Preview

Further reading on Gulliver's Travels

Best Essays
Open Document
Open Document
437 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Further reading on Gulliver's Travels
ENG202: Eighteenth-Century Studies
Section A: Swift and his Circle

Suggestions for Further Reading on Gulliver’s Travels

General Works
Paula Backscheider and Catherine Ingrassia (eds.), A Companion to the Eighteenth-Century Novel and Culture (Oxford: Blackwell, 2005).
Paula Backscheider, Eighteenth-Century Women Poets and their Poetry: Inventing Agency, Inventing Genre (Baltimore: Johns Hopkins University Press, 2005).
Laura Brown, Fables of Modernity: Literature and Culture in the English Eighteenth Century (Ithaca: Cornell University Press, 2001).
Leopold Damrosch (ed.), Modern Essays on Eighteenth-Century Literature (Oxford: Oxford University Press, 1988).
Phillip Harth et al. (eds.), Eighteenth-Century Contexts (Madison: University of Wisconsin Press, 2001).
Felicity Nussbaum and Laura Brown (eds.), The New Eighteenth Century: Theory, Politics, English Literature (London: Methuen, 1987).
Steven Zwicker (ed.), The Cambridge Companion to English Literature, 1650-1740 (Cambridge: Cambridge University Press, 1998).

Bibliography on Swift and Swift’s Writings

The works listed below are the most influential and/or recent on Swift and his writing. They cover a broad range of texts; you should consult books in order to identify chapters that are particularly relevant to your interests.

Louise Barnett, Jonathan Swift in the Company of Women (Oxford: Oxford University Press, 2007).
Brian Connery (ed.), Representations of Swift (Newark: University of Delaware Press, 2002).
Aileen Douglas, Patrick Kelly and Ian Campell Ross (eds.), Locating Swift (Dublin: Four Courts, 1998).
Carole Fabricant, Swift’s Landscape (Notre Dame: University of Notre Dame Press, 1995).
Christopher Fox (ed.), Gulliver’s Travels (Boston: Bedford/St. Martin’s, 1995).
Christopher Fox (ed.), The Cambridge Companion to Jonathan Swift (Cambridge: Cambridge University Press, 2003).
Linda Hutcheon, A Theory of Parody (Urbana : University of Illinois Press, 2000).
Ian



Bibliography: Louise Barnett, Jonathan Swift in the Company of Women (Oxford: Oxford University Press, 2007). Brian Connery (ed.), Representations of Swift (Newark: University of Delaware Press, 2002). Aileen Douglas, Patrick Kelly and Ian Campell Ross (eds.), Locating Swift (Dublin: Four Courts, 1998). Carole Fabricant, Swift’s Landscape (Notre Dame: University of Notre Dame Press, 1995). Christopher Fox (ed.), Gulliver’s Travels (Boston: Bedford/St. Martin’s, 1995). Christopher Fox (ed.), The Cambridge Companion to Jonathan Swift (Cambridge: Cambridge University Press, 2003). Linda Hutcheon, A Theory of Parody (Urbana : University of Illinois Press, 2000). Ian Higgins, Swift’s Politics: A Study in Disaffection (Cambridge: Cambridge University Press, 1994). Charles H. Hinnant, Purity and Defilement in Gulliver’s Travels (London: Macmillan, 1987). Robert Mahony, Jonathan Swift: The Irish Identity (New Haven: Yale University Press, 1995). David Nokes, Jonathan Swift, a Hypocrite Reversed: A Critical Biography (Oxford: Oxford University Press, 1985). Todd C. Parker (ed.), Swift as Priest and Satirist (Newark : University of Delaware Press 2009). Robert Phiddian, Swift’s Parody (Cambridge: Cambridge University Press, 1995). Ruben Quintero (ed), A Companion to Satire: Ancient and Modern (Malden, MA: Wiley-Blackwell, 2011). Claude Rawson (ed.), Jonathan Swift: A Collection of Critical Essays (New Jersey: Prentice Hall, 1995). Claude Rawson (ed.), Politics and Literature in the Age of Swift : English and Irish Perspectives (Cambridge: Cambridge University Press, 2010). Claude Rawson, God, Gulliver, and Genocide: Barbarism and the European Imagination (Oxford: Oxford University Press, 2002). Hermann J. Real and Helgard Stöver-Leidig (eds.), Reading Swift: Papers from the Third Münster Symposium on Jonathan Swift (München: Fink, 1998). Hermann Real (ed.), The Reception of Jonathan Swift in Europe (London: Thoemmes Continuum, 2005). Frederik N. Smith (ed.), The Genres of Gulliver’s Travels (London: Associated University Presses, 1990).

