In Jean-Pierre Vernant’s, The Universe, The Gods, and Men, women are primarily portrayed as seductresses. These women create problems for Odysseus in Homer’s story, The Odyssey. Some examples of this would be through women like Calypso, who held men against their will, Circe, a dangerous woman who practiced sorcery and the Sirens, who lure men to their death. All together these women caused many problems to Odysseus and other men.…
roles in the late 1800’s during the Victorian Era. Initially, I thought the play was…
Nora is in an interesting relationship with her husband Torvald. When readers first get an image of how their relationship is, it would not seem that bad. Once further into the play you see that it is just because Nora is submissive, and lets it be that way. The only reason she is loving her husband is because that is what she thinks she is supposed to do. Her husband will not let her expand as a person, and she just lets it happen. Women are constantly treated as a lower class among men. Nora is just as capable as her husband Torvald, with all of the talents that could lead her into being an important or meaningful person to society just like her Husband. Throughout the play Torvald says over and over again that his wife cannot possible understand…
At the start of the play, Nora is seen as a caring mother and wife; however, this is an affectation of joy and contentment. In reality, her true character is held enslaved by her tyrannical husband. Her demeaning nicknames, “skylark” and “little song bird” truly are a metaphor for her mental and physical imprisonment to the societal roles of being a mother and wife. Nora accepts this captivity, however, evident through her own use of her nicknames throughout the story in order to pry money from her husband and follow all of his commands. At this point, the audience begins to sense superficiality and materialistic behavior from Nora, but this view soon changes as Ibsen reveals his realistic writing style. Deceit is first seen as she consumes macaroons secretively, in spite of her husband’s disapproval. She begins to reassure to Torvald that she, “should not think of going against (his) wishes’,”(Ibsen,1.4) and is dishonest once again when telling him Chritine Linde and Dr. Rank brought her the desserts. This fraudulence continues as she searches for a way to hastily pay a debt which her financially independent husband is unaware of. She hides the truth from her husband in the same manner she participates in a game of “hide-and-seek” with her…
The exposition is setup in Act 1 where the characters are introduced and Nora getting a loan to help with his illness that he is not aware of. The inciting incident is when Torvald talks of becoming the bank president and the raise he will receive has Nora thinking she will be able to pay the loan off early. The rising action starts when Korgstad tries to blackmail Nora to help him keep his job at the bank by saying he would not let her husband know about the loan she had if she would help him to keep his job. When this does not work, Korgstad writes a letter to Torvald to explain to him about Nora's loan. Mrs. Linde tells Nora she should tell her husband about the note before he finds out some other way. Korgstad drops the letter in the mailbox and Nora tries to keep Torvald from reading it. The climax is when Torvald reads the letter, becomes outraged at Nora and tells her how she has ruin his life and reputation and she is just like her father. The maid brings another note addressed to Nora from Krogstad and Torvald reads this and sees that he has dropped the note so she would not have to worry about repaying the rest of it. Torvald ask for Nora's forgiveness but it is too late and she is going to leave him. She told him that he never loved her and after what he said, she did not love him either. She tells him she must find herself and become independent because she had been sheltered all her life by her father and Torvald. She walks out the door and never looks…
Similar to the way media portrays women in today society, Ibsen play “A Doll’s House” is controversial for its time in literature, because Ibsen understood the challenges women faced during that time, and exploits it in his writing, likewise to the United Nations who are actively raising awareness to the degradation of women in today’s society. Susan Glaspell’s play “trifles” grasps the notion that women in the early nineteen hundreds were considered to be innocent caretakers, while on the other hand turns the back to women when it comes to equality in marital relationships. Understanding women’s rights during the period the plays were written in, is a critical piece to understanding why the authors choose to write them in the fashion they…
In tragic plays it appears that women, more specifically mothers like Gertrude of Hamlet and Jocasta of Oedipus the King, are plagued by decisions that are made with good intentions, but end up destroying their lives and the lives of people around them. Women are also under the burden of strict societal expectations when it comes to the decisions they make. These two tragic plays illuminate a human being’s capacity for suffering. Gertrude and Jocasta both care deeply for their sons. However, this care unintentionally causes harm to both of the mothers and their sons. For these two women, marriage is regarded as a societal expectation. Under the societal norms of their time, they are required to marry people to preserve their kingdom. Also, in both of these tragic plays, Gertrude and Jocasta plays are largely characterized by their emotions. Lastly, it is evident that often times women inadvertently bring about the destruction and chaos that is central to the play. Jocasta and Gertrude both engage in decisions that may seem trivial, but end up being very important on a large scale.…
