A Streetcar Named Desire was based in the time it was written – New Orleans in 1947. The late 1940’s was a postwar era as the United States rose as a victorious superpower above the rest of the world. This era was also the beginning of the Baby Boom – a time of high marriage and birth rates in the country. There was a postwar surge in luxury with the end of rations and the emergence of better, cheaper cars and entertainment. Although there were many positive advances during the time, there was also the dark cloud of the Soviet Union as the Cold War was brewing and the atomic bomb was being threatened once again.…
A Streetcar named Desire is driven by the imagination of Blanche and the other nature. The handwriting in the amusement cloak from their loyalty by representation as if the events they way through didn’t occur or were not momentous. The consideration of mockery/fantasia vs. devotion seems to carry on the intention that these independence poverty to “sally” their earth. Escaping your fact and vigorous in a like globe will leaving you intricate to the stuff around you. In some suit, if you are muscular enough to restrain from the humor and illusions around you, you may termination up in the loyalty, inclination Mitch. Both Stella and Blanche found it flower in their liking to remain in a humor but if you abide in it too far-reaching it can take…
The primary noticeable difference between Stanley and Blanche are the worlds that they both come from. Blanche believes in an illusionary world of which the upper and lower class people are separated, education is valued, races are separated and purity is preserved. In contrast, Stanley comes from a patriarchal society, which is morally corrupt, sinful and amoral. In the opening scene, the stage directions “her expression is one of shocked disbelief. Her appearance is incongruous to this setting” conveys her difference in class and how Blanche already does not fit into this new world foreshadowing the end of the play when Blanche is pushed out of the new world. The dialogue “ they mustn’t have- understood- what number I wanted” highlights Blanche’s confusion as she arrives at Elysian Fields, which suggests that Blanche is entering into a world that she does not belong in. The use of the derogatory terms “negro”, “brown” and “one white and one coloured” all suggest that unlike in Blanche’s illusionary world, Stanley’s world, New Orleans does not separate races instead they intermingle. Throughout the play there are many references to animalistic qualities. Blanche is represented, as a “moth” of which is fragile and attracted to light, which leads to danger and death. Stanley is compared to a lion, a predator of power and strong…
Streetcar named desire was a play set in the 20th century, 1951 written by Teneesse Williams. This extrct from scene 10 is significant section of the play as it depicts the most important part of the play with the implied rape on Blanche by Stanley. Williams uses dramatic techniques and symbols which illustrate Stanley's violent and aggressive behavoiurs, displaying him in negative light and as a villian and through the use of violence and animal imagery. Also allowing us to see Stanley as an angonist to the actions he persued on Blanche. Teneesse Williams also uses the settings and motifs such as insanity to protray Blanche as a victim.…
Characterizing – it is a daily occurrence that many do not realize is taking place. Whether it appears by describing someone’s new hair or explaining a person’s personality, characterization is frequently happening. Yet, representation of an individual does not only take place in the real world, it appears in numerous literary works as well. For example, in the written matters of A Streetcar Named Desire, A Separate Peace, and “Everyday Use”, where character interactions, such as arguing and having conflicting beliefs, bring out strong depictions and central messages. While some readers of these pieces of literature may believe that character interaction shows no relation to theme relativity; a closer inquiry demonstrates that through characters such as Stella and Stanley, Mama and Dee, and Gene and Finny, an…
I believe the primary theme of A Streetcar Named Desire is madness as the result of a disconnect between idealism and reality. The main character of the play, Blanche DuBois, refuses to face reality, keeping her past mistakes and losses hidden from those around her by hiding in the shadows of madness and deception. She wishes nothing more than to escape from who she is, avoiding the interrogation lamp of life at all costs to conceal her depressing past and frightening present. In doing so, she falls more and more away from what was genuine as she wanted to live in a world of magic where none existed, forcing her into a pit of insanity and depression as her past finally catches up with her. A significant rhetorical strategy employed by Tennessee…
A Streetcar Named Desire written by Tennessee Williams is a play about a southern lady named Blanche from Mississippi visiting her sister Stella, who is married to Stanley and currently living in Elysian Fields, New Orleans. Blanche arrives in Elysian Fields, and throughout her entire stay with Stella and Stanley, there is tension and conflict occurring in Stella’s house. Even though Blanche and Stella were brought up in the South under wealthy conditions, the conflict is mainly caused by Blanche’s dislike of Stanley because, as a blue-collar worker, Stanley's status is lower than the DuBois’. In another aspect, Stanley’s conflict is caused by him being suspicious of Blanche since her arrival. Blanche explains to Stella that…
