To begin, the author uses irony to show that the rest cure is wrong, that a confinement in a room does not help the narrator regain her sanity, as it is supposed to be. Instead, it makes her fall deeply into madness. John, her husband, is applying Dr. S. Weir Mitchell’s rest cure on the narrator, which refers to the author’s personal experience. He confines her in a room “to have the perfect rest,” (83), thus, it forbidden her “‘to work’ until [she is] well again,” (82). However, since she cannot do anything else but think, her imagination grows and this is how she develops her insanity. As she stays in her room, she gets “quite fond of the big room,” (85), but who would affectionate a room where “there are rings and thins in the walls” and “where the windows are barred,” (83), it clearly shows how her mental illness starts getting more serious. In brief, her imprisonment does not make her more sane, as it is supposed to be, but aggravates her case. To keep her busy, she starts observing the wallpaper.
Furthermore, her description of it and her