Over the course of your life, how ever long it has been so far, have you been heavily influenced by your heritage and culture? Or have you been able to develop your own ideas and views on the world? If you have or you haven’t been influenced by your culture that’s up to you, but I ultimately think that it should be completely up to the individual whether or not they completely follow every rule of their religion, ethnic background, or whatever.…
sitting down, for her “was the hardest thing to do.” She also expresses her problems with her family…
This form of redemption takes place as an epiphany: You realize that what can save you isn't out there, but has been nearby all along, beside you, even in you, but never noticed, never heard, or never given a second thought” (Whitsitt 43). One instance of Dee’s attitude and loss of heritage is when they are all about to eat and she notices the hand-stitched quilts, which belong to Maggie, and demands that they be given to her. The attitude she has about wanting the quilts shows that she is a selfish person, and she obviously has no respect for her sister or mother or she wouldn’t have caused such an altercation. The quilts can symbolize many different events, but the true meaning of the quilts can only be decided from the readers’ past experiences. “The story shifts abruptly to the past tense immediately after Dee declares that she has changed her name. Up until now, Mama has been caught in the tension between her annoyance with Dee and her instinctive desire to be "the way my daughter would want me to be." Yet when Dee goes so far as to disown her family identity, Mama reaches a watershed”(Tuten…
Dee mostly doesn’t want Maggie to get the quilts because she thinks that Maggie will be “dumb” enough to use them in everyday use. Mama protests the idea by stating that she would at least see enjoyment out of them because Maggie also knows how to quilt, which means she knows how to recreate them or create new ones if she wanted too. Dee only wants to hang up the quilts and use them for decorations even though she told Mama that the quilts were old and out of fashion when Dee went to…
The family heirlooms are the true tokens of Dee’s (Wangero Leewamika Kemanjo) identity and origins, knows little about the past and the essential facts about how the quilts were made and what fabrics were used to make them, she pretends to be deeply connected to this folk tradition. Her desire to hang the quilts, in a museum like exhibit, suggests that she feels reverence for them but that to her they are essentially foreign, impersonal objects. Mama believe that Maggie should have these quilt not Dee because Maggie will have better use for them. At the end of the story Dee stated that Mama and Maggie do not understand their heritage (page 429, 75), the turn of event it’s actually Dee herself who does not understand her heritage.…
Like the old benches that we always sat on. They are no different than before. Why does she want grandma’s butter dish? What ruckus over some old quilts. The strange thing about it is that I offered them to her and she did not want them before. But now they have some meaning to her that they must sit. These old things are not for sitting! I won’t forget where I came from. I lived it! Why should they sit and not be used? Those quilts should be used, and Maggie would put use them as they should be. For once, I have to shift the tide to Maggie. Stand up for Maggie and not give Dee all that she wants. Dee is not Dee any more she is Wangero and I have to stand up for the daughter that I have left. Maggie does not always get what she wants, she doesn’t live life as demanding as Wangero. These quilts will let her win for once, with Dee gone she will lose such nervousness. Without the pressure of Wangero, we are something like those families on the television…
The story starts shifting when Dee tells her mother she has changed her name. Near the end, the mother realized that Dee is a fantasy child who is still frivolously careless of other peoples’ lives. (Baker, Pierce-Baker). Mama finally gains increasing emotional distance from Dee and is ultimately able to tell her “no.” (Hirsch). Mama snatches the quilts from Dee and gives them to Maggie, which makes Maggie smile sincerely. Mama knows that Maggie will truly appreciate and use the quilts instead of hanging them as a wall mounting as a symbol of a “simple upbringing”. Mama realizes that Maggie has had a better understanding of the meaning of heritage from the very…
