Before it could be woven though, it needed to be washed in cold water and beaten with sticks to remove debris. Once the debris was removed form the wool, the fibers were combed or carded to make sure all the fibers ran in the same direction. When the carding was completed, the wool was once again washed but in warm, soapy water. The final step prior to weaving was dying the wool according to how it was to be used. Cloaks were either dyed brown or left in their natural color, tunics were dyed red for the legions.…
WOOL it was a cheaper and warmer fabric, many lower class garments used it.…
Imagine living in a society where your social and economic rank determined the type of clothing you could wear. Quite frankly, I would not have survived in a society that dictated what I can or cannot wear. I would feel suppressed, as if someone was taking away my freedom. I strongly believe that what we wear defines us more than we think. In other words, fashion is an expression of who we are as an individual. However, this was not the case during the medieval period. The clothing in medieval Europe was dictated by the Pyramid of Power or a feudal system. Fashion during the medieval period was not just only about clothing, rather it dealt with economic…
Before the Industrial Revolution, most families made their clothes themselves. Clothes had a special meaning to these people as told in Passage 2, "part of this practice took on a religious significance and was conducted in sacred spaces. Fabric itself could be very meaningful." The fabric was difficult to make, and as a result, was very expensive. Since the fabric was expensive, most cultures had a robe that was common among people, since robes wasted less fabric. There was no such thing as a zipper or even a button, so clothes were harder to get on and keep on. Clothes were not replaceable, they got handed down to each person in a family and merely got mended, to help save the money they didn't have.…
Due to the Sumptuary Laws, the women of the Elizabethan Age had a wider range of clothing options. “The upper class and royals were permitted to wear clothing made out of different types of expensive and rare materials, such as fur, velvet, silk, lace, etc” (“Fashion and Classes”). Thus, the upper class had more availability…
The innermost layer of an outfit was the hose. A hose is broken into two parts: upper and nether. The upper part were just breeches. The most popular style was the ‘trunk’ hose; short full breeches ending half way down the thigh (Elizabethan Men and Their Dress). To emphasize their waists even more, men wore girdles. Some men stored their money or purses inside of the girdles. Young men wore a cloak instead of wearing a gown like older men. Over shirts men wore doublets; a fitted jacket with buttons down the front. Sleeves were either sewn in or detachable to be able to change with the mood.Mens clothing was simple compared to what the women had to…
These were used as decoration inside or outside of their best hats. Women wore linen garments called loose shifts. Over the shifts they wore long dresses. The dresses had two parts; the bodice and the skirt. Women in the 17th century did not wear pants. All clothing was homemade, and made by the women. Most women only owned about 2-4 outfits. The clothing was all hand-sewn and made of either wool or linen. Women’s clothing had to cover the woman's knees and elbows. Because of the belief that bathing was dangerous, clothing wasn’t washed. Often clothes such as a gown, might never be washed! Most colonists from New England wore simple attire except for the rich. Rich wore fancy clothing and anyone that wasn’t rich and dressed in fancy clothes would be fined and put in jail. Even simple decorations like buttons were considered to fancy and instead Pilgrims and Puritans used strings. Women and girls wore aprons and it was considered inappropriate for a woman or girl to wear anything…
Texture or fabrics is another element that can indicate character’s class. The fancier the fabric is, the higher the class is. For example, Sister Juba has a wide variety of texture for the dress such as velvet, satin, and others. Some of her dresses have laces, which it makes it even more charming. She also has many accessories such as necklet, bracelet, fancy hat, flower hair clip, etc. She also has fox fur scarf. She has a lot of diamonds on her. It shows that she is very wealthy in that time period. For the band’s outfit fabric, most of them are made from tweed. Some of their suits are made from wool. We can see that tweed is not as classy as velvet or satin. The porters’ uniforms are made from…
Of the many rules that members of a social group had to follow, clothing played an important part in displaying one’s social status. The King and high-ranking nobility used bright colors and fancy decorations with precious stones, while common soldiers were allowed to wear plain mantles.…
The clothes in Viking time and culture were simple. Women wore long, linen dresses and woolen overcoats. Men wore linen undershirts, tunics, and wool pants. Everybody wore boots and cloaks. In the winter time, they wore woolen hats and gloves. The colors of power during the Viking time were red and…
Clothing for women usually consisted of gowns, underclothing, corsets, hats, ruffs, collars and shoes. Men wore doublets, underclothing, breeches, ruffs, collars, hats and shoes. Rich women also wore thick petticoats and on top of this came the corset and skirts. Their skirts really long often touching the ground and were girded tightly arounf the waist with bands or ribbons and were often padded at the hips.…
In the Incan Empire there were large amounts of cloth that were produced all around. The major cloth threads are spun and interlaced in prehistoric Peru were from the cotton in the valleys. It was also from the wools of llamas, alpacas, and vicunas in the Andes. Though cotton particularly was discovered in some of the initial divisions pre-2000 B.C., way beforehand the presence of maize on the Coastline (Vaughn 2006). It’s twining and later weaving achieved excellence very quick, and…
Finally, as many people look at the Middle Ages as a time in which many great and barbaric things took place, not only of people really noticed any other things. One thing that many people tend to skip by would be the different types of clothing that the era showed off. And that very type of clothing would be the Farthingale. A farthingale was a bell-shaped hoopskirt worn under the skirts of well-to-do women, in which first originated in Spain. It was only worn by the wealthy class, as the commoners would wear only gowns. And because of that, it proves itself to be quite recognizable toward most of queens back then as they were the ones who worn it. However, it wasn’t just a sense of fashion at the time; it served itself as an important part…
III. Silk In Rome, there are three passages that show the use of Silk in Roman society at this time. Silk was used as a luxury in Rome. Their attire was influence by this new availability of silk. The wealthy were seen in silk, however this mostly pertained to women. Silk also became a concern to some people. B. Seneca on Silk and Gender In this excerpt from Seneca it displays his concern towards this new cultural attire when he refers to it by saying “which provides nothing that could possibly afford protection for the body, or indeed modesty, so that, when a woman wears it, she can scarcely, with a clear conscience, swear that she is not naked”. This shows that, at this time, there were cultural issues pertaining to this new…
Native Americans had the earliest experiences with textile-making in North America. Dating back to the 1600's, they showed the English settlers how to make fishing nets using a process of cord wrapping. Over time, the Native Americans grew to depend on European trade materials or imports. By 1640, the production of handmade textiles, such as woven, knitted, and embroidered material began. In these early American times, Colonial textiles made an appearance as well.…