With the chosen musicians coming from more than 30 different countries and vastly different backgrounds, the program needed to touch as many eras and styles as possible. So there was everything from a Renaissance for brass by Gabrieli to a new, hard-driving piece for orchestra and …show more content…
It may have been frustrating for many of the musicians as well. In the Tchaikovsky, especially, Mr. Thomas pushed them to the hilt, with winded tempos and full-throttled terraced dynamics. Though a little rough and ready, the performance had drive, color and