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Nora is in an interesting relationship with her husband Torvald. When readers first get an image of how their relationship is, it would not seem that bad. Once further into the play you see that it is just because Nora is submissive, and lets it be that way. The only reason she is loving her husband is because that is what she thinks she is supposed to do. Her husband will not let her expand as a person, and she just lets it happen. Women are constantly treated as a lower class among men. Nora is just as capable as her husband Torvald, with all of the talents that could lead her into being an important or meaningful person to society just like her Husband. Throughout the play Torvald says over and over again that his wife cannot possible understand…
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Her life was ruled and controlled by her husband Torvald. Her husband especially did not respect or treat Nora with equality. Nora spent eight years of her life with Torvald, and that is where she had made a huge mistake. Nora found out her husband’s true colours when it was too late, if she had found out who her husband really was and how the love he was showing to Nora was nothing but false she could have left her husband before the eight years and lived her life with freedom. Nora can find someone that actually treats her with respects, equality, and with…
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In this Nora is a remarkable woman. She only wants Torvald to make the gesture so she can respect and look up to him, to see that he is a man of honor and strength.…
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Another prime example of his redeeming qualities, he is ready and willing to please Nora, he’ll do anything to keep a smile on her face, he truly does mean well, but he lacks common sense severely. Then, Torvald made a decision to fire Krogstad, Nora completely flipped out, supposedly she was scared that he’ll write terrible things about Torvald in the newspaper. Nora’s…
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A Doll’s House, by Henrik Ibsen, portrays a young married woman, Nora, who plays a dramatic role of deception and self-indulgence. The author creates a good understanding of a woman’s role by assuming Nora is an average housewife who does not work; her only job is to maintain the house and raise the children like a stereotypical woman that cannot work or help society. In reality, she is not an average housewife in that she has a hired maid who deals with the house and children. Although Ibsen focuses on these “housewife” attributes, Nora’s character is ambitious, naive, and somewhat cunning. She hides a dark secret from her husband that not only includes borrowing money, but also forgery. Nora’s choices were irrational; she handled the situations very poorly in this play by keeping everything a secret. The way that women were viewed in this time period created a barrier that she could not overcome. The decisions that had the potential to be good were otherwise molded into appalling ones. Women should have just as many rights as men and should not be discriminated by gender; but they should also accept consequences in the same way without a lesser or harsher punishment.…
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In the play, A Doll House, Nora Helmer is a house wife who experiences an unexpected event with her husband, Torvald, which led to a whole new understanding of her life and what she was going to do with it. Nora would always try to do anything that she could to please her husband so that she would always keep him happy towards her and never give him a reason to leave her because she felt that she loved him so much and she would not know what to do without him. Nora would constantly lie to make sure that Torvald was happy and she would make sure that he would not find out. At the beginning of the play, Nora was being accused by Torvald of eating macaroons and she stated “You know I could never think of going against you” (I). This was just the start of the lies that Nora would tell Torvald just to make him happy. In the middle of the play, Mr. Krogstad told her husband about a major lie that she had told and it led to her questioning her lifestyle and the people who were in it. At the end of the play, Nora learned that she never really loved Torvald, she was just his doll, and that they had never had a serious conversation in all their years of marriage.…
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In the 21st or present century, the idea of a woman abandoning her children and husband to discover who she truly is would be viewed as a triumphant action. However, in the Victorian era, where the play “A Doll’s House” takes place, this event was unheard of and completely outrageous. Women mostly served the same purpose in every relationship and every household so the idea of being an individual and finding their interests was entirely unimportant. Many times in literature, a deeper meaning can be found within the text. The drama “A Doll’s House” by Henrik Ibsen, conveys a scenario that represents Victorian views and women’s place in society at that time. With the use of symbolism throughout the play, a message is created about ideals during this era. While Ibsen claims to not share any feminist views, much of his creation speaks otherwise. As many believe Ibsen’s intent “is to expose the patriarchy and it’s exploitation of women(Baseer)”. Many aspects in the play are intriguing as well, that could lead one to believe Ibsen really is a secret feminist. With careful analysis, the reader can locate several places in “A Doll’s House” where Ibsen acknowledges the imbalance of a patriarchal society and covertly establishes himself as an advocate for Women’s Rights.…
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A symbol is an object, action, or event that represents something or that creates a range of associations beyond itself. In literary works a symbol can express an idea, clarify meaning, or enlarge literal meaning. In A Doll’s House by Henrik Ibsen, Ibsen uses the title as a somewhat symbol to portray to the reader that the household within the story could be compared to a doll house which is pretty and well kept together on the outside but could possibly be in disarray on the inside.…
