Comparative Literature: The comparison between the book Dracula to the movie is that in the movie starts with legend of Vlad the impaler which is not in the book. In the movie Dracula has a shadow that operates separately from his body movements. Character of Dracula is less threatening initially in the book than in the movie. In the movie, Dracula appears as a wolf rather than the wolf escaping from the zoo being controlled by him which is not in the book. Lucy does not seem very ill compared to the description in the book. Dracula only appears as a bat briefly at the end of the movie in the abbey scene, not at the windows of the house.…
Bram Stoker’s book Dracula begins with a journal entry by Jonathan Harker. Harker is an English lawyer traveling to Transylvania, an Eastern European country, to meet with Count Dracula for business purposes. In his first journal entry, Jonathan records his trip to Dracula’s castle. Along the way local peasants warn him not proceed on to his destination especially so late at night. The worried peasants keep repeating the word “vampire” and give him crucifixes to ward off evil. Harker does get a bit scared but he still decides to continue on to the castle. When Jonathan arrives to his final destination, the friendly and gently Count greets him. During his stay at the castle, Harker feels more and more uncomfortable as certain events take place.…
Stoker’s Dracula, by contrast, is refined and enthralling. He has transmutated from a monster of sorts to a mysterious seducer, from a coldhearted “beast” of incontestable evil to a complex human arousing a strange sympathy and blurring the lines between good and evil. Count Dracula is now an attractive, sophisticated aristocrat who moves about easily in polite society. Dracula’s motivation throughout the film is the pursuit of his lost love, reincarnated in Mina Harker.…
In an analysis of Bram Stoker’s Dracula and one of many film adaptions, Coppola’s Bram Stoker’s Dracula, it is very evident that the female characters within the movie and the book are remarkably different. Not only is the love interest between Mina (Ryder) Harker and Dracula (Oldman) an addition to the movie, but the extreme sexualization of all the female characters within the film adaption portray the women in a new light. Through the distinction in character portrayal between the movie and the book, the underlying contrast between the “New Woman” and the Victorian Woman become very identifiable.…
During his time in Castle Dracula, Jonathan Harker encounters three vampire women when he falls asleep in what used to be a lady’s sitting room. When he awakens in the middle of the night, Jonathan sees three women in the room and two send the third to ‘kiss him’. Before she is able to, Dracula appears and drives them off, leaving Jonathan to wonder if the whole experience was merely a dream. The whole experience sets off Jonathan’s curiosity and drives him to continue exploring the castle and eventually escape Dracula altogether. This experience also instills the fear of vampires in Jonathan that causes him to have a breakdown multiple times, the fear that is only dispelled when Mina herself must be rescued from Dracula’s clutches. This instance…
Vampire stories have been popular for years. One such vampire is Dracula of Bram Stoker’s novel. Dracula drives the plot in many ways, but he is not always the nice guy. Not everyone like him; in fact most are scared of him. Dracula is dynamic, but the antagonist for several reasons. Dracula is evil, scares everyone, and he kills a lot of people.…
In Bram’s Stoker’s Dracula (1897), one of the main motifs present throughout the whole piece is Catholicism. Catholicism does not only appear as a motif but also as a major theme in the novel. On the books, Broker was known to be a Protestant, however after releasing his novel Dracula, he was considered of being “a closet Catholic cloaking his dangerous views in a relatively safe literary medium” (Starrs, D. Bruno). Even though the novel portrays Anti-Christian values and beliefs, Bram Stoker was able to use different methods in his novel to show how the Catholic beliefs were useful as a protection towards evil, and to be able to compare the powers between good and evil.…
I read Dracula as a criticism of an individualistic search for power. Take away the supernatural elements and the story is of a man who gains power by ruining the lives of others. Bram Stoker’s motivation for writing Dracula was likely not one-dimensional. While there is the obvious attempt to play on the fear of foreigners, I think it is incredibly important to remember that Dracula is not the typical foreigner. Even when you disregard the fact that he is a vampire, he is still a count. There is quite plainly an element of class warfare. The story is interesting because it paints Dracula as evil and makes sure to leave out any elements of his past. He is pure evil with no redeeming factors. He doesn’t have the innocent start of Frankenstein, the upstanding alter ego of Dr. Jekyll, or some…
