Robey executed vehicle transfer documents to enable Hinners to obtain a Kentucky registration and title for the vehicle…
Nature of Case: The plaintiff is Peter Stanley. He said that his rights to equal protection of the law under the 14th Amendment have been violated. He believes that the Illinois law that makes children of unwed father's wards of the state upon death of the mother violated his rights.…
The widely admired work of William Shakespeare has been, over the span of decades, adapted into films which originate from the same source but differ in context and means of portrayal. Filmmakers, as generations grow and society evolves, must master the art of successfully reaching out and empathizing with differing audiences whilst taking in the social, cultural and economic values widely appropriated by societies, into serious consideration. Kenneth Branagh directed and interpreted his adaptations of Hamlet by Shakespeare. Branagh, in his adaptation (1996), have interpreted Act 5, Scene 1, quite distinctly in means of sound/music, costumes and make up, lighting, camera angles and shot compositions, and editing. All of these factors are relevant…
As each film progressed through each line in Hamlet, every actor took time to emphasize significant words, using blank verses occasionally to stress a point. Hamlet, when portrayed by Kenneth Branagh, highlighted the snippet, “To die, to sleep; to sleep, perchance to dream” (65-66), slowing down, almost seeming like he desired such events. Kenneth, tried to represent Hamlet as a person who is tired of life; through his tone he makes Hamlet seem suicidal. On the other hand, the actor, Laurence Olivier, when acting as Hamlet, emphasized on phrases like, “To be or not to be, that is the question” (57) as well as “Puzzles the will...” (81) to display his interpretation of him being a man who is confused in…
Throughout the play Hamlet faces many conflicts that an everyday person might not. When the play begins we learn that Hamlet’s fathers had been slain by his own brother. Hamlet’s meets his father’s ghost and…
For example when Hamlet is talking to Ophelia while she is trying to give his belongings back it seems that the Hamlet is just insulting her in a calm manner but in the novel,but as we see in the film we see that he i very angry while he is saying Hamlet says “Go. Farewell. Or, if thou wilt needs marry,/ marry a fool, for wise men know well enough/ what monsters you make of them. To a nunnery, go, and/ quickly too. Farewell”(III.i.138-142). Seeing hamlet full of anger and sadness in the film it is shown by crying and screaming seeing him do this helps show how much pain he is going threw with his father dead and his uncle marrying his mother. The novel cannot show much emotion because it is expressed in words in Hamlet's soliloquies he speaks on how he needs to avenge his father but never does because he is too much of a coward, when Hamlet is speaking there is so much anger and sadness that he is going thru you can not tell if he sad or if he is just angry in the novel the film showed that the novel couldn't, all the reader could tell is that hamlet misses his…
Next, the way the actors spoke and delivered their scenes in the movie were very similar to the play. For instance, both the play and the movie was delivered in Shakespeare’s style of speech. At first I was disappointed to hear the characters speak in the old world version, but after awhile I was able to follow the movie much easier than the play. Another similarity was how the actors delivered the asides. The movie depict asides as an actor thinking to himself, like a memory. For example when Hamlet talks to the audience in the play about the relationship between his mother and father, the movie shows Hamlet thinking aloud to himself about his life with his parents while he is watching childhood home movies. When Hamlet delivers his famous soliloquy “To Be or Not To Be” in the movie you can see the struggle he is having with choosing life or death. He is thinking the soliloquy…
Olivier presents Hamlet’s relationship with Gertrude as more physical in order to indicate Hamlet’s confusion, while Branagh presents the relationship between Hamlet and his mother as less physical to reinforce his feelings of frustration. During the scene where Claudius and Gertrude are encouraging Hamlet to stay in Denmark, Gertrude freely touches Hamlet and kisses him on the mouth to console her grieving son (Olivier, 1948). During this scene, Hamlet is sitting at the edge of the table wearing all black and is turned away from everyone. He is upset that his mother has remarried such a short time after his father’s death. His tone of voice suggests that he is full of grief, devastated about the death of his father, and feeling betrayed by his mother. Even though he feels betrayed, Hamlet passively allows his mother to embrace and kiss him. Hamlet is confused, and has no sense of how to deal with his conflicting feelings. Branagh, however, presents the relationship between Hamlet and his mother without any physical contact between the two. During the same scene in Branagh’s version, the queen smiles and encourages Hamlet to stay instead of returning to Wittenberg (Branagh, 1996). In comparison to Olivier’s Hamlet, Branagh’s Hamlet has a different tone of voice. His tone of voice is on the edge of tears. When Gertrude consoles Hamlet and urges him to stay in Denmark, he agrees to stay, but does not engage in any physical contact with…