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The theme that women have a low status in society is one of the main aspects of the play. Though Nora is economically advantaged in comparison to the play’s other female characters, she still lives a difficult life because society dictates that Torvald be the marriage’s dominant partner. Torvald issues decrees and condescends to Nora, and Nora must hide her loan from him because she…
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In the midst of what seemed like the perfect marriage, Nora realized how imperfect it really was and figured out what was best for her even if it meant her giving up all she had. This imperfection starts to settle in while she was talking with and old friend, Ms.Linde, in act one. By the beginning of Act two she has come to the full conclusion of her unhappiness and resolved to kill herself. This idea changed to a less dramatic ending of her just leaving her family behind, which would cost her everything but at the same time it was happy because she comes to the realization through her actions that she has been treated as a doll for her whole life first by her father then later by her husband and has never been taken seriously. When her husband finds out about her illegal deeds to save his life and lashes out, it hits her with full force that what they have is all imaginary. This may seem sad, her leaving her children and lifestyle, but it is good because she realizes she is independent and ready to be treated as if she was her own person and not a doll with no real purpose or power other than to be played with.…
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Today, in a global world, there is no difference between gender roles. Women became a more independent on their life. Writer Henrik Ibsen’s “Dollhouse” gave an overview about a beginning of feminisms in the 19th century. “Nora” who was the main role of the play transcend her character from doll house for free women constantly up to the end of the play. It shows the trend of independence in women’s life. Her action of borrowed the money from Krogstad to save her husband's’s life was clearly explained about the protest of feminism. She wanted to become a more responsible towards her family, which normally plays by the husband in the family. Nora changed her role through borrowed money, and arranged to pay deb which express her leading responsibility…
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Some view Nora as a victim of circumstance. However, I think that Nora is an early feminist of the age. She may have been caught up in the doll-like treatment for a good portion of her life, but she then decided to take initiative to choose her own fate. Yuehua writes, “Though men manipulate their power in an open way, women demonstrate their ideological strength with their forceful challenge of masculine power in a more tactful way, and deconstruct the traditional myths of gender role” (Yuehua 1). I suppose Nora is a victim if you look at it from the perspective that she could have ended her marriage from the beginning if she wasn’t happy. She would be a victim considering the passing her off from her father to her husband with no choice of her own. She would then be a victim to the societal idea that a woman should only put her family’s happiness first above her own happiness just because she is a woman. She would be a victim because she wasn’t allowed to buy, eat, dress, act, or say things that were not acceptable by…
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Nora Helmer; seems completely happy. She responds affectionately to her husband’s teasing, speaks with excitement about the extra money his new job will provide, and takes pleasure in the company of her children and friends. She does not seem to mind her doll-like existence, in which she is coddled, pampered, and patronized. Torvald Helmer; embraces the belief that a man’s role in marriage is to protect and guide his wife. He clearly enjoys the idea that Nora needs his guidance, and he interacts with her as a father would. He instructs her with trite, moralistic sayings, such as; “A home that depends on loans and debt is not beautiful because it is not free.” Torvald likes to envision himself as Nora’s savior, asking her after the party, “Do you know that I’ve often wished you were facing some terrible dangers so that I could risk life and limb, risk everything, for your sake.” Krogstad; is the antagonist in the film but he is not necessarily a villain. Though his willingness to allow Nora’s torment to continue is cruel, Krogstad is not without sympathy for her, as he says, “even money lender, hacks, well a man like me, can have a little of what you call feeling, you know.” Krogstad has reasonable motives for behaving as he does; he wants to keep his job at the bank in order to spare his children from the hardship that come with a spoiled reputation. Unlike Torvald, who seems to desire respect for petty selfish reasons, Krogstad…
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Since men and women were unequal in that time, she had trouble identifying herself. Nora had to sacrifice her identity to live an unhappy marriage and life. Throughout her whole life, she was being completely controlled by her father and husband. She tried to do her own things in the marriage, but her husband wanted to be more dominant. In the end, she gave up everything in the fake marriage to find her…
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The feminist movement started in the nineteenth century and still present and widely discussed to this day. With so many existing publications that touch this difficult topic. We don't know what books or stories first discussed the role of the woman and hinted at feminism. Based on the story "The Yellow Wallpaper" by Charlotte Perkins Gilman and the drama "A doll house" by Henrik Ibsen, there is a theme of burdened womanhood and toxic marriages.…
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