Charles parker was a brilliant jazz musician. He was so innovative and played with such genius that he has influenced all jazz musicians regardless of their time period. One can only speculate what might have happened with Jazz if Charles' life was not cut short due to intense drug use as was so common in the musician scene. Then again one can only speculate weather or not Charles' Jazz would have been as great as it was if it were not for the drugs that he consumed on a daily basis. Did the drugs make Charles' Jazz what it was or did the man have the built in ability to squeeze the perfect notes out of a saxophone making it do his will without hardly having to give it a thought.…
In Othello, Iago is a villainous person who is filled with hatred, jealousy and an undeniable lust for power. He influences and manipulates everyone close to him for the sole purpose of destroying their lives.…
In almost everything you read or watch there is a villain. Villains have been used in stories for a very long time. One particular villain, Iago from the play Othello by Julius Caesar, is a very famous villain. Iago was an extremely bad guy in this play and was always up to no good. The character Iago and his traits have influenced many more modern villains. Iago influenced other villains with his criminal traits of being evil, egotistical, and dishonesty.…
Shakespeare has created the character of Iago as the villain of the play. He drives the plot as he schemes and manipulated other characters. He fascinates and terrifies the audience with his revengeful plotting which he has no real motivation for.…
Iago is manipulative and also very cunning however what led to his downfall is him underestimating others. He has a talent for understanding and manipulating people around him desires and that makes him both a powerful and a heavily admired character. Shakespeare display Iago as an evil character who’s willing to drag innocent character into his revenge- Roderigo, Desdemona and Emilia. Iago is able to hurt Othello deeply because he understands Othello so well and as the ply progress on seem to grow even closer to Othello as his revenge progresses. He frequently refers to Othello as the 'Moor´ this statement show…
In Othello, Iago is a power thirsty, problematic man of deception. Iago admits to his knowledge of his trickery QUOTE. This proves that he is fully aware of what he is doing and he plans on using this to his advantage. Iago plants thoughts of doubt in Othello's mind repeatedly…
From the onset of Othello, the audience is unknowingly subject to Iago’s manipulative customs. Despite being a stereotypical Shakespearian antagonist, Iago is a complex, two faced, yet three dimensional, character. Despite being an eponymous play, suggesting Othello’s importance, his absence in light of Iago’s presence allows the audience to be influenced and therefore misled by Iago’s representation of Othello…
Although, yes, these reasons do give Iago enough motive to want to ruin Othello any rational person wouldn’t go as far as he did, and by applying Freudian psychology we can see that on a more profound level, Iago’s true motive is his overt love of evil. The stated motives of Iago are his attempts to rationalize his actions and are a…
The year 1968 is considered one of the most turbulent, and pivotal, twelve month periods in American history. This single year was a flashpoint for many of the social, political, and cultural transformations for which the overall decade of the 1960s is known. During these years, the United States became entrenched in an unpopular war in Vietnam abroad, while unrest, experimentation, violence, and outspokenness raged throughout the nation. The Civil Rights Movement gained momentum, sit-ins and riots became commonplace, leaders were assassinated on a seemingly regular basis, and social experimentation and psychedelic music became the rage in San Francisco and elsewhere.…
In Shakespeare’s Othello, Iago is the most notorious villain. It is clear that Iago feels that other people’s lives that surround him are insignificant. He will use people as pawns signifying that he feels life is simply a game. Iago is very deceitful; he is capable of manipulating anyone who fits into his master plan. Considering Iago is such a phenomenal mastermind he can easily be compared to a director of a play this is because he finds any way possible to get exactly what he wants. Iago’s capacity for cruelty seems limitless. Although Iago never reveals his motives for manipulating and destroying the lives of people he appears to care about, he demonstrates acts of hidden insecurities, deep resentment towards people, and feelings which influences him to desire to ruin their lives.…