Critics have praised Tennessee Williams’ A Streetcar Named Desire for its characters. Crude, sensual Stanley; dreamy, burned-out Blanche; bashful, meek Mitch. That being said, the successful portrayal of these characters is the mark of an excellent Streetcar performance. According to many readers, the stunning characterization is what makes A Streetcar Named Desire so compelling and legendary. Yet I would like to disagree. I think it is the play’s setting that makes the story so fascinating.…
Streetcar Named Desire’s Tennessee Williams explains how Blanche and Stella are both living a lie and existing in a fantasy, where in time they must come face to face with their own realities. People that live lives they wish to have eventually with have to come to terms and realize to enjoy the life they have and stop comparing their lives to…
"A Streetcar Named Desire" by Tennessee Williams tells the tale of Blanche Dubois and her steady decline into insanity through a series of events. Throughout the story the harsh, realistic world of Stanley clashes with Blanche's filmy, illusionary world. These differences can be seen in how Stanley is portrayed, how is portrayed and how Stella is a bridge between the two worlds. Stanley represents the realistic world.…
This play has been so popular that it has been reproduced into a motion picture. This play’s significance revolves around marriage norms and the dependency of another. The play is accomplished through eleven scenes. The poem surrounds a marriage between Stanley and Stella Kowalski. The play begins to get interesting when Stella’s sister, Blanche, arrives from out of town. Blanche brings news that the family plantation back home is bankrupt. Stanley begins to question Blanche’s past and intentions with: “I got an acquaintance who deals with this sort of merchandise. I’ll have him in here to appraise it” (Williams 1828). This causes the first argument between the two when Stella replies “Don’t be such an idiot, Stanley” (1828). Stanley becomes standoffish with Blanch from this point on. He ruins the surprise that Stella is pregnant and continues to question her past. The play shifts to a poker night that reveals the dominance that Stanley has over Stella. When Stella and Blanche return home to a poker night, Stanley is drunk and rude to his wife. When she asks how much longer does the game have, he replies “Till we get ready to quit” (1833). Blanche begins to flirt with Stanley’s friend Mitch which makes him even angrier. Stanley ultimately hits Stella before the nights over. Stella excuses getting hit by telling Blanche that “When men are drinking and playing poker anything can happen. He didn’t know what he…
“A Street Car Named Desire” has many symbols in it, but the one that is most relevant is the streetcar. The streetcars are foreshadowing Blanches’ life. “They told me to take a street-car named Desire, and then transfer to one called Cemeteries and ride six blocks then get off at- Elysian Field.” (Williams…
Brilliant and creative writers are able to exploit simple ideas or objects to emphasize an important message or characterize a persona in their play. In Streetcar Named Desire, by Tennessee Williams, Williams utilizes light to help characterize Blanche DuBois. Blanche is presented as an individual who avoids reality, has sexual desires, and displays herself ostentatiously, but she is really an insecure tragic figure; she lies about her age and steers clear of things that will expose the truth. Williams uses light, in his play, as a motif to illustrate that Blanche does not only hide from the light to disguise her age, but very much hide her imperfections and the truth.…
The play A Streetcar Named Desire revolves around Blanche DuBois; therefore, the main theme of the drama concerns her directly. In Blanche is seen the tragedy of an individual caught between two worlds-the world of the past and the world of the present-unwilling to let go of the past and unable, because of her character, to come to any sort of terms with the present. The final result is her destruction. This process began long before her clash with Stanley Kowalski. It started with the death of her young husband, a weak and perverted boy who committed suicide when she taunted him with her disgust at the discovery of his perversion. In retrospect, she knows that he was the only man she had ever loved, and from this early catastrophe evolves her promiscuity. She is lonely and frightened, and she attempts to fight this condition with sex. Desire fills the emptiness when there is no love and desire blocks the inexorable movement of death, which has already wasted and decayed Blanche's ancestral home Belle Reve.…
In A Streetcar Named Desire, Blanche refuses to accept reality and tries to resuscitate her idealized past through memory. She allows desire to conduct the way she lives and as a matter of fact is ultimately destroyed by the pursuit of her sexual desires. The correlation between death and desire is a prominent aspect that Williams explores in A Streetcar Named Desire. Throughout the play, death and desire are frequently and consistently entwined on many levels, particularly in the connotation of sexual desire inevitably leading to death or extreme wreckage of some kind and vice versa.…