A woman sheltered by an awful man, turning into a woman breaking free from a helpless man. Ibsen’s A Doll’s House shows evidence that it is written with a feminist agenda. Nora is treated like border line trash the whole play in comparison to her husband. She is called weak, unintelligent, and needy. She is called terrible names the whole time, demeaning her role as a woman. Even the title of the play supports it being themed on feminism. A Doll’s House may have reason to be seen as a play about humanism, but the main theme is indeed…
Nora counts the remaining hours of her life after the rehearsal because she thinks she is going to sacrifice herself, before her husband would sacrifice himself for her. Both sacrifices never occur and the theme of the play is a twisted irony to the separation and uncertainty of life. Torvald’s “helpless little thing”, Nora, ironically becomes stronger, confident, independent and serious in life. Torvald’s so imagined possession, his little doll, his beautiful treasure becomes ironically a complete stranger to…
Henrik Ibsen’s play A Doll’s House, is an examination of human nature and personality. Each of the five main characters displays personality traits that can be considered a character flaw. Nora Helmer is an example of a person who has the flaw of being childish. That flaw is made evident in several ways.…
Krogstadʻs blackmail and the disturbance that follows do not change Nora’s nature instead they open her eyes to her unfulfilled and underappreciated potential. She begins to inform Torvalds that she basically has been performing tricks for him during an argument. Nora…
In Act 1, it’s made clear that Torvald has redeeming qualities. In the story it is Christmas, the glorious holiday season. Torvald is all about keeping his wife happy as it seems, Nora wants an extravagant Christmas this year. He isn’t too fond of the idea, he tells her they don’t have money to waste, yet she insists his salary is large and they could always borrow. Torvald called her irresponsible. Of course he wants her to be happy, but poor torvald is failing miserably to realize that Nora is very materialistic. He has good intentions, but he’s a little dumb founded to what his wife is trying to do. He caves in and gives her money just like she wanted; he gave her forty dollars, not even ten minutes later she was asking for more. Torvald said to her “You’re always looking for ways to get money, but as soon as you do, it runs through your fingers and you can never say what you spent it for.” Yet he still continues to give her what she wants. I myself would have to put Torvald in the category of being weak. He doesn’t really seem to have much of a back bone when it comes to Nora and her constant wants and demands.…
A Doll’s House, by Henrik Ibsen, portrays a young married woman, Nora, who plays a dramatic role of deception and self-indulgence. The author creates a good understanding of a woman’s role by assuming Nora is an average housewife who does not work; her only job is to maintain the house and raise the children like a stereotypical woman that cannot work or help society. In reality, she is not an average housewife in that she has a hired maid who deals with the house and children. Although Ibsen focuses on these “housewife” attributes, Nora’s character is ambitious, naive, and somewhat cunning. She hides a dark secret from her husband that not only includes borrowing money, but also forgery. Nora’s choices were irrational; she handled the situations very poorly in this play by keeping everything a secret. The way that women were viewed in this time period created a barrier that she could not overcome. The decisions that had the potential to be good were otherwise molded into appalling ones. Women should have just as many rights as men and should not be discriminated by gender; but they should also accept consequences in the same way without a lesser or harsher punishment.…
When Nora opens up about her secret to Mrs. Linde, she expresses to her, “I’ve got something to be proud of and happy for. I’m the one who saved Torvald’s life” (Isben 1716). Who wouldn’t want to have the opportunity to save their significant others life? Nora honestly felt like she had done the right thing for the man that she loved, even if it did mean having to go behind his back. When Nora is asked if Torvald knows she replies, “For heaven’s sake, no! Are you serious? He’s so strict on that subject” (Isben 1717). Nora explains that it would break up her happy beautiful home. This is a great example of the disrespect that Torvald shows Nora. She never felt comfortable telling him something so big, because she knew he would react horribly. Nora continues on and tells Mrs. Linde that she maybe could tell Torvald, “years from now, when I’m no longer attractive” (Isben 1717). This statement from Nora confirms that she really has no place in her marriage to say anything. The fact that she honestly believes that she should wait until Torvald isn’t as in love with her as he is now is ridiculous. No women should have to be so belittled to the fact that they are afraid to be honest.…
A symbol is an object, action, or event that represents something or that creates a range of associations beyond itself. In literary works a symbol can express an idea, clarify meaning, or enlarge literal meaning. In A Doll’s House by Henrik Ibsen, Ibsen uses the title as a somewhat symbol to portray to the reader that the household within the story could be compared to a doll house which is pretty and well kept together on the outside but could possibly be in disarray on the inside.…
When you look at doll houses you see the perfect little family inside, the perfect little chairs, and the perfect little scene for what family life should be, but in the play “A Doll House” by Henrik Ibsen you see a different picture with the two main characters Torvald Helmer and Nora Helmer, who are husband and wife. At the beginning of the play the audience sees the first scene between Torvald and his wife about money; Torvald is depicted as a stereotypical man from the 19th Century. Torvald shows his dominance over his wife Nora, when he questions her about being out and spending money. Torvald is the manly man and he wants total control over everything that happens in his home, and he shows his dominance and control when he says, “[b]ut…
Don’t Judge a Book by its Cover Throughout the play “A Doll’s House” by Henrik Ibsen there is a constant evolution of characters and their appearances. At first Nora seems like a child but we find out at that she is a smart and independent woman. Helmer seems like a courageous and smart man but we find out he is a coward when his name is on the line. Krogstad seems like a manipulative man but we soon realize he is full of love and compassion.…
The type of drama in each of the plays affects their distinct outcomes and tracks of direction. Since each play is treated differently in that sense, it would be wise to address the plays separately. A doll's house is written through the drama of "realism" which generally follows that time's cultivation of socio-comments in plays. The statement Ibsen is making is that of women's realization of their independency in a way that Nora is representative of all sets and states of women. So, although Nora's meager role in society, the Helmer household, serves as an essential focus, it is her actions that are followed all along. The decisions she takes that lead to the play's inconclusiveness that lead to the questioning of a moral code become criticisms towards the playwright. It is his perspective that is dominant and affecting meanings into the play. In return, the audience sees the play through this narrow perspective.…
Also in A Doll’s House, you will find that things are not always what they seem. One of the main examples of this, is the various sides of Nora that she uncovers throughout the course of the play. She goes from being told, “Nora, you’re just a child” [pg.951 Ibsen] by Mrs. Linde, to an untypical Victorian woman. She appears to be a spendthrift to Torvald, when really she is paying off a debt she owes to…
Yet as the plays progresses, Nora has a major growth development. Her development allows the audience to notice how she has become a strong-willed, independent woman rather than the childish woman who is crazy about her husband. Nora’s portrayal in Act I is that of a stereotypical woman, one who spends and wants money.…
The feminist movement started in the nineteenth century and still present and widely discussed to this day. With so many existing publications that touch this difficult topic. We don't know what books or stories first discussed the role of the woman and hinted at feminism. Based on the story "The Yellow Wallpaper" by Charlotte Perkins Gilman and the drama "A doll house" by Henrik Ibsen, there is a theme of burdened womanhood and toxic marriages.…
Witham, Lutterbie. "The Bedford Introduction to Literature." Meyer, Michael. The Bedford Introduction to Literature. Boston: St Martins/Bedford, 2013. 1785-1787.…