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On the narrator Lockwood’s second visit to the dreary and cryptic Wuthering Heights, he is faced with the nonattendance of his landlord, Heathcliff, at his manor. While returning in dismay to his residency at the Grange, “two hairy monsters flew at [his] throat,” attacking him while the returning Heathcliff cynically laughs in amusement…
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Earnshaw, went from his fields, Wuthering Heights, to Liverpool for a business trip where he finds a young boy who was abandoned on the streets. Mr. Earnshaw takes him home with him to join his family. He names the boy Heathcliff after his own son who passed away. Heathcliff then meets Catherine and Hindley, the daughter and son of Earnshaw. He becomes close friends with Catherine, however Hindley doesn’t take a liking to him because he felt liked he was being replaced. After Earnshaw’s wife passed away, he sent Hindley away to college to become more worthy and to put less stress on the household. Soon, Earnshaw’s health was declining and after he passed away, Hindley returned home married to a young woman. He became true heir of their household and used his powers to reduce Heathcliff to a servant of the house. However, Catherine and Heathcliff continued their relationship and didn’t care about punishments. One day, they ran to Thrushcross Grange where they met the Lintons. They also had a son and a daughter, Edgar and Isabella who were polar opposites of Heathcliff and Catherine. The Lintons welcomed Catherine, but rejected Heathcliff making him feel like an outsider again. Heathcliff starts to think of revenge after and is soon filled with jealousy after seeing Catherine spending more time with Edgar. He then runs away from Wuthering Heights after overhearing Catherine telling Ellen she can never marry…
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6. On his return to Wuthering Heights, Lockwood blunders in his assumption that the young woman (the “missis”) is Heathcliff’s wife. Heathcliff corrects him, telling him that the woman is his daughter-in-law. Lockwood goes on to assume that the young man who led him into the house is Heathcliff’s son. Heathcliff again corrects him; the young man is Hareton Earnshaw, and the girl is the widow of Heathcliff’s dead son.…
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Wuthering Heights was written in 1847; therefore it is accused of being uninteresting and hard to read, due to outdated language. The writing in Wuthering Heights is very beautiful. Modern writing lacks the poetic ring and flow of words that Emily Bronte is able to capture in the novel Wuthering Heights. In a beginning passage, Lockwood describes Heathcliff: “He is a dark-skinned gypsy in aspect, in dress and manners a gentleman: that is, as much a gentleman as many a country squire: rather slovenly, perhaps, yet not looking amiss with his negligence, because he has an erect and handsome figure; and rather morose.” The description expresses puzzlement over Heathcliff as a character, with him being dark, untidy, and unhappy, while still being well dressed, well mannered, and somewhat tall and handsome. The sentence structure itself suggests Lockwood’s confusion in his appraisal of Heathcliff; it is an example of the artful language and vocabulary in Wuthering Heights. The first time I read this book, I sat down with a dictionary so I could look up every word I don’t know. After several pages of written definitions, it became clear all my word hunting was distracting from the story. I decided instead to rely on context clues, which expanded vocabulary and understanding. Learning is exciting and satisfying; learning is in itself a purpose to…
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OverviewThe novel, which features an unusually intricate plot, traces the effects that unbridled hate and love have on two families through three generations. Ellen Dean, who serves both families, tells Mr. Lockwood, the new tenant at Thrush cross Grange, the bizarre stories of the house 's family, the Linton 's, and of the Earns haws of Wuthering Heights. Her narrative weaves the four parts of the novel, all dealing with the fate of the two families, into the core story of Catherine and Heathcliff. The two lovers manipulate various members of both families simply to inspire and torment each other in life and death.…
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'The theme of childhood, voiced by the elder Cathy on her deathbed, is continued in the main action of the second half of the book [.. .] in one way or another childhood is in fact the central theme of Emily Bronte's writing'.' This time in Catherine's life, which is unquestionably associated with Heathcliff's appearance in her house and the strong feelings the boy then arouses in her, is, indeed, described at length by the narrator Nelly, as it will determine the following events in the novel. Catherine's dreams of happiness are associated with childhood all through her life, and even on her death-bed she still looks like a child in Nelly's eyes: 'She drew a sigh, and stretched herself, like a child reviving, and sinking again to sleep and five minutes after I felt one little pulse at her heart, and nothing more!''.Finally it is the ghost of a child that visits Lockwood, the newcomer and second narrator in the novel. Until she dies at the age of nineteen, Catherine clings in a passionate way to her childhood memories. The most revealing passage is the scene which takes place after Heathcliff has returned from a long absence and has just quarrelled with Catherine's husband, Edgar Linton. This scene, in which she raves, is significant as it echoes the childhood scenes in which she suffered from being separated from Heathcliff. Her memories have actually never stopped cropping up in an insistent way and she now…
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Simpson, Katrina A Personal Interpretation of Wuthering Heights Bronte Studies, Vol. 30, March 2005. This interpretation of the book enlightens the point of Cathy having a love for her home or the moors. In the book Cathy talks in depth about her daily surroundings and explains every detail of her manor house and farm land in the…