Opening the play with a masked identity of its own, the late King, Hamlet’s father, appears as a ghostly figure. This alone gives the audience a sense of false facing because the King is thought of to be dead. Not only does he appear at the beginning of the play in the presence of Horatio, Barnardo, and Marcellus, but two more times throughout the plot to his son Hamlet. To further confirm that the ghost was false facing the image of the dead King, Horatio remarks that it is wearing the same armor the King wore when fighting Norway. As the three men draw their swords in fear, they request that Horatio, the scholar, address the ghost.…
In the play Hamlet by William Shakespeare, the audience of Shakespeare’s time period as well as today’s audience would have recognized the play as a revenge tragedy. But, this is not your typical revenge tragedy but one with a twist. As in most Elizabethan revenge tragedies the ghost appeared to further the action or reaction of the hero. However, the ghost in Hamlet not only appears as part of the plot but surpasses the traditional role of the ghost and becomes an actual character within the play (Mandell).…
Hamlet was a man that looked up to his father throughout his life, during and after his father's death. The younger Hamlet tried to follow in his father's footsteps, but as much as they were alike, they were very much different. The man named Hamlet had a son named Hamlet and after everything was over, that is one of the few things that they had in common. Although they may exhibit some similar traits, all fathers and sons are individuals. They are, or will become, their own man. This development is based on life experience, which is never the same for any two people. In the case of King and Prince Hamlet, this is true.…
The BBC’s great performances production of Hamlet is a unique contemporary adaption of Shakespeare’s play. The film was directed by Gregory Doran and starred David Tennant and Sir Patrick Stewart. Despite the change in time setting and other small adjustments made to the film more appealing for the small screen, Doran’s adaption of Hamlet was intriguing and stayed true to the overall feel of the Shakespeare’s play.…
Shakespeare composed Hamlet as a representation of the conflict inherent in issues surrounding life and death and the many reinterpretations of the text attest to Catherine Belsey’s theory of the ‘myth of an unchanging human nature’. Modern interpretations of Hamlet such as Kenneth Branagh’s 1996 film use the medium of film and existential issues to create new meaning from Shakespeare’s original text.…
The first one I watched was by Franco Zeffirelli. Zeffirelli is well known for making Shakespeare plays into movies and making them very accurate to the play. This case was not an exception, Zeffirelli made his version of Hamlet very accurately. He made it in the right period of time, and he rarely missed a scene. Although one part of the play that was missing was the whole story about Fortinbras. The beginning was also different from the play. In the movie, he began with a funeral for King Hamlet, as opposed to the guards seeing King Hamlet's ghost. I think the way Zeffirelli made the movie very accurate to Hamlet was the way he made set look so much like it should in that time period. The castle that was used was very dark looking also, which made the movie more tragic. The performances by the actors in this movie were very intense and true to the characters. I felt that this movie was exactly how I would have pictured Hamlet played out in my head.…
Gibson begins the soliloquy walking down the stairs of a family crypt. He stops midway down the stairs when light from above shines on the back of his head. The rest of his body is in darkness, creating a transition between light and darkness. Gibson walks through the family crypt in darkness and discusses the benefits of death, but when he looks upward into a skylight where the light illuminates his face, he doubts whether he could commit suicide. The meaning of the motif of light and darkness is that light represents life, whereas darkness represents death and the afterlife. Gibson's rendition also features a powerful setting of tombstones, skeletons, and a skylight. On one end of the crypt is two open graves that have skeletons in them, the camera pans toward them when Hamlet cries “to die” (Shakespeare 3.1.72). Along the floor of the crypt are a number of tombstone that feature statues on them. Hamlet is able to personally connect with this setting because one of these tombstones is where his father may be buried. The skylight is also used to convey the meaning of the soliloquy by emphasizing the phrase “native hue of resolution” (Shakespeare 3.1.92). When Gibson recites these lines, he looks up to the skylight and reflects upon how the natural beauty of life has been diluted by the sins of man. Although the setting written by William Shakespeare is not clear, he uses Polonius and Claudius in the scene as lawful espies. In this rendition, the lawful espies are not present, removing an important aspect of the scene. Unlike each of the other soliloquies this one is unique because Hamlet is not truly alone. Despite powerful motifs and a dark setting, Gibson's rendition diverges from the original intent of the…