According to the play Othello, Iago is a bright villain who deceives every single person he encounters. He has no sense of humanity, and he is skillful and eloquent enough to confuse everyone he knows. Being jealous of Michael Cassio, a lieutenant, Iago plans to wickedly destroy Cassio’s life because he wants to take Cassio’s position. He lies to Roderigo, a gullible nobleman, to get help with his plot and to get the money he needs. Iago is also very jealous that Othello could care for anyone more than him – either Cassio or Desdemona. Therefore, he is not only jealous of Cassio but he is also jealous of Desdemona. He wants to be the only person that Othello trusts and depends. To obtain his goal of winning Othello’s favor and the position of his lieutenant, he gets attention by lying about Desdemona to start chaos. With his fame for having an honest and trustful character, no one would think he possessed this corrupted moral behavior. He is confident that he can ruin all who stand in his way, and he plays on the weakness of everyone. He pretends to be honest to ensure his plan’s success as he says “I am not what I am” (1.1.67). However, he cannot play with people and their emotions and expect to succeed in deceiving all of them because he is human and therefore, not invincible. The fact that he believes that he is invincible is why his plan becomes flawed.…
In this play there is no time wasted introducing the real characteristics of Iago. We see his self-serving anger issues from the beginning. Iago is quick to mention his hatred for Othello (1.3.365). Iago’s ego has been hurt by Othello claiming Cassio as his lieutenant and passing up Iago. Iago feels that he has way more experience in battle than Cassio and just pretends to serve Othello until he can get his revenge (1.1.10-40). Iago mentions later that Othello slept with his wife, Emilia: “And it is thought abroad that twixt my sheets he’s done my office” (1.3.366-367). Roderigo is the first person to fall to his deceitful ways. Iago’s craftiness get Rodergio to trust him with his with his money; Rodergio says, “That thou, Iago, who hast had my purse as if the strings were mine…”. Iago states, “Put money in thy purse” (1.3.328) so that he might be able to win Desdemona’s love with gifts Iago will buy her. But the dishonest plan is here because he plans on keeping that money for himself.…
Iago’s hatred for Othello goes above and beyond, the hatred consumes him the peculiar part of this play are Iago’s motives are not as significant as the results of his manipulation. In once scene of the play, Iago exposes his true self to Rodrigo and the readers as a dangerous and evil individual who will do everything he can do to achieve his “peculiar end”(I.i.62). Iago is more than determined and willing to destroy Othello. It requires motivation that is more captivating than just being denied a military advancement. Racial attitudes in conversation and references lie in the deeper and more captivating…
Othello could never return to the bestial state because he never loses his sense of honor. His murder of Desdemona is an act of misguided justice. Yet Iago’s part in the murder is more fitting of a beast. Othello murders with a reason; Iago murders without a reason. Initially, Iago is seemingly a man who wants revenge for being passed over for the position as Othello’s lieutenant. He cannot understand why Cassio "That never set a squadron in the field, / Nor the division of a battle knows" (1.1.22-23) was chosen over him "of whom his eyes had seen the proof / At Rhodes, at Cyprus, and on other grounds" (1.1.27-28). He tells Roderigo that he is only following Othello "to serve my turn upon him" (1.1.42). This scene leads to the belief that Iago wants revenge on Othello for making Cassio his lieutenant and him only the ancient. Yet as the play progresses, his motives become less clear. Throughout the subsequent acts, Iago behaves increasingly more like a beast. He says that “I do suspect the lusty Moor / Hath leap 'd into my seat: the thought whereof / Doth, like a poisonous mineral, gnaw my inwards; / And nothing can or shall content my soul / Till I am even 'd with him, wife for wife.” Iago’s bestiality is evident, as the only outcome that will satisfy Iago is the immoral “wife for wife”, which resembles the barbaric law of retaliation known as “eye for an eye”. He loses his ability (if he ever had it) to think and act justly. He becomes obsessed with destroying Othello’s life. He says, "I do hate him as I do hell pains" (1.1.155). Yet, unlike most humans, Iago has no reason for his hate. His hatred of Othello is beast-like, stemming not from rational thought but from animal…
In William Shakespeare’s Othello, the characters’ personalities and motivations influence the plot heavily. Iago is driven by his jealousy of Cassio and his desire to exact revenge on Othello. Othello’s trusting nature leads to his undoing in the play. Iago takes advantage of how he’s seen in the eyes of those around him to carry out his plans. Although Othello is the protagonist of the play and Iago is the antagonist, the two characters are not the ultimate portrayals of good and evil. Othello is not a war between good and evil, but instead a demonstration on how destructive jealousy and gullibleness can be.…