A Doll’s House has several high points that lead up to what I’ve considered the most defining moment. When Torvald finally reads the letter Krogstad (a fellow schoolmate and an employee at the bank) wrote revealing that it was not from Nora’s father that she borrowed money, but from him, what follows was totally unexpected by me. It seems that the situation of her husband falling ill and the decisions she had to make in regards to that, forced her to grow. In the end, Nora makes a decision that she doesn’t want to be married to her husband Torvald any longer, and she tells him so. The line, “We’ve been married for eight years. Doesn’t it occur to you that this is the first time the two of us, you and I, husband and wife, have had a serious conversation?” (Isben 1879 p. 590) says Nora, licks at where she is going with this conversation between the two of them.…
A Dollhouse begins with an ordinary couple who seems neither to be extraordinary or plain. They have money, a nice house, and a family. Nora has money spending problems which is probably to overcompensate for her underlying feelings of misery, and Torbert is a loving husband but has no respect for Nora’s opinions and intellect because she is a women. With realism…
In the play A Doll House written by Henrick Isben several social issues were revealed. Considering the time period, women had little to no rights at all. They were basically expected to have no voice, and to just keep a happy home. The main social issues that are portrayed in the play mostly stem from a high level of disrespect for women that are presented in several different ways.…
In A Dolls’ House the stories’ two main protagonists Nora and Torvald Helmer which is a married couple experiences many things while being married. And in most cases money brought forth the bulk of their problems, which eventually caused the relationship to split apart. However many people looked at the couples’ relationship from the exterior and thought it was legit. Another character in the play, Nora’s close friend Ms. Linde views the Helmers as a married couple who lives comfortable enough to afford things that she usually cannot. Even though the Helmers’ household is taken care of financially, it is in disarray due to lies, and deceit. On the outside it looks fine as Nora could be compared to a doll; looking nice and well kept together. In reality Nora has hid from her husband that she have been repaying a debt for years from when her and her husband took a trip to Italy. The reader also learns that Nora secretly forged the signature of her deceased father. Out of all the things that happened within the story Torvald eventually finds out about what’s been going on and is outraged. He calls Nora a hypocrite and a liar and complains that she has ruined his happiness. He declares that she will not be allowed to raise their children. And as a result the married couple are separated. The symbol “doll house” really help functions in the work of revealing the characters because it shows Nora as a doll who you would think is squeaky clean and flawless, but deep down inside is…
There is a common struggle between the call of duty and the desire to live one’s life in the two plays “A Doll’s House” by Henrik Ibsen and “The Glass Menagerie” by Tennessee Williams. Nora, from “A Doll’s House” didn’t realize her desire to live her own life until the end of the play and she dealt with the struggle by convincing herself that she was unfit to be a mother and a wife. Tom, from “The Glass Menagerie” always struggled between his responsibility to his family and his desire to be a merchant marine. Both Nora and Tom were trapped by the circumstances of life and needed to get out. Other characters struggled as well, and we can see this through character traits and flaws, abandonment, and character transformations.…
In A Doll's House by Henrick Ibsen, money symbolizes what some characters seek or have gotten into problems over. It seems that this whole play revolves around it and drama is created because of it. The common saying “money can't buy happiness” is proven untrue in the beginning of this play when one of the main characters, Nora, is always joyous and perky when she convinces her husband to give her more money. Throughout this play, money forces characters to show their true selves.…