Throughout the world, every culture has expected gender roles for women to adhere to. These gender roles are also present in literature including A Doll’s House by Henrik Ibsen and “The Yellow Wallpaper” by Charlotte Perkins Gilman. However, the lead female characters in both of these works, Nora and the unnamed narrator, challenge the gender roles of their cultures in their respective stories. In A Doll’s House, Nora forges a signature to help save her dying husband’s life, while the unnamed narrator in “The Yellow Wallpaper” rips down wallpaper that symbolizes her emotional confinement.…
A Doll’s House, by Henrik Ibsen, portrays a young married woman, Nora, who plays a dramatic role of deception and self-indulgence. The author creates a good understanding of a woman’s role by assuming Nora is an average housewife who does not work; her only job is to maintain the house and raise the children like a stereotypical woman that cannot work or help society. In reality, she is not an average housewife in that she has a hired maid who deals with the house and children. Although Ibsen focuses on these “housewife” attributes, Nora’s character is ambitious, naive, and somewhat cunning. She hides a dark secret from her husband that not only includes borrowing money, but also forgery. Nora’s choices were irrational; she handled the situations very poorly in this play by keeping everything a secret. The way that women were viewed in this time period created a barrier that she could not overcome. The decisions that had the potential to be good were otherwise molded into appalling ones. Women should have just as many rights as men and should not be discriminated by gender; but they should also accept consequences in the same way without a lesser or harsher punishment.…
The door slam at the end of Henrik Ibsen’s “A Doll’s House” had been said to echo around the world. Nora leaving her husband was practically unheard of when this play was written in 1879, and it can be argued that this was a catalyst for the women’s rights movement.…
Written within the nineteenth century, both Susan Glaspell’s Trifles and Henrik Ibsen’s A Doll’s House, use symbolism within the play to illustrate how different the roles were between men and women during this time. Reputation and public appearance were viewed as intrinsic forms of value within nineteenth century marriages, as though they were solely the backbone of the marriage’s success. Women were viewed as subordinates, mere extensions of their husbands, creating a strong theme of male dominance that echoes equally throughout both plays. Incidentally, in direct correlation to their false presumptions and patronizing mannerisms toward women, in the end, the men are ultimately responsible for their own fall.…
Throughout Greek tragedies, there is a well-defined line between male and female gender roles. The men are seen as money makers, punishers, and protectors; whereas women are seen as caregivers, peacekeepers, and nurturers. A man’s job held more importance than a woman’s. In the patriarchal society seen in Greek culture, women were expected to follow orders and adhere to men . Defying men would cause consequences because in ancient times reputation was everything; being defied by a woman would ultimately destroy a man’s reputation. Due to this factor, women have been oppressed throughout history by men attempting to solidify their status in society. Influential women that resisted objectification and the patriarchal society caused such a drastic change that women today are now able to vote, work, and step away from traditional gender roles.…
Today, in a global world, there is no difference between gender roles. Women became a more independent on their life. Writer Henrik Ibsen’s “Dollhouse” gave an overview about a beginning of feminisms in the 19th century. “Nora” who was the main role of the play transcend her character from doll house for free women constantly up to the end of the play. It shows the trend of independence in women’s life. Her action of borrowed the money from Krogstad to save her husband's’s life was clearly explained about the protest of feminism. She wanted to become a more responsible towards her family, which normally plays by the husband in the family. Nora changed her role through borrowed money, and arranged to pay deb which express her leading responsibility…
During the late nineteenth century, women were enslaved in their gender roles and certain restrictions were enforced on them by a male dominant culture. Every woman was raised believing that they had neither self-control nor self-government but that they must yield to the control of a stronger gender. John Stuart Mill wrote in his essay, “The Subjection of Women”, that women were, “wholly under the role of men and each private being under the obligation of disobedience to the man with whom she has associated her destiny”. This issue of gender roles in the society propelled to the production of Henrik Ibsen’s A Doll House—a controversial play of a woman who disregards conventional norms of the society. It displays how lies and deceptions could destroy relationships and the need of every individual to possess self-identity.…
She stated, “Then he took me in his arms and called me a blessed little goose” (Gilman). This little comment can be interpreted as being belittling towards her. Similarly, in the play “A Doll’s House” it also expresses how Torvald treats his wife Nora. First, he controls the money and only give Nora an allowance as a parent would do to their children.…