The institution of gender roles in many places around the world is controversial to many people, especially because of their depiction, and therefore enforcement, in modern entertainment such as movies and books. For a play written sometime in the early seventeenth century, (Greenblatt 537), Macbeth displays an unusual, varied, and at times modern representation of gender roles. In particular, Shakespeare makes his female characters the driving force behind the plot, which is evident when looking at their utilization in the story.…
While many will agree that Shakespeare’s Twelfth Night is critically acclaimed to be one of the most entertaining and well-liked pieces that he has written, there tends to be a discrepancy over how the characters in the play are portrayed when it comes to the importance of gender roles. After reading James C Bulman’s article over the Globe’s more recent performance of Twelfth Night and Shakespeare’s original written version, I realized that there are many ways that this famous piece has been portrayed and each has its own pros and cons.…
Women of Shakespeare’s time were regarded to be possessions of men and as such were conditioned to be submissive. This would have influenced, in my judgment, how Shakespeare created the female characters in Hamlet. Furthermore, in the essay “The Warrant of Womanhood, Shakespeare and Feminist Criticism”, Ann Thompson points out that male characters in Hamlet have a limited perception of the females. Shakespeare, according to Ann Thompson, goes as far as to let the audience know that he intended for the male character to misunderstand the female, therefore the male characters are often very wrong about the females in the play. The men completely misread the women and in Ophelia and Gertrude’s situation, the consequences are very tragic. In order to address this issue, it is necessary to explore the characters of Gertrude and Ophelia in Hamlet and the characters of Hero and Beatrice in Much Ado about Nothing, and in addition, how they are treated by other characters. This will then enable me to pass my own judgement, as to how the women are represented in the two plays Hamlet and Much Ado about Nothing.…
The views of female characters from the man’s perspective have significantly changed from the pre-classical era to the classical literature era. From then women went from being described as animalistic, to symbols of holiness, then to more physically attributed beings. Which led to Shakespeare, who would describe women as being at the same level as men. How men have seen and wrote about women was, and is still, on a constant rollercoaster of stature.…
Since the Renaissance, when Shakespeare born and wrote his works, many of the plays and literature styles have gained wide popularity among the readers and influenced many of the readers and the critics. Furthermore, people often say, it is widely believed at this time that role of males stand completely opposite to that of females; however, through the play of Hamlet, Shakespeare portrays a complex representation of human beings including femininity in its protagonist and title character, prince Hamlet. The Women in Literature and Life Assembly states in one of their articles, “Defining masculine and feminine characteristics allowed writers like Shakespeare to draw males with certain ‘feminine’ characteristics and females with certain ‘masculine’…
There are many reasons why boys would play the female roles throughout the 1800s during Shakespeare's influence over the theatre. Young boys would often play the parts of women in Shakespeare plays and an entrance into an acting career. Often there would be only around 4 actors performing in one production at a time therefore multi rolling was common and each actor had to be versatile. Audience members gave positive impressions of the quality of the acting of boy players.…
By exploring the role of woman in Othello and other Shakespeare’s plays, this essay has demonstrated literature is most successful in dealing with a worldwide issue like gender role. A memorable play is a successful play. Gender inequality, a current critical subject, is an important theme found throughout the play. It has powerfully developed the readers’ feelings towards the subject and the play, making it unforgettable. Shakespeare’s plays are truly…
* William Shakespeare, “The Sonnets and ‘A Lover’s Complaint’,” in The Norton Shakespeare, ed. Stephen Greenblatt et al., 2nd ed. (New York: W.W. Norton, 2008)…
