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Feminist Undertones in Pride and Prejudice Essay Example

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Feminist Undertones in Pride and Prejudice Essay Example
FEMINIST UNDERTONES IN ‘PRIDE AND PREJUDICE’

Introduction
Jane Austen authored the novel ‘Pride and Prejudice’ in 1813, a period in the social history of England that saw most women as best equipped for the private and domestic realm. An ideal woman was the picture of chastity, innocence and compliancy. Even women authors in this period were expected to adhere to genres that were considered to be solely their domain- the refined arts, household management, love, courtship, family life and fidelity in the face of temptation. Although ‘Pride and Prejudice’ was primarily a romance between two free-thinking individuals, Elizabeth Bennet and Fitzwilliam Darcy, it has grave feminist undercurrents that are displayed to the reader in many incidents and conversations that ensue between the characters. The nineteenth century was one of progressive transience, especially for women who forged a new identity for themselves. Literature was a vital mouthpiece for their miseries. Jane Austen takes a strong jibe at the existing patriarchy under the more dulcet tones of feminine affairs like love, courtships, gossip and bitchery.
Austen’s protagonist Elizabeth Bennet is the second of five sisters in the Bennet family. Out of all her sisters, Elizabeth is the only one who exhibits a bent of mind that was rational and somewhat gumptious. Her principal concerns in life were not winning the affections of wealthy men in order to find herself a suitable match.
Austen penned ‘Pride and Prejudice’ much prior to the time referred to as the age of New Woman Fiction and yet her writing is a powerful satire on the position of women in society and how this position limited their viewpoint to petty affairs. A good instance of this is the character of Mrs. Bennet or even Lady Catherine De Bourgh.

Jane Austen explores various facets of the middle class society of nineteenth century England, successfully giving a panoptic view of the

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