You May Also Find These Documents Helpful

  • Satisfactory Essays

    Swift formats his piece with heavy satire requiring the reader to dig for the complete idea of the piece. Yet the thesis statements in the opening ,with it being the “modest proposal”. The parallelism in this piece is few .The author ,in my opinion , used too much irony and satire ,so much that it made it difficult for me to read.…

    • 422 Words
    • 2 Pages
    Satisfactory Essays
  • Better Essays

    Swift effectively satirizes the political situation in which he shines light on England’s unconcerned attitude towards the poor Irish natives. His work contains depth as it depicts Ireland’s submissive condition in the 18th century. Although Swift’s proposals presented to, alleviate Ireland’s poverty, are highly unsettling, a deeper analysis of the effectively expounded satire helps understand both the dwindling political climate of the time and the aim to improve, overcome, and…

    • 1172 Words
    • 5 Pages
    Better Essays
  • Satisfactory Essays

    A Modest Proposal

    • 207 Words
    • 1 Page

    1. How does Swift portray himself throughout the essay? In what places does he reveal an egotistical persona? (tone, attitude)…

    • 207 Words
    • 1 Page
    Satisfactory Essays
  • Better Essays

    Jonathan Swift, a celebrated name during the eighteenth century, was an economist, a writer, and a cleric who was later named Dean of St. Patrick’s Cathedral in Dublin. Although Swift took on many different roles throughout his career, the literary form of satire seemed to be his realm of expertise. Because satire flourished during the eighteenth century, Jonathan Swift is arguably one of the most influential political satirists of his time. In one of his famous essays, A Modest Proposal, Swift expresses his anger and frustration towards the oppression of the Irish by the English government. In order to gain attention from his audience, Swift proposes the outrageous thesis that the solution to Ireland’s problem of poverty is to feed children of the poor to the wealthy, aristocratic families. To whom Swift is directing his satire…

    • 1309 Words
    • 6 Pages
    Better Essays
  • Better Essays

    Hawthorne, N. (2009). Young Goodman Brown. In M. Myers, The Compact Bedford Introdution to Literature (pp. 325-333). Boston: Bedford/St.Martin 's.…

    • 1670 Words
    • 7 Pages
    Better Essays
  • Good Essays

    Ireland and England sugar coat the mass problem they are facing. The hypocrisy of the wealthy not helping the people who feel like there are incapable of anything. Swift makes his point destructively position that doesn’t agree with set morality. But instead he focuses his argument to blame the Irish politicians whose indifference has enforced the economic utilitarianism. Swift is repulsed by how people seem like they are incapability of dealing with their own problems. Stereotypes against Irish Catholics make it less demanding for Swift to utilize them as the subject of his satire. The stereotypes are available in both the explanations behind the proposition and the dialect…

    • 666 Words
    • 3 Pages
    Good Essays
  • Better Essays

    A Modest Proposal Argument

    • 1211 Words
    • 5 Pages

    Swift, Jonathan. "A Modest Proposal, Renascence Editions." University of Oregon. 21 Nov 2009. Web. 20 Sept. 2010.…

    • 1211 Words
    • 5 Pages
    Better Essays
  • Powerful Essays

    Defending Slavery

    • 2485 Words
    • 10 Pages

    Maner, Martin. "Women and Eighteenth-Century Literature." 14 Apr. 1999. Wright State University. 9 Aug. 1999 .…

    • 2485 Words
    • 10 Pages
    Powerful Essays
  • Powerful Essays

    Jonathan Swift is one of the most famous poets from the eighteenth century. He has written many satires including “The Lady’s Dressing Room”. This poem is about a man named Strephon and a woman named Celia. In the poem, Celia tries to make herself presentable to society while Strephon sneaks in her dressing room and there discovers what a vile and dirty creature she really is, altering his complete image of women in general. It could be said that Swift ridicules the relationship between all men and women, using his characters as a symbolisation. Lady Mary Wortley Montagu reacted to this poem with a poem of her own. In “The Reasons that Induced Dr. Swift to Write a Poem Called the Lady’s Dressing Room.” She portrays Swift as her version of all men and converts his Lady Celia into Betty the prostitute. In her poem, Swift tries to seduce Betty, but the only way he can succeed is to pay her for her services. Their act of coitus is a disappointment. Swift blames Betty for this and they end up quarreling. This calls into question how these two poems relate to each other in the message they are conveying. This essay will portray these messages regarding the role of the man in Swift’s poem, the role of the man in Montagu’s poem, the role of the woman in Swift’s poem and the role of the woman in Montagu’s poem.…

