In the short story “A&P”, by John Updike, the main character Sammy, is an Eighteen year old boy from a small town outside of Boston who works at an A& P market.
Sammy is an average boy who seems a tad tired of the regular customers who come into his
store. Updike shows how Sammy lets his self assurance, emotions, and anger get a little too far
ahead of him.
Sammy seems like an average boy with high value of self-assurance who seems a tad bit
tired of the regular customers who come into his store. His certainty becomes visible when he
describes these regular customers as: older married women, an overweight lady who has no
regrets wearing her swimsuit that doesn’t quite cover; and the nit picking old ladies who spend
years trying to catch an error by a cashier. He refers to these regulars as “sheep”, as they seem
to follow one and other in their actions and reactions.”He scorns at an older woman well past
her prime and referring to her as a witch”(123).Both of these statements indicates that he is
self assured and thinks highly of himself. Putting others down and calling them names
demonstrates he looks down upon others, and displays his sense of certainty.
Sammy’s emotions are made known when his attention is captured by customers who
have just walked in. Sammy finds himself fascinated by a particular group of girls. Just in
from the beach, and still in their swimsuits, they are a stark contrast to the otherwise
plain store interior. They have the whole market looking at them, some in good ways
and others in bad. Sammy makes a comment to his fellow cashier Stokesie, “Do you
really think there is a mind in there or just a little buzz , like a bee in a jar?”(240)He idealizes
and ogles the prettiest of the three. He names her, to himself, “Queenie”; and jokes with
his fellow cashier about the girl’s sexiness. “Queenie becomes the central focus of Sammy’s
attention as he collects and provides details like the exact shade of her hair color”(237). Sammy
changes his focus towards the three girls and critiques them in his head as he watches them
shop around the store. Entranced by her beauty, Sammy feels blessed when she and her pack
enter his line, as he begins to ring up her can of herring snacks. “He envisions himself as their
“unsuspecting hero “he still refers to Queenies breasts as “scoops of vanilla ice cream”(240). As
Queenie reaches into the center of her bikini to remove the dollar bill to pay for the snack; up walks Lengel and this is what triggers Sammy to make his drastic move. Sammy’s anger emerges when he is approached by Lengel .Lengel is Sammy’s uptight,
dreary manger who seems to always be looking for something wrong.. Lengel quickly notices
the revealing outfits of the three girls and begins to walk over and confront Queenie. He begins
to harass and embarrass her and her friends about the attire. After being confronted, Queenie
begins to blush and Sammy feels ashamed of Lengel and his shrew mentality towards them.
Now was the time Sammy was to make his move; whether it be his hope to catch the attention
of such a beauty or maybe it was his anger towards Lengel for ruining his moment with such a
beautiful young lady. “It seems to me that once you begin a gesture it is fatal not to go through
with it”(118) Not surprised at the girls attempt to quickly speed out the door, Sammy quickly
hollers “I quit!” The girls had heard him, but that was it. “How foolish this hope is in realistic
terms becomes clear when he finds the parking lot empty and himself without a job.”(218)They
continued to walk across the parking lot; it was just Sammy and Lengel now. His plan was a
bust, he wanted to be portrayed as a knight and shining armor with pure nobility; showing the
girl of his cashier fantasies that he was sticking up for her. The girls did not get to see Sammy’s
attempt to perform a modern act of heroism; the only thing that came of this was his
unemployment. It was not going to happen and Sammy knew he could not go back now and his
decision as wrong as it may have been was final. Not only did he loose his Queenie he also lost
his job. By letting his anger get the best of him , Sammy was burned in both departments; love
and work. Updike has informed readers of how Sammy’s actions have influenced not only him
but the others around him as well. He first displayed his sense of self-assurance in the checkout
line when Sammy refers to his loyal customers as “sheep”, and by pointing out that a larger
woman should not be allowed to wear her swimsuit that does not cover her well. From there he exhibits Sammy’s emotional side when he devotes all his attention to his dream girl “Queenie.” He lets his emotions run wild when he feels the urge to stand up for Queenie, and show her that he is chivalrous and a true gentleman. Lastly , Updike illustrates Sammy’s ventilation of anger when he directs this hostility toward his boss. His anger is made apparent, because he quits in an aggressive manner and does not give any form of notice. All of his aggression his built up and held in up until the moment that he says the words “I quit”. Updike made the character Sammy unique by giving him such a strong personality. He provided the readers with three main characteristics and plenty of evidence to suffice.
Works Cited
Lightbown, Ronald. Sandro Botticelli. 2 Vols Berkley: U of California P 1978 pg 237-242
Luscher, Robert M. John Updike: Astudy of the Short Fiction. New York: Twayne 1993 pg 118-124
McFarland, Ronald E. “Updike and the Critics: Reflections on ‘A&P’.” Studies in Fiction 1983 pg 218-225
Saldivar, Toni. “The art of John Updikes ‘A&P’.” Studies in Short Fiction (1997)
Thompson, Corey Evan. “Updike’s ‘A&P’.” The Explicator (2001)
Updike, John “A&P.” Literature: An Introduction to Fiction Poetry and Drama (1985)
Notes
John Updike, “A&P,” Irony and Innocence: Studies of Short Fiction. Dressner, Lawrence
Jay ( Berkley U of California1978) 55. All consequential references to the story will be to
the reprint in the textbook stated above and will be cited parenthically.
Cited: Thompson, Corey Evan. “Updike’s ‘A&P’.” The Explicator (2001) Updike, John “A&P.” Literature: An Introduction to Fiction Poetry and Drama (1985) John Updike, “A&P,” Irony and Innocence: Studies of Short Fiction. Dressner, Lawrence Jay ( Berkley U of California1978) 55
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