EBB opens the sonnet sequence by placing herself in the tradition of pastoral love poetry. She enters this tradition to write her own story, which begins as, ‘the sweet years, the dear and wished-for years’. This however is transformed in the second quatrain when they become ‘the sad years, the melancholy years’. This first sonnet recounts the moment the speaker is overcome by love. This strong love that is portrayed and physically and emotionally sought after throughout the sonnets contrasts the aspects of love that is demonstrated in TGG. In chapter two, the valley of the ashes is…
The sonnet begins with the words, “Thou ill-formed offspring,” demonstrating the speaker’s perilous and somewhat despised attitude towards the book. Albeit, the following line shows a polar sense of indebtedness of the book’s blind allegiance with the words: “Whoafter birth did’st by my side remain.” No matter how terrible the book may be or how negative the reaction of critics, the book will always remain loyal to the author. The metaphorical semblance of a mother simply cements the loyalty of such a bond. However, the binary opposition between love and disdain continues throughout the poem, and likens to the complex relationship between mother and child. This antagonism between love and hate symbolizes a mother’s cold-heartedness towards a fetus she perhaps did not desire. However, the birth of the child, like the publishing of the book, softens the mother’s heart and she finds comfort in the unquestionable loyalty. The opposition and eventual changing of heart bolsters both sincerity and loyalty, solidifying the poem’s tone.…
As people near the time of their deaths, they begin to reflect upon the history and events of their own lives. Both John Keats’ “When I have Fears” and Henry Longfellow’s “Mezzo Cammin” reflect upon the speakers’ fears and thoughts of death. However, the conclusions between these two poems end quite differently. Although both reflect upon Death’s grasp, Keats’ displays an appreciation and subtle satisfaction with the wonders of life, while Longfellow morbidly mourns his past inactions and fears what events the future may bring.…
To begin, the structure of this poem is entirely about the narrator attempting to convince themself of the idea that loss has no importance; then coming to the conclusion that losing one’s love is of utmost importance. In the second stanza the narrator of this poem reminds themselves that to “Lose something every day. [One must] Accept the fluster” (line 4). In this quote, they are reminding themselves that losing things is common and inevitable. In the same light, this person is feverously trying to convince themself that loss is not significant. This is shown with the repetition of the line which is found three times throughout the poem. The quote, “none of these things will bring disaster” shows that the loss of cities and rivers is not significant to the narrator compared to the loss of their love (line 9). Then, in the last stanza the narrator realizes that the loss of their love is a “disaster” and forces themselves to “Write it!” (line 19). With this quote the narrator finally gives up on their feeble attempts to believe that loss is insignificant and now knows that the greatest loss is the loss of love. Correspondingly, the last stanza is the longest in the poem, which shows how great the importance is to Bishop, because this is where the narrator realizes that the only disaster of losing things is when one loses their love.…
“Impenetrable gloom” surrounds the last six lines of this sonnet as the speaker describes her inner emotions when not with her lover. Her life alone becomes “a narrow room” in which she is miserable and unhappy. The speaker draws within herself, and becomes…
By the conclusion of the poem, an emotional change is established where at the start he was unsure of his path but by the end, it was clear to him he wanted to walk his path alone ‘with guts and determination’, he demands he wants to continue his…
The two poets of “When I Have Fears” and “Mezzo Cammin” tell their fear of not attaining what they want in life through the use of parallelism. Keats uses parallelism by starting his first quatrain, as well as the other two, with the word “when”, conveying that time is moving forward in his life. The use of this word also delivers the idea Keats’s youthfulness during the time he wrote this poem, and illustrates his fear of not showing others his writing potential before he is “[ceased to be]”. Longfellow uses parallelism in line 9, telling readers he’s “halfway up the hill” and that he only “[sees] the past”. The use of this parallelism depicts his older age and his views on the little time he has left to accomplish something major. Both Keats and Longfellow bring forth their ages to get their readers to realize there is not much time left in life, and they must make a choice to do something worthwhile before it is too late.…
The speaker in this sonnet very quickly establishes a point of view by throwing out a pronoun to give a perspective as to who is speaking. In the very first line the second word “we” tells readers that the speaker is speaking in first person, including…
Despite both men fearing that death will come too soon for them, the apparent differences in their situations arise towards the middle of the poem. Specifically their experiences and views of love are expressly different. Longfellow has…
Except for loving to hear her speak, this speaker has not described any of the woman’s attributes in a positive light. It is the last two lines of the sonnet that give way to the larger picture as to what the man intends to tell those who read along. While all of the other lines in the sonnet contain an iambic pentameter of 5 meters, this line stands out at 5.5 meters, beginning with the words “and yet,” signaling the turning point that will transform the story from being just a list of unfortunate comparisons to something greater. The man takes these last two lines as a means of conclusion, resolving that as far as he is concerned “[his] love [towards his mistress is] as rare” as any woman that has ever been “belied with false compare”…
This poem demonstrates a feeling of incongruity exceptionally well, since it thinks about and differentiate the amount of his dad yielded for him and how he didn't understand it's something he underestimated. This sonnet may be a tad bit one-sided, sticking on to the father's side since this ballad was potentially made to express blame and lament. The mind-set of the story is about how the storyteller lamented being so unappreciative toward his dad. It certainly demonstrates how he dreaded his dad and regarded him now that he understands what he once had, his dad's cherishing and minding. In any case, as of right now of the sonnet, it's showing that his dad left alongside all the easily overlooked details he'd once accomplish for the…
The book " How the other half lives" was published in October 1890 and this book proved this quote true " Every thing that glitters is not gold ( Shakespeare)" Jacob Riis writer of this book showed the reality of New York and proved that life was not only rich and amazing in New York. He showed the other side of a picture which was unknown by most of the people lived in America.…
This poem has a symbolic structure, starting with a present situation, going to the future, and ending, again, with the present to show the trouble that is going through the fathers mind. While in the present tense the father cannot recall a new story “…and soon, he thinks, the boy will give up…” on him. The father establishes a troubling image of “…the boy packing his shirts…looking for his keys”. The man fears of his son growing up and leaving his side. As the boy sits in his lap, the father is terrorized as thoughts of his biggest fear run through his head. Lee’s ability to share the father’s thoughts and create images from the future portrays the trouble the father is having of his son giving up on…
In William Wordsworth’s “The world is too much with us,” an unidentified speaker laments that society is disconnected from nature. He speaks longingly of nature… Sonnet… Thesis! Something involving the need for nature in order to get close to God.…
The poem is pleasing due to its realistic and figurative interpretation of the grief and its several stages. Through his poem, Longfellow influences the audience to feel the same emotions he does while mourning the loss of his wife. These emotions are portrayed as melancholy, loneliness, depression, and reminiscence. The bridge, of which the poem constantly speaks of, is a figurative place to which a person goes to while coping with a loss. While the person is standing on the bridge, he or she experiences the reminiscence that accompanies mourning and the stages of grief. Standing on the bridge, the person ponders about life as well. The long procession of people walking across the bridge represents the fact that everybody experiences the internal conflicts that follow grief. Once a person has reflected on life and come to accept the loss (final stage of grief), he or she moves on and crosses the…