    • 1638 Words
    • 7 Pages
    Powerful Essays
  • Better Essays

    A modest proposal

    • 1437 Words
    • 6 Pages

    Cited: Swift, Johnathan. “A Modest Proposal” A Modest Proposal and Other Satirical Works. Ed, Candace Ward, New York: Dover, 1996. 52-59. Print…

    • 1437 Words
    • 6 Pages
    Better Essays
  • Powerful Essays

    Gulliver’s Travels by Jonathan Swift is a famous, classic novel that satirized many aspects of government, religion and human nature. Written in the eighteenth century, this three-hundred-year-old novel remains well known today because of its timeless criticism that can still be applied to contemporary politics and religious faiths. In eighteenth century England, the home of both Swift and his character Lemuel Gulliver, the ruling constitutional monarchy was made up of two governing bodies, the monarch and his or her personal advisors, and the English Parliament, the members of which were elected by the people. Though this may have seemed like a well structured government, it was in fact deeply flawed and had many illogical systems. England was also Protestant at the time, where the church had significant influence in the nation, and even started wars against their Catholic neighbour, France. Arguably, the religious system of England acted very unreasonably and contradictory to its own ideals, including keeping peace. Swift, the creator of this novel, was not only an author, but also an English politician and a Protestant priest. This made him very qualified to make judgments about England, and offers a reason why his satires can be used as evidence against eighteenth century England. Swift wrote these satires due to his disappointment with certain aspects of England. Through the numerous adventures and satires found in Gulliver’s Travels, Swift proves how England during the eighteenth century had an illogical government system, specifically a constitutional monarchy, as well a flawed religious system.…

    • 2139 Words
    • 9 Pages
    Powerful Essays
  • Powerful Essays

    Before any more is mentioned about the influence or aspects of this literature, it is first important to fully comprehend the meaning of satire with which Gulliver Travels is identified many times. Satire is the use of wit to depict idiocy, flaws, and illogicality. Inversely, it is a type of condemnation, which uses jesting to formulate its position; hence satire is essentially directed critical of fault, particularly those submitted as levelheaded scheme. Also, satire is frequently aimed at against those in authority, headship, or influence. It generally uses circuitous forms of joking, such as irony, exaggeration, and parody, to make its statements; troubles are tackled implicitly; for example, admiring that which merits criticism or taking a dreadful or feeble proposal to its bizarre conclusion. (Jaffebros)…

    • 3296 Words
    • 14 Pages
    Powerful Essays
  • Best Essays

    G. Rudzewicz June, 2013 A SURVEY OF BRITISH LITERATURE USING PUBLIC DOMAIN E-TEXTS I. The Anglo-Saxon Period A. Beowulf Gutenberg Project, e-text #981 B. The Seafarer C. Supplementary links a. suttonhoo.org b. staffordshirehoard.org.uk c. labyrinth.georgetown.edu II. The Middle Ages A. The Canterbury Tales, GP etext#2383 1.…

    • 468 Words
    • 4 Pages
    Best Essays
  • Satisfactory Essays

    Jonathan Swift seems to take side with the Irish subjects through the satire and opposes the British ways. He explains how most of Irish' poverty is much of their own fault and the British responsibility but England doesn't seems to do much for them indicating that the Kingdom as a whole doesn't really care about the Irish population, so what better to do with the children then to sell and eat them? Only this proposal be the one to end hunger and poverty and societal downfall. In this essay he brings about how religion, greed, power, politics, morals, and society and class all tie into the economic downfall. Swift sees catholics as the ultimate enemy; poor Irish Catholics make up most of the “disease” and the main proposal is to get rid of Catholics because they are initially bringing the societal down. He brings about greed by addressing the price of each plump infant, knowing that greedy Irish subjects would need to know the price first before they ever thought about selling their children, but once it came to a good…

    • 441 Words
    • 2 Pages
    Satisfactory Essays
  • Better Essays

    Spacks, Patricia Meyer, Novel Beginnings, Experiments in Eighteenth-Century English Fiction (Yale: Yale University Press, 2006)…

    • 1174 Words
    • 4 Pages
    Better Essays