Ibsen’s ‘A Doll’s House’ has many key themes such as reputation and status in society, women’s rights and money and security. These themes add key elements to the play which help develop the narrative. Similarly Wilde focuses on these in ‘A Woman of No Importance’.
In both plays, the women openly voice their opinions, sometimes not thinking of how this could affect other characters. In ‘A Woman of No Importance’, Lady Caroline constantly voices her opinions, not caring who hears or what effect it could have on the other characters. Lady Caroline uses her status, gender and marital reputation to allow her to get away with some of the exaggerated and inappropriate comments she says. ‘Mrs. Allonby is very well born … It is said, of course, that she ran away twice before she was married …I myself don’t believe she ran away more than once.’ – Lady Caroline, Act I
Lady Caroline has no regard to the fact that she is giving Mrs. Allonby a bad reputation by revealing her scandalous past to Hester. As an aristocrat, she believes it is her right to be able to say and do as she pleases, but she does this in a way that shows her to be of a very sweet, well meant nature to the other characters in the play. The audience are aware that she gossips to anyone who will listen, again adding to the stereotype of the upper classes.
In ‘A Doll’s House’, Nora also voices her opinions openly, without consideration of who she is offending.
‘Completely alone. That must be awful. I’ve got three beautiful children.’
She is inconsiderate of the fact that Mrs Linde has no family and nothing to live on, and she appears to be self-centred. Ibsen may have chosen to depict Nora in this way to show her naivety and selfishness; Nora is spoilt which reflects in her behaviour. However, because Nora is spoilt and protected by Helmer, her status in society stays strongly in place.
In both plays, the women have certain roles they fulfil, which is true to the society in which they live in. Nora is the home maker and a caring mother, Mrs Arbuthnot is also a caring mother, trying to protect her son from the harsh reality of his true place in society. However, events occurring in the play affect the women’s statuses, causing them to be viewed differently, revealing social prejudices against women’s marital roles. Nora leaves her husband at the end of the play which, during the Victorian era, was rarely heard of and meant harsh circumstances were forced on these women. Nora would have been shamed, revealing social values for women during the Victorian era. Mrs Arbuthnot is revealed to be a ‘fallen woman’ to her son and she refuses to change her views on Lord Illingworth and declines his offer to marry him. She rejects the shame that would have been cast on her, symbolising the courage she has, similar to the courage Nora has, against the prejudices of societies view on women’s marital roles.
In both plays, men’s actions affect women’s status in society, showing the power of men in society and their power over the women in the plays. In ‘A Doll’s House’, Krogstad blackmails Nora, forcing her to tell her husband, Torvald, that she has borrowed money; this was frowned upon during the Victorian era. Men were the bread winners and the women looked after the home and the children. The two occupations shouldn’t be mixed.
‘I’ve a letter here for your husband.’
‘Telling him everything?’
‘As objectively as possible.’ – Nora and Krogstad, act II
This shows the power Krogstad has over Nora, reflecting the power men had over women during that era.
In ‘A Woman of No Importance’, Lord Illingworth is the reason Mrs Arbuthnot is a fallen woman. He promised to marry her and took her purity in her father’s garden. This shows the authority Lord Illingworth had over Mrs Arbuthnot; she was prepared to lose her purity to a man she was not married to and believed he would marry her. However, this was not the case and Lord Illingworth managed to change Mrs Arbuthnot’s reputation in society, showing a rather brutal sense of property and ownership that Lord Illingworth has over Mrs Arbuthnot.
However, both plays have differences which affect the narrative and also has an effect on the characters. In ‘A Woman of No Importance’, the play takes part in four different locations. The characters are free to go where they please, and are not told what to do by the men. They are instead left to their own devices. In some cases, the women direct the men as to what they should do.
‘John you should have your muffler. What is the use of my always knitting mufflers for you if you won’t wear them?’
‘I am quite warm, Caroline, I assure you.’
‘I think not, John.’ – Lady Caroline and Sir John, Act I
Lady Caroline assumes that she knows better than her husband and freely orders him to do as she says. This reflects her reputation in society and Wilde uses her position in society to ridicule her. The humour is subtle and is used to develop the characters relationships with each other.
