A Sample of Fine Art

Although different pieces of art come from different eras and different artists, what makes a composition fine art is its ability to evoke emotions in the viewer. These emotions can range from misery to ecstasy and everything in between. Conversely, if there are no feelings experienced by the majority viewers, no matter if they're positive or negative, than that piece does not fit into the genre of fine art. The great thing about genuinely fine art is the fact that the experience of emotion is absolutely subjective. It is true that a work of art has a certain message embodied in it and an intended emotional response; however, with fine art the experience is different from person to person. Great artistic compositions do trigger similar responses in the viewer; yet, each individual has their own unique interpretation of the meaning and orientation of feelings towards the piece. No matter how similar or different these results are, none of them are the same. Out of all the amazing creations at the Museum of Fine Arts in Houston, four paintings stand out among them all. These are Paul Cezanne's Bottom of the Ravine, Paul Gauguin's Arearea II, Vincent van Gogh's The Rocks, and Georges Seurat's Young Woman Powdering Herself. What makes these painting prominent idols of attraction is the fact that they are so simple, yet they convey a deep meaning. And like all fine art each viewer has their own personal perception and reaction to these paintings, perhaps because of their uncomplicated surface appearance. What all of these compositions have in common is that they all depict natural occurrences. Whether or not the events and the contents are based on something or a scene that actually did exist is irrelevant. What matters is that these paintings are composed of images and settings which actually can exist or could have existed. This elicits a personal connection between the viewer and these fine arts since what they are viewing is something that is actually