Alice Malsenior Walker is an African American author and activist who write of various personal experiences, including the black woman’s struggle. Walker describes herself as a “womanist: a woman who loves other women… Appreciates and prefers woman culture, woman’s emotional flexibility… and woman’s strength… Loves the spirit… Loves herself, regardless”. Walker writes through her feelings and the morals that she has grown with. One of her famous quotes, "It is important to remember yourself," quoted from her appearance at a Miami Book Fair in 1989, where she discussed her 1988’s essay collection, including The Temple of My Familiar, relates to her short story Everyday Use. By not remembering who you are you can grow to be disconnected from yourself. Alice Walker’s short story Everyday Use successfully shows readers how it is possible for one to lose sight of what is important. This essay describes how Walker designed the story to reveal to readers the values of serving heritage and culture. Through the perspective of the protagonist “Mama,’ Walker shows the differences between the two sisters,…
a. Attention Getter: Most people that are the first in their family to get an education always will try to make their family members feel inferior and want to take advantage of them in every way possible.…
In Alice Walker’s “Everyday Use,” Mama, the narrator of the story, is rather distant with her daughter Dee and dreams about reconciling with her on a television show. Specifically, she imagines Dee expressing gratitude for all that she has done for her, while embracing her (Mama) “with tears in her eyes (Walker 315).” It is obvious that Mama doesn’t understand her daughter’s life choice to adopt an African lifestyle and feels that Dee is rejecting her origins and family. Furthermore, the reader can see that Mama has a troublesome relationship with Dee by the amount of tension between them. This strained relationship becomes clear when Dee “went to the trunk at the foot of (Mama’s) bed and started rifling through it (Walker 320).” The narrator…
Have you ever not seen eye to eye with your mother? In Alice Walker’s short story “Everyday Use”, we are shown how many of the choices we make and the things we value create our identity. This story focuses on two characters, mama and her daughter Dee (Wangero), who struggle to see the same way about their heritage. Dee wants the things made by her grandmother, to not admire it as an artifact, but rather to remake it. She wants to take them, and change them to match her lifestyle as it is today. She loves them for the way they look. Mama, on the other hand, views the things from her mother as artifacts. She loves the items more than how they look. She admires the quilts because of their everyday use. Transformations take place between these characters. Dee’s transformation is more external than it is internal. She shows her transformation in the way she speaks, the clothes she wears, and her judgement. Mama’s transformation is more internal. She begins to see Dee’s real thoughts, and she stands up against her. When she takes the quilts away from Dee, she doesn’t only stand up for herself, but Maggie, as…
family heritage is when she asks Mama for the quilts. Throughout the story Dee only cares about herself so there must be a reason she wants the quilts. It isn’t because she wants to keep her families’ heritage going, it is most likely for some kind of display. Mama offered Dee a quilt before she went off to college, but Dee refused to accept it. In my opinion she only wants one now in order to benefit her in some way.…
Dee’s hatred of the house therefore makes sense, since “Dee wanted nice things” (Walker 266). In an effort to help Dee gain nice things, her mother and the church raised money for Dee to move to Augusta to attend school (Walker 265). In the passage, we learn that Dee, having returned from Augusta, is suddenly interested in family heirlooms, whereas in the past she did not care for them. The things that Dee wanted to leave behind, she now seems to find charming. This essay will analyze the passage and how it shows that Dee now appreciates the family heirlooms, but for artistic/decorative reasons rather than the usefulness of the objects. To achieve this, the essay will focus on the heirlooms’ history, Dee’s desire to use them as art rather than…
This was speech that touched her flesh and bone and made her wonder. When her husband spoke of height, having no sense of it, she could not picture it nor hear.…
Even though she changed her name, physical appearance, and view on life and heritage, her attitude is still the same. Mrs. Johnson had finally stood up to her daughter, something that she had never done before. Dee was an outspoken and opinionated woman, something that Mrs. Johnson envied in her daughter. Maggie is an unselfish young girl, the opposite of her sister, and was willing to give Dee the quilts. Both the mother and younger daughter possess an appreciation for each other and their…