Introduction
Chuck Palahniuk’s Fight Club is the story of a man struggling to find himself. The main character, a nameless narrator, is clearly unhappy with his life. He obsessively fakes diseases and attends support group sessions as a way to deal with his hopelessness. Obsessive behaviors often lead to unfavorable events if they are interrupted (Lizardo). Just as it seems the support groups have brought him to a form of equilibrium, they are interrupted by a fellow faker. His inability to treat his restlessness by attending these support groups drives the narrator to shocking extremes. As the text continues, it becomes obvious that the narrator’s true struggle lies within his efforts to find a form of masculinity that best suits him. Many men in today’s society are in search of what it means to be a man (Connell). The many definitions for masculinity create an abundance of confusion for an individual searching for its meaning (Franklin). Palahniuk uses the two most prominent characters in Fight Club to demonstrate males in pursuit of the ideal form of masculinity. This paper will discuss how he deconstructs their efforts using the four themes of masculinity. The commonly cited gender-role model states that there are four major masculine themes that men struggle to maintain. The first theme is “No Sissy Stuff” (Kahn). This theme encourages men to distance themselves from femininity, any type of heterosexism toward gay men, and to avoid showing any emotion. It is also demonstrated by men who simply don’t do what women do. Men who follow this theme reject anything that is perceived as threatening to masculinity (Brubaker). “Be a Big Wheel” establishes the second theme. This theme suggests that masculinity is the dominance and power over others. Wealth, status, and physical space are some examples of how this form of masculinity is exerted onto others. Men who are unable to achieve the Big Wheel status are often left feeling