A Doll’s House by Henrik Ibsen was first performed in 1879 when European society strictly enforced male supremacy over women. The play consists of a middle class couple, Torvald and Nora Helmer, who seem to have the perfect marriage, three children, and a pending respectable income with the husband’s recent promotion to bank manager. Torvald treats Nora like a doll, manicuring and manipulating her looks and actions. Although his controlling demeanor is concealed by innocent nicknames and monetary allowances, the affects of his domination over his wife are eventually exposed. At the end of the play, Nora leaves in a haze of anguish after her husband fails to defend her when she is accused of legal fraud in a loan she had taken to save Torvald’s life. Some people say that Nora was right to leave and flee the control of her demeaning husband to seek her individuality, but many argue the contrary when considering what she left behind, what she could have demanded and changed at home, and what she would face as an independent woman defending herself in a 19th century, male biased society. Although some may assertively argue that Nora was right to leave her home, others suggest the she was not right to leave considering the abandonment of her children, the responsibility she could have demanded from her husband, and the prejudice against independent women in her society.…
What is the “spiritual reassessment or moral reconciliation” evident in the ending of The Doll’s House?…
At the beginning of A Doll’s House, Nora seems completely happy. She responds affectionately to Torvalds teasing, speaks with excitement and takes pleasure in the company of her children and friends. As the play goes on, Nora realizes that she is not a “silly girl’’ as Torvald refers to her. She is well aware of the business details related to the debt she took upon herself in order to help her husband’s health related matter. She feels intelligent and capable of taking action. She has also managed to keep a secret of the loan she took. Nora has also managed to keep up with monthly instalments. Nora’s ability of keeping this secret shows great determination and ambition.…
Also in A Doll’s House, you will find that things are not always what they seem. One of the main examples of this, is the various sides of Nora that she uncovers throughout the course of the play. She goes from being told, “Nora, you’re just a child” [pg.951 Ibsen] by Mrs. Linde, to an untypical Victorian woman. She appears to be a spendthrift to Torvald, when really she is paying off a debt she owes to…
Richard Bach once said, “If you love someone, set them free. If they come back they’re yours; if they don’t they never were.” In Henrik Ibsen’s A Doll’s House, the couple that never shines light within the story is Krogstad and Kristine. Krogstad and Kristine as a couple is a good representation of sacrifice, which is something that Torvald and Nora lack in their relationship. Torvald and Nora have a good life and are prosperous, but they do not compare to Krogstad and Kristine. The experience that Krogstad and Kristine encountered throughout their lives make them the stronger, genuine couple in the end.…
In the play, A Doll House, Nora is having trouble identifying herself, and this reveals how men and women were unequal in that time. During that time, men usually had more power than women. Women were expected to be at home and be a good wife or mother. Men didn’t expect women to run a big business or big loans. During that time, women were struggling to have equal rights.…
The feminist movement started in the nineteenth century and still present and widely discussed to this day. With so many existing publications that touch this difficult topic. We don't know what books or stories first discussed the role of the woman and hinted at feminism. Based on the story "The Yellow Wallpaper" by Charlotte Perkins Gilman and the drama "A doll house" by Henrik Ibsen, there is a theme of burdened womanhood and toxic marriages.…
Nora has not always been a feminist; it is throughout the play A Doll's House that she changes the way she reacts when interacting with others. She is introduced as a subordinate, submissive woman who tends to allow others to walk all over her. These "doormat" characteristics are especially prevalent beginning in Act I, where Nora keeps to herself and is used as a puppet by Torvald. For example, Nora states, "Yes, yes, as you wish, Torvald," in response to her husband's orders (Ibsen, 111). As a reader, one would never expect Nora to be as courageous as she is later in the play based on the way she is originally portrayed. By Act II, her capricious behavior is revealed as a result of struggle in her marriage. She does not wear her "happy mask" as frequently, but Torvald is still oblivious…
Throughout both plays, each main character exhibits a decay from the norm in their social persona. In Dollhouse, Nora who at first seems a silly, childish woman, is revealed to be intelligent and motivated though the play, and, by the play's conclusion, can be seen to be a strong-willed, independent thinker. She develops an awareness for the truth about her life as Torvald's devotion to an image at the expense of the creation of true happiness becomes more and more evident to her. When Nora calls him petty and swears about the house, and when Krogstad calls him by his first name it angers Torvald notably, and this anger at what he sees to be insubordination and improper etiquette heightens her awareness of the falsities being put in place by Mr. Helmer. When it is revealed to Torvald that their life-saving trip to Italy was funded by his wife borrowing money underneath his very…