The cultural Frame is the influence of society or cultural identity in artworks: race relations, gender concerns, religion & economics. This essay will cover and compare the representation of the female in the art works: fowling in the marshes and Birth of Venus. The fowling in the marshes is an art work created around 1350 BC 18th Dynasty. The size of the artwork is 98cm x 83cm and was painted by the Tomb-chapel of Nebamun. However, the birth of Venus is an art work created in 1486 by Sandro Botticelli it was created on a tempera canvas and the size is 172.5 x 278.5 cm.…
During the 1850s, Victorian Britain experienced a social change which came to be known as the first wave of feminism, during which women fought for the advancement of social, economic and political rights. Educated women encouraged younger women to complete their schooling and strive for independence, and literary works of art from female authors slowly began to rise in popularity among the primarily patriarchal society of the late nineteenth century. However, despite the way in which women and female authors strove for the same respect and acknowledgement as their male counterparts, masculine works of literature in the 1900s still displayed the unequal gendered views of male superiority…
totally new approach to art history never got it back, the have lost it )-:…
2 Pollock, Griselda. Vision and Difference: Femininity, Feminism and the Histories of Art. (London:Routledge, 1988), 172.…
American art historian Linda Nochlin’s essay Why Have There Been No Great Women Artists was published in 1988. This essay asks why artistic “greatness” and professional credit has been historically reserved solely for white Western males. While the titled seems facetious, it demonstrates Nochlins’ humor on a complicated issue grounded in social constructs, inequality and sexism. Nochlin notes that the question itself assumes that women are “incapable of greatness.” This assumption is what sparks Nochlin to explore the history of artistic institutions and education systems. From the Rennaisance up until the end of the nineteenth…
In an age where younger generations of girls are taught that they are beautiful by just being themselves, there are subtle hints all around us that may express the opposite. Yes, beauty can come in all shapes and sizes but there can always be more to fix about ourselves; to become, or appear, more perfect. This concept of women having to conform to what is considered the feminine ideal is nothing new. The idea that women are valued based on the perception of others, specifically men, as portrayed in Ovid’s Pygmalion and Hesiod’s Works and Days, has been the central idea, or issue, in many contemporary works of art precisely because this idea still seems relevant in modern society.…
In Mary Wollstonecraft’s 1792 essay “A Vindication of the Rights of Women”, she advocates for equal rights for women. She criticizes that male dominance shadows the right of women.…
At the metropolitan museum, only three perfect of Artist are women, yet 83 percent of the paintings display nude women. Being now aware of this gender imbalance. Surprised me yet regarding the history of women, this imbalance in the museums change the way I view art history and Art galleries. I find this imbalance unfair, if women’s body are very often appreciated by this male artist enough to be painted for the public why aren’t more women given the opportunity to share their artistic abilities with the public as well. The history of nude women art has been very controversial. Feminist have spoken up regarding the controversy, some stated the fact that paintings over time were for the most part geared toward male viewers, and had simply a lot to do with, the selling of art as it did with social roles and sexual stereotypes of men and women (pallock, G pg123). The point being made by pallock, bring back to the point I was making about equality, history of art hasn’t in my opinion been fair to female artist, through the history of art, nude portraits of women got more popular, reinforced through the world of advisement, still with the same goals, to invite the male spectator. The more information about this unfair imbalance in the art industry the more I question the inequality of these acts.’’ Women, compared to men, have not equally been presented in museums of arts, not as artist but as subjects of work of art’’ (guerrilla girls,…
Patterson’s analysis and evidence more so discusses the emotional effect of the art on people and less on how feminicide was reframed as a human rights issue. In Patterson’s beginning paragraphs, she makes the claim that “visual art…reframed feminicide and gender-based violence as human rights.” However, there is no evidence that suggests people viewed it as such. Instead, she talks about how visual art brought about a “call for consciousness,” how it provided “experiential instances of violence,” and how it conveyed “outrage and solidarity toward the feminicide victims.” Patterson never discusses a new profound way that people view feminicide. In fact, Patterson doesn’t mention any connection between visual art and human rights until her…
In Mary Wollstonecraft’s, “A Vindication to the Rights of Women,” she “earnestly” stressed women to start standing up for themselves in society. She urges them to “acquire strength, both of mind and body” in order to conquer their rights. Through her writing, Wollstonecraft was able to send a powerful message to women, by telling them that they have a voice and should not allow others to take advantage of it. Wollstonecraft, promoting education and taking an active role in society, made an effective mark on women in society by educating women in what they can do about society and how they should not be thought of as lesser then men (Wollstonecraft 204).…
The later 20th century saw the manifestation of the Post-Modernism, in which the use of appropriation and re-contextualisation was developed to test previous conventional depictions of gender in the visual arts. Artists Yasumasa Morimura, Julie Rrap, Anne Zahalka and Cindy Sherman have each employed the use of appropriation to question the historical ideologies of gender, particularly in relation to women, and their role in art and society. They all borrowed past paintings and promoted them with new context to portray and explore different meanings towards gender, being mediated.…
The role of women in the Art is complex because artists were affected both by the art and stories of the past and the women that they saw around them every day. The influence of the various roles of woman produced some of the greatest art. Women had a different role in ancient Greek society than they do today. It also seems likely that the role of women changed radically from ancient, pre-classical times to the more familiar classical period.…
Lucy R. Lippard in her feminist art essay raises a similar question Is there an art unique to women?, Lippard finds herself convinced that some characteristic features are necessarily feminist and hence inaccessible to men. Her social experience, her attitude towards her society would vary from that of a man’s, especially since her (a woman’s) experience of being a woman is naturally unique. more often than not feminist art have been about women's power in arenas of which sexuality (reproductive acts and roles) is an important part. According to Lippard With more mature understanding of their influence of consciousness raising experience, female art have moved from a neutralized to an overt contact with focus on…
I believe that gender role in modern paintings is varied. it was very difficult for women to enter the academy and achieve recognition as artists during the eighteenth and nineteenth century. At the same time, gender played a key role in many of the movements we've discussed in class. Each movement has its own characteristics and values with regards to gender. Both women and men were shown as rough and strong but also shown as weak or beautiful.…
The Renaissance period marked the rebirth of humanism, and the revival of cultural achievements, including art. During this time artists produced pieces of art that captured the artists individualism and perspective. Although this was a period of rebirth and revival of classical art, sculpture, architecture and literary works flourished, women artists faced impossible restrictions, faced extreme prejudice, and were not taken seriously. During the Renaissance, education and training of young girls focused exclusively on their intended roles of wife and mother and the skills needed to maintain a household. Since domestic duties were arduous and time consuming, most women didn't have time to consider careers outside the home. As a result the role of artist was rarely encouraged for women of the Renaissance, making it highly difficult for women to become recognized as an artist during the Renaissance period.…