Wilde uses four different locations to structure the play. The terrace at Hunstanton Chase is the opening scene and each character is introduced to the audience. The character’s personalities and relationships are partly revealed here, showing the haughty personality of Lady Caroline and the modern perception Hester Worsley has on life, due to ‘how she was brought up in America; ‘Mr Arbuthnot has a beautiful nature! He is so simple, so sincere’ Lady Caroline retorts that ‘It is not customary in England, [...] for a young lady to speak with such enthusiasm of any person of the opposite sex’. Here, Wilde has shown the morals put upon women during this time and the expectations they have to live up to.
The second act occurs in the drawing room at Hunstanton Chase where the women give different views on their own role in society and the expectations put upon them because of marital status: ‘men persecute us dreadfully’ ; ‘they know their power and use it’ to ‘the thing to do is to keep men in their proper places.’ Here, Lady Caroline, an older Lady, shows that after years of experience in marriage, she has learnt to control her husband and think marriage is the best thing for young ladies. However, the younger character of Mrs Allonby shows ignorance by a lack of knowledge about men. She has not yet grasped the importance of marital status for women in society and misinterprets the power men have over women.
The ending scene takes place in the sitting room at Mrs. Arbuthnot’s house. This is where the past of Mrs Arbuthnot is revealed to her son and she is shown to be in control of telling him about her past and why she lied to protect him from being an outcast in society. However in ‘A Doll’s House’ the play takes place in one room, trapping Nora like a caged bird. The audience never sees Nora in another room suggesting she is controlled by Helmer in this area. Nora breaks this control by leaving him and freeing herself at the end of the play when the audience finally sees her leave the room, leaving Helmer and her children in search of a better life.
The titles of the play are very important to the marital status of the female characters in the narrative; ‘A Woman Of No Importance’ suggests Mrs Arbuthnot cannot be an important woman due to the fact she is a ruined woman in the eyes of society. However, she turns this stereotype on its head, proving to be a confident, self-controlled character, with noble qualities and a good heart, something that most of the other female characters don’t obtain. Mrs Arbuthnot is very important despite society’s best effort to label her, as shown in the title. Instead, the suggests that all women have no importance, which in the society of this partly reflects women’s marital roles where they are simply a tool which men can control and belittle in any way they wish.
‘A Dolls House’ suggests the confined, cramped space Nora lives in, a true perception of her situation for the majority of the play. However in the final scene, Nora makes the title ironic, breaking free from the confined space of their living room, leaving her husband to look after their family in order for her to explore the world they live in. Wilde has used puns in his play to develop relationships between characters and mocks marital states. Lady Caroline is very stern with her husband, controlling where he sits and what he wears, stereotyping them to behave like an old married couple. She pays no attention when her husband corrects her after mispronouncing an MP’s name.
And that member of Parliament, Mr Kettle-’ ‘Kelvil, my love, Kelvil.’
Lady Caroline ignores her husband showing a complete disregard to the fact she has mispronounced a rather important man’s name, adding comedy to the scene.
This shows her disregard for other characters which, because of her high status in society, she finds acceptable.
However, in ‘A Doll’s House’, the relationships are more serious. Mrs Linde and Nora’s relationship is maternal; Mrs Linde treats Nora like a child, stroking her hair and teaching Nora that her dishonesty with Torvald will have disastrous effects. This shows how protected Nora is from society; she is caught up in her own world, thinking that she will be able to get away with her wrong-doings. This eventually ends in her downfall in society when she decides to leave her husband.
Both plays include events in the women’s past that evaluate their downfall in society with similar consequences; women going against the norm set by society. Marital status reveals hierarchy existing in society between men and women. Women unjustly suffer by social values placed on marriage. In both plays, women take risks to free themselves and build a life for their families. The plays great moments depend on revelations connected to marital status which reveals the flaws in social marriages. Reading the texts from a modern 21st century perspective, I sympathise with the characters positions but I cannot relate to them. In today’s society, many women are forced to live by themselves and relationships are not taken as seriously as they would have been in the eras the plays were set in. For me, the marital status for women in their society were very important if a woman wanted a social position or a family, something that is different in modern 21st century.
