By Maria Batrakova
Group 21 D
Free and beautiful, that was how one of the greatest innovators of photography, Garry Winogrand, pictured women. (Here you can see a photo of him: http://imgur.com/AjnXCe6) Due to Art Blart (Art Blart, 2011) he was considered as one of the most distinguished photographers of the twenties-century in America. Winogrand's amazing exhibition includes 85 spontaneous photographs taken between 1960 and 1975 in and around New-York city. (Series of his photographs provided with the following links: http://imgur.com/jNApIzk, http://imgur.com/fY51U1d, http://imgur.com/aTd0ImL, http://imgur.com/R1Jd7J7, http://imgur.com/K1cJdwO, http://imgur.com/MNQWicg)
During the 60's the attitude to women totally changed. Inner and outer freedom were explicit, in some ways, sexually explicit. “Prince of the streets” depicted this social transformation better that someone else. Lola Garrido called famous photographer “the maestro of the moment”: “In short, Winogrand catches with his camera every detail by composing and giving natural meaning to the representation.” (Garrido, 2014). But the gifted photograther found the way in which beautiful creatures express their sexuality through their gestures, hairstyles, clothes and some other interesting features, he avoided naked pictures. Richard Woodward writes in his article the following: “Winogrand didn't dress these women in tight sweaters or pant suits, or apply their hair and make-up. Their clothing choices—the deliberate or thoughtless ones all of us make every day—expressed imperfectly who they were and are rendered without judgment.” (Woodward, 2013).
Women became free of their complexes, they were absolutely sure of their figure and status in society of that time. The interesting moment is the woman might never have known she was photographed.
Erin Cunningham mentioned in her article for the Daily Beast that Winogrand had written in his book: “Whenever I’ve seen an attractive