeling onto the…
Mary Shelley’s massively influential novel, Frankenstein, uses many shrewd literary devices. Robert Walton’s letter to his sister on August 13th is but one example of Shelley’s keen writing style. Although Shelley tells the majority of the novel through Victor Frankenstein’s memories, she begins the novel with letters from Robert Walton to his sister, Margaret Saville. These letters serve as an introduction to the main story, but they contain information just as important as that in the main story. In particular, the letter written on August 13th demonstrates her masterful use of tone and point of view. This letter also shows Shelley’s considerable ability to paint a character’s personality in a few lines of prose through descriptive language.…
Mary Shelley is a timeless novelist who is known for her complexity and symbolism. In this passage from her classic novel Frankenstein, Shelley uses several techniques to depict the monsters emotions during his first experiences of life. She uses rhetorical devices such as personification, symbolism, and tone to allow the reader to understand exactly what the monster is feeling.…
The diction used by Mary Shelley in her novel Frankenstein varies throughout the chapters varying in tone. Chapter five is the beginning of the end of Victor Frankenstein. There he creates the beast which will torment his life forever. The diction used in this chapter is haunting in the sense that it foreshadows the fall of Frankenstein. Shelley describes the newborn creature as “beautiful”, this creates a theme of amazement of what science can do but it quickly shifts. A few sentences later Shelley describes him with a more “horrid contrast” pointing out how hideous the creature is. This foreshadows the grief the beast will encounter due to his physical appearance, that no human being will ever love him. Through Shelley’s use of imagery…
In Shelley’s text Frankenstein’s animation of the creature explores the consequences of the blind pursuit of knowledge. This moment is largely a comment on the unknown consequences of the grand expansion of scientific knowledge and experiments of the day, particularly in anatomy with figures such as Luigi Galvani. Frankenstein is an exaggerated incarnation of such figures: the master scientist who seeks to interfere and control nature, rather than the scholar-scientist who seeks to understand. Shelley warns against this as Frankenstein embarks on his creation of life, and the strengthening of his obsession to unlock the secrets of life becomes apparent. Shelley uses the gothic polarity of life and death to examine the nature of his obsession. Frankenstein ironically surrounds himself with the materials of death and corrupted bodies to create life and as such reveals the grotesqueness of his transgression. Shelley’s use of gothic settings highlights his isolation, “and forced to spend days and nights in vaults and charnel-houses"; a metaphor for his isolated state of mind, reflecting Frankenstein’s diminishing humanity. As his humanity diminishes, the idea of who is monster and who is human here surfaces. Shelley draws from the Age of Enlightenment and the…
Frankenstein, a book by Mary Shelley about a scientist named Victor Frankenstein, exhibits many elements and has lots of hidden symbolism within the text. My creature really shows just how unique this book is by having each body part represent some element of the book. The head of the monster is supposed to represent how quick the monster learns and how reading affected his growth. The monster learns language very quickly “My days were spent in close attention, that I might more speedily master the language; and I may boast that I improved more rapidly than the Arabian, who understood very little and conversed in broken accents, whilst I comprehended and could imitate almost every word that was spoken” (13. 12). This shows how the monster learns very fast, faster than a normal…
Mary Shelly’s stylistic choices are very unique. She uses beautiful eloquent language and her creative narrative point of view is so concise that many readers forget that Robert Walton is the true singular narrator. Frankenstein is a story within a story and in this novel, it is shown through Walton’s telling of Victor’s telling of the monster’s story. Mary Shelly proves her place in the romantic science fiction. Every time she includes a simile or metaphor, it is poignant. Mary leaves enough to the imagination to allow the readers to scare themselves by their own mental images simulated through her appeal to our senses. Mary Shelly uses diction and imagery to revoke emotions out of the readers as they can feel the emotions that are being felt…
In the novel, the perspectives of Victor Frankenstein and his Creature oppose each other. However, despite their differences, their stories seem to parallel each other and as the story progresses they seem to become more similar.…
The speech, effect on others, and thoughts of Frankenstein and his creation are powerful tools in their characterisations, and allow the reader to sustain their sympathies for the two. Throughout the novel, we are introduced to the idea that there is a distinction between “Victor” and “Frankenstein,” Victor being the ‘good’ side of him. This is done through the contrast in Frankenstein at the beginning of the novel and after he has reanimated his creation. An example of this is when Victor leaves for university and Frankenstein returns home.…
Frankenstein, by Mary Shelley, is arguably one of the most controversial novels of the 19th Century. It discusses the concept of science verses human conscience in a technological world. The Gothic atmosphere of the novel reflects the dark feelings of society at the time, and Shelley utilised pathetic fallacy, her chosen form and imagery to suggest a twist on the real monster of her story. Shelley uses poetical language and perspective to emphasise how the monster is a model Romaticist, and to express the importance of belonging and communication to a judgemental society. Symbols, contrasts and ‘heavenly’ adjectives are used to portray Victor Frankenstein as a God-like figure; expressing how we must never interfere with nature’s course and take on God’s role to the knowledge-greedy culture of the 1800’s, which was consumed with the Industrial Revolution. Shelley has manipulated her writing to convey her personal ideologies, and to reflect her concern for a loss of ethics in a society fixated on the pursuit for answers.…
Frankenstein is one of the finest expressions of the Gothic novel and also fits many of the characteristics of a Romantic novel. Consider all of the elements that comprise a story—including setting, character development, narrative voice, tone, to name just a few—and explain how each element contributes to the novel’s identity as a Gothic text or example of Romanticism. Then, offer your interpretation of Shelley’s message, if you believe she intended to convey one to her reader. If, alternately, you believe that the novel is purely for entertainment purposes, substantiate your claim with textual evidence. If you are stuck, please check out An Overview of Romanticism (http://www.articlemyriad.com/212.htm) in Literature and Romanticism in Frankenstein (http://www.articlemyriad.com/romanticism_frankenstein.htm)…