Word count: 1796
Bibliography: ‘A Doll’s House’ By Henrik Ibsen ‘A Woman of No Importance’ by Oscar Wilde
Bibliography: ‘A Doll’s House’ By Henrik Ibsen ‘A Woman of No Importance’ by Oscar Wilde
You May Also Find These Documents Helpful
-
roles in the late 1800’s during the Victorian Era. Initially, I thought the play was…
- 346 Words
- 2 Pages
Good Essays -
A woman sheltered by an awful man, turning into a woman breaking free from a helpless man. Ibsen’s A Doll’s House shows evidence that it is written with a feminist agenda. Nora is treated like border line trash the whole play in comparison to her husband. She is called weak, unintelligent, and needy. She is called terrible names the whole time, demeaning her role as a woman. Even the title of the play supports it being themed on feminism. A Doll’s House may have reason to be seen as a play about humanism, but the main theme is indeed…
- 582 Words
- 3 Pages
Good Essays -
‘What writers tend to demonstrate in texts which explore relationships between men and women, is that women have always been relatively powerless and the victims of society’s double standards’ Compare and contrast the extent to which this interpretation applies to your chosen three texts.…
- 3734 Words
- 15 Pages
Powerful Essays -
In conclusion, Nora is known to be childish because she let her husband control her. In his eyes he feels that Nora doesn’t have a mind of her own. He thinks that since he provides for her she has to obey by his rules. He only treats her like a child because she lets him. If Nora spoke up for herself and act more like and adult she would get the respect she deserve.…
- 284 Words
- 2 Pages
Good Essays -
References: Ibsen, H. (2011). A doll’s house. In D. L. Pike and A.M. Acosta (Eds.) Literature: A world of writing stories, poems, plays, and essays. [VitalSource digital version] (pp.555-589). Boston, MA: Pearson Learning Solutions.…
- 815 Words
- 4 Pages
Better Essays -
Of all the struggles of the oppressed, perhaps the most daunting has been the most silently tyrannical. Women have spent ages proving their obvious intellectual, cognitive, and social equality to the male population, especially to the men in their lives. In “A Doll House” and “Trifles,” Henrik Ibsen and Susan Glaspell illustrate how men not only underestimate their wives, but also drive them to hide their true thoughts, act in secrecy, and ultimately take formidable, yet understandable measures of overcompensation. They do so while simultaneously imposing unique male and female perspectives on the relationships they create. Through the men’s shallow view of the women around them and their inability to properly analyze their interactions, the male characters in “Trifles” and “A Doll House” create a culture of tension and resentment in their households that lead their wives to rebel against their oppression.…
- 1246 Words
- 5 Pages
Better Essays -
Henrik Ibsen's "A Doll's House" shows how two women who went to school together many years previous have led totally different lives. Nora is married, has three children and everything she wants or needs. Her husband Torvald treats her like a doll, indulging her every whim and calling her pet names, such as "singing lark", "little squirrel" and "little spendthrift". He pats her on the head much as one would a small child. Nora is sensible and completely unaware of her own worth until the last act of the play. In contrast, Mrs. Linde is a widow who married her husband for money and has no children. Since her husbands death she has had to work to take care of her sickly mother and two small brothers. Her mother has since died and her brothers are grown up and have made good lives for themselves. Mrs. Linde now has only herself to take care of.…
- 874 Words
- 3 Pages
Good Essays -
Both “A doll’s house” by Henrik Ibsen and “A woman of no importance” by Oscar Wilde were about Nora Helmer and Rachel Arbuthnot (protagonists) and their role as; mothers, wives, and new women. They were written and performed in Victorian times, for a Victorian audience and they believed in keeping up with your appearances and maintaining a high social status. In order to do so they had to abide by the Victorian code of conduct to remain ‘good’ in the eyes of other people.…
- 996 Words
- 4 Pages
Good Essays -
A Doll’s House, by Henrik Ibsen, was first performed in 1879 in Denmark at the Royal Theatre. It is a play that goes against the social norms of the 19th century and exemplifies women in a questionable way. The play would not be what it is today without the unique theatrical components that made it a provocative and realistic drama. A few of these realistic components include its feminism point of view, Christmas setting, New Years, the living room environment and the rebellious attitude of one the main characters, Nora.…