In “Othello,” William Shakespeare extensively explores female stereotypes that occur during the playwright’s time. Throughout the Shakespearian era, women were seen as the inferior sex, over whom men had complete control and thus forcing women to act submissively and obediently in front of their husbands. Men believed that women were objects who just cooked meals, cleaned the house, and bore children while society just accepted these degrading roles. William Shakespeare extensively reinforces female stereotypes by presenting the deaths of Emilia and Desdemona to be rightly deserved for defying their female gender roles throughout the play. Emilia and Desdemona are polar opposite characters who serve the same function for Shakespeare to reinforce sexist stereotypes in his play. Emilia’s constant challenge of the female stereotype with her cynical yet modern ideas and Desdemona’s misleading portrayal of the perfect Shakespearean woman lead both characters to their untimely deaths. By acknowledging William Shakespeare’s sexist presentation of his female characters, readers are able to make their own opinions on the credibility of Shakespeare’s claim that a woman who defies her gender role deserves to die.…
In Shakespeare’s tragedy ‘Othello’, the audience experiences a definite sense of sexism which roots from numerous characters in the play.…
Throughout Romeo and Juliet, by William Shakespeare, there is an overlaying presence of the typical roles that men and women were supposed to play. During Elizabethan times there was a major difference between the way men and women were supposed to act. Men typically were supposed to be masculine and powerful, and defend the honor. Women, on the other hand, were supposed to be subservient to their men in their lives and do as ever they wished. In Romeo and Juliet the typical gender roles that men and women were supposed to play had an influence on the fate of their lives.…
William Shakespeare’s multidimensional comedy Twelfth Night dismantles and obliterates socially constructed limitations regarding biological and assumed gender and identity, thus emphasising that nothing is certain, rather, a matter of perspective. The reader to an emphatic extent becomes an integral part of the way language forms and shapes the reality of the play. Therefore, language instructs initial perceptions and the foundational reality of the reader but not final perceptions and ultimate reality. Language constructs a character’s initial identity and reality, however, the reader’s reconstruction of a reality reflective of their own perspective is imperative to determine the final perception. The consistent blurring of the gendered identities of characters in Twelfth Night require the reader to meticulously interrogate their own ideas regarding the construction of biological and assumed gender and identity. Audiences are invited to further delve into the intricacies of the text to create their own meaning. Identity is the product of distinctive characteristics that are both biological and assumed, thus, it is the interplay between contextual notions of assumed gender and how this parallels with biological sex. Twelfth Night challenges the notion that gender is merely being in the state of male or female through androgynous characters such as Viola. If one completely disregards what they previously thought about biological and assumed gender upon beginning the text, it can enrich the depth of their interaction with the play. The ambiguous language in Twelfth Night is subjective and not limited to a singular meaning or context.…
Euthanasia is the act of allowing a person to die painlessly by withholding medical measures. Some consider euthanasia to be mercy killing, the practice of ending a life in order to relieve someone from pain or intolerable suffering. There are two principles of euthanasia, which are active euthanasia and passive euthanasia. There are four indirect forms of euthanasia as well, voluntary and involuntary, direct, and indirect. Active euthanasia is when medical professionals or another person consciously chooses to do something that causes a patient or someone sick to pass away; while passive euthanasia is when someone dies because medical professionals or another person stops doing something that is causing someone to stay alive. Although there are different types of euthanasia, there is no difference in the purpose. Euthanasia is the intentional termination of one’s life by another human being. Many are against euthanasia because it goes against the 6th amendment, “Thou Shalt Not Kill” and many medical professionals are against assisted suicide because it violates human dignity and a person’s will to survive.…
Canadian Social Science ISSN 1712-8056 Canadian Academy of Oriental and Occidental Culture Http://www.cscanada.org Http://www.cscanada.net E-mail: css@cscanada.org; caooc@hotmail.com…
“Shrews” and “Tyrants” are explored in Macbeth and the Taming of the Shrew through generic contextual gender stereotypes. Shakespeare outlines the controversy of gender roles during the Renaissance period; these works have become ever more dubious as ideas of feminism have in recent years overcome most misogynistic concepts. The exploration of the perception of masculinity and women being outsiders in both plays has been interpreted by many directors and actors; they remodel the plays in order to highlight the changes in the views of the audiences by reinforcing or discouraging the gender roles.…