The sun beams down, its smoldering rays spread to all they can reach. In the distance there stands a man, Monsieur Meursault, his hand in his pocket clenching the trigger of a gun. He stands there, watching another man along the beach, the Arab, anticipating him to make a move. And at the sight of seeing the Arab move, Meursault raises the gun and shoots -- hesitates a moment more then, fires four more shots at the now still body.…
The book starts off with Monsieur Meursault’s mothers’ death and he received a telegram from the home he put her in saying, “Mother deceased. Funeral tomorrow. Faithfully yours.” (3) He responds to the telegram saying, “That doesn’t mean anything.” (3) This makes the reader think that he doesn’t really care for his mother and maybe he didn’t like her especially since when he asked his boss for a couple days off and his boss looked angry he said “it wasn’t my fault” (3) and “I didn’t have anything to apologize for.” (3) Even when he was offered to see his mother’s corpse for the very last time he refused simply because he didn’t want to.…
consummated, for me to feel less alone, I had only to wish that there be a large crowd of spectators the day of my execution and that they greet me with cries of hate." (Camus 122-3). He felt as if he was ready to live again just like Maman before she had passed away. Meursault is an absurd hero at the end because he accepted death, passing the Absurd Walls and into the absurd freedom, where one can experience life to the fullest.…
Albert Camus had his own personal meaning of life, a revelation of his own, “I think my life is of great importance, but I also think it is meaningless.” The meaning of life, in the world’s eyes, is a fleeting thing, ever evolving and changing like the days in a year. Many authors have broached this elusive topic but none have been as inventive or done so with quite as much success as Albert Camus in his book The Stranger. Camus, the man who brought notoriety to the absurd, used this book to explore humanity in “the nakedness of man faced with the absurd,” (Camus). Camus took this journey through the eyes of the main character Meursault as well as through characteristics within secondary characters such as Raymond and Marie. Through Camus’…
While readers hope for Meursault to act, when he finally does, it is in a gruesome juxtaposition to the death Meursault would not face to the one he inflicts. In the beginning of the novel when asked if he wants to observe Maman's body, he refuses. But now, as his “eyes [are] blinded behind the curtain of tears and salt… he fired four more times at the motionless body…”(59). Readers hope this act, one of his only acts, might shake him. But once again the indifference and even the selfishness of him “knowing that [he] had shattered the harmony of the day, the exceptional silence of a beach where he’d been happy” (59), causes a sense of uncomfortable regret for Meursault that he is not able to feel himself. It could be said in some way that Camus wanted to make the reader a mirror for what society expected Meursault to feel, but…
I found last class’ fishbowl discussion to be quite helpful, besides one improvement I might add. To have looked a layer deeper into the meaning of Meursault’s epiphany near the end of the novel would have helped us all grasp what Camus’ interpretation is trying to emphasize. After his frustrating meeting with the chaplain, Meursault comes to an important realization. He ponders what the point of life is, and more closely, death. I believe that Monsieur Anti-Christ was in full control of his emotion, including at the time of his death. At this point, Meursault realizes that everyone must die, whether it is when you are twenty, or eighty-five years old, it makes no difference except one. I believe that Monsieur Meursault finds it better to die actively loving life, than to die slowly, aged and listless. This was the only way he was able to accept death.…
As Meursault’s foil character, Thomas Perez represents the expectation of those who mourn death. Perez appears to have a intimate relationship with Madame Meursault, although he is unrelated to her. Weakened by old age, he tries his best to walk “as fast as he could”, even with “a slight limp” (16). Even with his ailing infirmity, Perez is still willing to endeavor the exhausting journey of attending Madame Meursault’s funeral procession, even exerting himself to the point where he faints. Although not explicit in the story, Perez’s determination and compassion towards her, and is reflected by this act. On the other hand, Meursault does attend his mother’s burial, however does not seem as willing to do so. He seems emotionally detached…
Another way to look at it is that, throughout the book, Meursault would express his hatred for humanity’s culture of mourning and think of it as crazy. He is adverse towards people who torture themselves over someone else’s death.…
Meursault is always emotionally detached from his situation. This begins with the death of his mother. Meursault understands that everyone will die eventually and does not show much emotion.…
Meursault doesn’t show any sign of emotion to his mothers death, he doesn’t feel any love or sorrow for her. A normal man would feel pain and regret for not being there when she died. He does not even know his mother’s exact age, he says “about sixty” when his boss asks him what her age was. The first example of Meursault not feeling anything was…
Although the notion of the 'absurd' is pervasive in all of the literature of Albert Camus, The Myth of Sisyphus is his chief work on the subject. In it, Camus considers absurdity as a confrontation, an opposition, a conflict or a "divorce" between two ideals. Specifically, he defines the human condition as absurd, as the confrontation between man's desire for significance, meaning and clarity on the one hand – and the silent, cold universe on the other. He continues that there are specific human experiences evoking notions of absurdity. Such a realization or encounter with the absurd leaves the individual with a choice: suicide, a leap of faith or recognition. He concludes that recognition is the only defensible option.[9]…
With his mother's death, he seemed indifferent at the loss of her life in every way possible. He was so uninterested in her funeral that he remarked the following: "...I can be there for the vigil and come back tomorrow night" (Camus 3). His mother appeared to slow him down. As if he felt he had better things to do. He claimed he never went to visit her in the nursing home because she enjoyed it too much. Nonetheless, he admitted, that the visit "took up my Sunday -- not to mention the trouble of getting to the bus, buying tickets, and spending two hours traveling" (Camus 5). This shows the true lack of care in his mothers death. To further define his insensitivity, Meursault shed not even one tear in this part of the novel; moreover, he expressed no form of sorrow whatsoever.…
If people were to accept that absurdism exists then that would mean that life is irrational and has no arrangements of any sort. This would mean that everything mankind has done so far to progress itself through society and religion means absolutely nothing because both are used to control chaos from happening in the first place. Consequently, if a person is known to be an absurdist, people would generally think that means someone who lives a life without any meaning. However, this is not true because a life can be lived out rationally or irrationally and be meaningful at the same time because it is a choice. The Stranger, written by Albert Camus, takes place in Algeria in the mid 1940's. Around this time period,…
The strangeness of Meursault is evident when the prison Chaplain attempts to take his confession. He does not believe in God and find no reason to be despair. Although he is aware of his inevitable future, he thinks “ I didn’t have time to waste thinking about things that didn’t interest me”. In this perspective, he differentiates himself from everyone else. He sees life as meaningless, torturous, boring and dull. So for him, Death is equal to heaven, a permanent freedom. He shows the difference between ‘sin’ and ‘guilt’ and explains that he is condemned only for his guilt. In this context, we can compare the two characters of Melville’s Billy Budd and Camus’s Meursault. These two narratives have the same equivocal situation. From one point…
The novel starts out with Meursault being unsure which day his mother died, which shows the reader that he is apathetic towards events that would shock any other person. He is more focused on finding a tie to…