Zen Garden

Nature is an important element for the Zen Buddhist as it is said to aid with meditation that can achieve enlightenment. The ultimate place for this mediation is a Zen garden. These gardens are a Buddhist art expression that focuses on nature. However, the garden is almost entirely made of stone and gravel, with almost no plant life at all. In this essay I will discuss a brief history of the role of nature in Buddhism, explain why the stones and gravel in the Zen Garden are so important and describe, in detail, the finest Zen Garden example that is Ryoanji Dry Garden in Japan. I have personally visited Ryoanji three times.

Introduced to Japan in the mid-sixth century, Buddhism advanced various attitudes towards the natural world. The ideals of many Buddhists evinced a religiously based concern for nature. Buddhists in China and then Japan had long debated weather non sentient beings such as trees and rocks could actually attain Buddha-hood. Saicho (766-822) the founder of Tendai school, was one of the first to voice his opinion in an affirmative way, he declared that “trees and rocks have Buddha-nature” (Masao, 1989: 186). Later, Ryogen (912-985) a member of the Tendai School claimed that plants, trees and rocks desire Enlightenment, discipline themselves and attain Buddha-hood. Buddhist temples aesthetically enhanced the environment. These temples were surrounded by nature and were often built in forests and on the sides of mountains. Rock gardens, vegetable gardens as well as cherry and plum orchards were common features involved in the setting of temples. These features helped to improve the local environment and aid as a means of meditation through the natural beauty on a spiritual level in search of Nirvana which means to “put out the flame” in this world and escape to the otherworld.
Zen Buddhist in Particular saw enlightenment as an experience to be had through nature. Dogen (1200-1253), founder of the Soto school of Zen Buddhism, declared that “the

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