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In volume 1 chapter 3, Mr Lockwood is sleeping in the room in which Cathy lived as a child. He is awoken by a scratching on the window and awakes the household by screaming loudly. Heathcliff enters the room to investigate first, rather than a servant, which suggests that he hoped to see an apparition of Cathy. His desperation to see Cathy is described later on in the chapter as he “wrenched open the lattice, bursting, as he pulled at it, into an uncontrollable passion of tears”. The violence of these actions-such as “wrenched”, “bursting” and passion”- all highlight that his need to see Cathy is uncontrollable, and is the force that keeps him going. It also suggests that Heathcliff has been repressing his emotions, and the hope of seeing Cathy has unlocked them. It also infers the amount of control Cathy still has over Heathcliff, even twenty years after her death. Furthermore, this display of emotion is a contrast to the coldness Heathcliff displays when Lockwood and Heathcliff are first introduced. Lockwood mentions at the beginning of the novel that he had “no desire to aggravate his impatience” which suggests to the reader that is it clear upon meeting Heathcliff that he is a very controlling person and is easily wound up. This makes Heathcliff’s later behaviour…
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Although the story is told as a flashback, the fact that Lockwood interacts with the other characters already calls his objectivity into question; the reception he received at Wuthering Heights was certainly not the most promising.…
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1. Why does Mr. Lockwood go to Wuthering Heights? What kind of welcome does he receive?…
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Lockwood gets a bad introduction to Wuthering Heights when Gnasher –Heathcliff’s dog- attacks him. Heathcliff himself doesn’t get a great introduction to Wuthering Heights, firstly Cathy spat in his face and Hindley constantly hit him and insulted him calling him a “vagabond” and a “gypsy” on several occasions. A prime example of violence upon Heathcliff is in chapter four Heathcliff threatens to tell on Hindley for hitting him -“if I speak of these blows, you will get them again with interest”-so Hindley hits him again. It almost seems as if Heathcliff wants Hindley to hit him so that he has something to hold over him. This is a great example of rising action as this harassment leads to his craving for revenge for the rest of the novel. As with relationships in Wuthering Heights violence and desire go hand in hand. Cathy hits Edgar in chapter eight but he is so besotted with her that he ignores the incident thus refusing to heed the warnings of her troubled behaviour and instead he proposes to her. His desire makes him similar to Heathcliff who has a masochistic attraction to drama – which is the reason he married Isabella to cause friction between the two Lintons and to make Cathy jealous of…
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The main characters of Wuthering Heights are Heathcliff, a gypsy-like man brought to Wuthering Heights as a child and eventually ends up owning it; Catherine Earnshaw, a woman Heathcliff falls in love with but eventually dies in childbirth; Edgar Linton, Heathcliff’s archenemy who marries Catherine; and Ellen Dean, a.k.a. Nelly, who is the narrator of the story. The overall conflict of the story is that Heathcliff has always loved Catherine, who also loves him, but never end up together because Catherine marries Edgar Linton instead to raise her status and wealth, and then dies soon after she confesses her love for Heathcliff. The conflict is resolved when Heathcliff dies and is buried next to Catherine, and each other’s spirits are together for all of eternity (Wuthering Heights). One theme in Wuthering Heights are the clash of elemental forces because the universe is made up of two opposite forces, storm and calm. Wuthering Heights and the Earnshaws express the storm and Thrushcross Grange and the Lintons represent the calm. Catherine and Heathcliff are elemental creatures of the storm.…
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One of the main narrative functions of Lockwood is to present this new world to the audience; the character is also entering the bewildering new world which is reflected by his naivety when entering Wuthering Heights. Brontë uses Lockwood to question the setting and to bring out the Gothic and grotesque around Wuthering Heights, shown by the assumption of Cathy having a basket full cats which then turns out to be “a heap of dead rabbits” suggesting appearances aren’t everything in ‘Wuthering Heights’ with darker thins lurking around. This also presents Lockwood as naïve of his new surroundings leading to his narration revolving around finding to new information, which makes him a fitting narrator because it means the readers can also gain that information. However it could be said due to Lockwood misreading situations and mistaking social relationships (shown by “Mr Heathcliff and I are such a suitable pair to divide the desolation between us.”) he could be presented as an unreliable narrator.…
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We are able to see in the first chapter that, Wuthering Heights, is a dark and isolated place. This is the area in which the character of Heathcliffe lives along with other members of his household. He is shown to live in a dark dwelling and it is described as being ‘the atmospheric tumult to which its station is exposed to stormy weather’. Due to the name ‘Wuthering’ also meaning stormy we are able to get a clear view that the area is gloomy and murky representing and almost gothic feel. It could also imply that the character of Heathcliffe may have a ‘stormy’ persona to him. Lockwood the narrator describes the place as a ‘perfect misanthropist’s heaven’ possibly meaning that everyone who lives in the area has negative feelings towards other characters. This is a perfect description on the inhabitant of Wuthering Heights, Heathcliffe, as he is seen to repel people instead of embracing them into his life. We see that in front of the house ‘gaunt thorns are stretching their limbs one way, as if craving alms of the sun’. Even the vegetation does not want to be part of the area possibly symbolising how some of the inhabitants cant bare to be there also. The thorns are craving some rays of sunlight as they stretch themselves towards the sky. This also could possibly represent how the characters are so trapped in this dismal atmosphere they are trying to find some sense of happiness and light bringing to their lives. It also shows that nothing is able to grow normally here, just as the characters find it difficult to fulfil their own strong passions by being simply happy. As Lockwood describes the house we see ‘the narrow windows are deeply set in the wall’. The deep sets of the windows are very similar to Heathcliffe’s eyes as his ‘black eyes withdraw’ into his face. The corners of the house ‘are defended with large jutting stones’ showing how this house is meant to be impenetrable also. The overall gothic description of the outside of Wuthering Heights reveals…
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Nelly wakes Linton up at 5 o'clock in the morning to take him to his father. Because his mother never mentioned his father, Linton is surprised and confused. Linton is full of questions about his father, questions Nelly answers reluctantly.…
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