In Bram Stoker's novel, Dracula is depicted as the definition of evil. Throughout the novel, there is no doubt about his nefarious intentions and murderous pastimes as he proclaims, “My revenge has just begun! I spread it over centuries and time is on my side “ (Brams 339, ch 22). Thus it is apparent in the novel that Dracula is evil. Brams made his definition of evil quite clear through Dracula’s sexualized, violent, and sacrilegious actions. Evil was elucidated as an overtly sexually driven being, who is fueled by violence, and does not follow God. To Stoker, this was a definite ideal of evil befitting of his time, so then, why are will still obsessed with Dracula today, why has this tale in particular persevered? Again, the clear declaration of Dracula as an antagonistic murderer still fulfills humanity's desire for a definitive ideal of good and evil, over time that ideal has not faded into the background. We as human beings have gravitated towards such a clear-cut definition of evil, and rarely have we come across one so obvious as Dracula’s tale. We yearn for a separate ideal of good like that of Jonathan Harker to defeat the looming threat of evil of Dracula. Thus, we are drawn to Dracula because of how clear-cut the lines between good and evil are in the novel and how we yearn for our reality to parallel this black and white…
This revolting image of Dracula is entirely absent in the film. By contrast, Bram Stoker’s Dracula is refined and enthralling. He has evolved from a monster of sorts to an enigmatic seducer, from a coldhearted “beast” of incontestable evil to a multifaceted human arousing a strange compassion and blurring the lines between monster and man. He is now an attractive and sophisticated aristocrat who moves about effortlessly society and whose only impetus is in the search for his beloved revitalized as Mina Harker.…
The words of dracula mean more than is read by most. The Symbols throughout Dracula, have often been thought to mean many diffrent things throughout history. It is believed by most that a large number of the themes are catholic oriented, Which is very understandable due to the books time period and what the book consists of. Also a number of the symbols stood against females being anything but a mother or wife. The battle of good versus evil, in this book, stood for much more than most would pick up, saying that God will protect you and that Christianity will always combat the evils of the world. The constant theme of blood througout the book also shows it connection to the Bible and Jesus.…
“There is reason that all things are as they are...” (Stoker 17). Outlasting countless other tales of its time, Bram Stoker’s lore of “Dracula” began as and still continues to be a classic, frightening novel and despite how some would classify it on only a single one end of the spectrum, it holds true elements of both literary and commercial fiction. He uses various techniques of writing, such as the epistolary plot structure and dramatic irony, and elements, including suspense, to present an unexpected, fear-inducing concept based on the xenophobic idea of the Victorian era.…
In the novel, Dracula by Bram Stoker, he developed the writing of his novel by addressing the struggles between a modern society of progress, science, and technology with superstitions, folk beliefs and from the past. Bram stoker became interested in ancient superstitions including one from Cluj in Transylvania, Romania. He was a sickly child whose mother used to tell him ghost stories. Throughout the novel, two characters addressed these behaviors, Abraham Van Helsing, a Dutch professor who is a doctor and a lawyer and a philosopher and metaphysician. Also, Dr. John Seward a young doctor who studies psychological and owns his own asylum. Both of them showed their work by stopping the Count Dracula and killing him and going through rough obstacles.…
The story starts off with a young Englishman named Jonathan Harker. He travels to Eastern Europe in order to sell some property to Count Dracula. The antagonist is a reclusive but seemingly normal “man” from Transylvania. This section of the story takes place from the view of Harker, who decided to chronicle his adventures abroad for his fiancée, Mina Murray.…
When Dracula transforms women into vampires their bodies and mindsets change. The vampires are “fair as can be, with great wavy masses of golden hair and eyes like pale sapphires” (Stoker 38). Their minds become seductive and sexual, and their bodies become voluptuous, causing men to fantasize and desire their kisses and touches. It was perceived as evil for a woman to embrace her sexuality back in the Victorian time period because it symbolized her gaining power and taking control away from the man. In Harker’s case, he is afraid yet bewitched by the three women as they take command and seduce him into sexual behavior that typically he, the male, is used to leading. These sexual encounters lead Harker to feel subjugated by the women, which in that time period was unheard of and taboo. Later in the novel when Van Helsing is about to kill the three vampires, he opens their boxes and becomes infatuated with their appearances. He immediately notices how they are “so fair to look on, so radiantly beautiful, so exquisitely voluptuous, that the very instinct of man in [him]…made [his] head whirl with new emotion” (Stoker 372). By allowing a notable intelligent doctor to become entrapped in these women’s power to seduce, Stoker is revealing how dangerous they can be to society. He describes the vampires as lustful and emphasizes that…