- 405 Words
- 2 Pages
Good Essays -
A Doll’s House, by Henrik Ibsen, portrays a young married woman, Nora, who plays a dramatic role of deception and self-indulgence. The author creates a good understanding of a woman’s role by assuming Nora is an average housewife who does not work; her only job is to maintain the house and raise the children like a stereotypical woman that cannot work or help society. In reality, she is not an average housewife in that she has a hired maid who deals with the house and children. Although Ibsen focuses on these “housewife” attributes, Nora’s character is ambitious, naive, and somewhat cunning. She hides a dark secret from her husband that not only includes borrowing money, but also forgery. Nora’s choices were irrational; she handled the situations very poorly in this play by keeping everything a secret. The way that women were viewed in this time period created a barrier that she could not overcome. The decisions that had the potential to be good were otherwise molded into appalling ones. Women should have just as many rights as men and should not be discriminated by gender; but they should also accept consequences in the same way without a lesser or harsher punishment.…
- 3445 Words
- 14 Pages
Good Essays -
Written within the nineteenth century, both Susan Glaspell’s Trifles and Henrik Ibsen’s A Doll’s House, use symbolism within the play to illustrate how different the roles were between men and women during this time. Reputation and public appearance were viewed as intrinsic forms of value within nineteenth century marriages, as though they were solely the backbone of the marriage’s success. Women were viewed as subordinates, mere extensions of their husbands, creating a strong theme of male dominance that echoes equally throughout both plays. Incidentally, in direct correlation to their false presumptions and patronizing mannerisms toward women, in the end, the men are ultimately responsible for their own fall.…
- 1449 Words
- 6 Pages
Better Essays -
How do both playwright’s present women and their attitudes towards marriage in the two plays?…
- 1974 Words
- 8 Pages
Powerful Essays -
He makes her feel like a child by making her ask him for money and passing judgment when she asks for so much even though he does not know why. Nora lived a privileged life where she did not have any major struggles like Mrs. Linde did. This play is most likely called a Doll House because Nora felt like a doll in her home and in society that everyone else controlled what she did and said. After a while that takes a toll on a person and they feel like everything is crashing down. Thus, in the end Nora left to find herself, which was completely understandable yet at the same time not. She chose to leave a comfortable lifestyle with two wonderful children and a husband who took care of…
- 714 Words
- 3 Pages
Good Essays -
She is treated as a child would be treated. She has continued on the path from her early childhood, being treated as a doll or a play toy to her father and now the same with her husband. Nora battles with finding her voice as she hides a secret debt from her husband. In a way, holding this secret gives Nora a sense of power and equilibrium as she works hard to try and pay off the debt herself “But still it was wonderful fun, sitting and working like that, earning money. It was almost like being a man.” (Ibsen 1. 207) However, Nora also does something at the end that is very irresponsible, yet gives her the voice that she has been seeking throughout her marriage. She gains this unremarkable voice when she walks out of the house never to turn back. Janie Crawford has a similar effect yet it is without children being…
- 795 Words
- 4 Pages
Better Essays -
During the late nineteenth century, women were enslaved in their gender roles and certain restrictions were enforced on them by a male dominant culture. Every woman was raised believing that they had neither self-control nor self-government but that they must yield to the control of a stronger gender. John Stuart Mill wrote in his essay, “The Subjection of Women”, that women were, “wholly under the role of men and each private being under the obligation of disobedience to the man with whom she has associated her destiny”. This issue of gender roles in the society propelled to the production of Henrik Ibsen’s A Doll House—a controversial play of a woman who disregards conventional norms of the society. It displays how lies and deceptions could destroy relationships and the need of every individual to possess self-identity.…
- 7391 Words
- 30 Pages
Better Essays