Bronte demonstrates her stance on feminism by creating characters that defy the stereotypical ideal woman during the Victorian era. Jane’s characterization opposed many desired virtues of the Victorian era because the ideal woman at the time was docile and selflessly devoted to her family as demonstrated in Patmore’s poem which reads, “ Man must be pleased, but him to please/ Is woman’s pleasure.” (Document E) As opposed to the character of Jane Eyre portrayed as a strong, stubborn woman who isn’t afraid to speak her mind and has control of her own choices. Since she has no familial male figures present in her life, Jane has the opportunity to make autonomous decisions on what she wants, contradicting the standard rule of male ownership of…
This excerpt from Jane Eyre reveals Jane’s character in contrast to her cousins Georgiana and John Reed. While her cousins were spoiled and went unpunished, Jane was considered a pain no matter what she did. After John throws a book at her, Jane has a violent outbreak, which Mrs. Reed determines to be her sole responsibility and sends her to the red room to be punished. Brontë establishes these characters early on in the novel with parallelism and imagery; this preliminary characterization is seen later in the character’s actions and their growth.…
Charlotte Bronte’s Jane Eyre tells the story of Jane’s growth and development as she searches for a meaningful existence in society. Author Faith McKay said, “No matter what your family happens to be like…it affects who you are. It matters.” Jane is an orphan, forced to battle a cruel guardian, a patriarchal society, and a rigid social order. (Anderson, “Identity and Independence in Jane Eyre”) Jane has concrete beliefs in what women deserve, as well as obtainable goals for how she imagines her place in society as a woman (Lewkowicz, “The Experience of Womanhood in Jane Eyre”) and with self-growth, Jane Eyre was able to define herself as well as equip herself with wisdom and…
Charlotte Brontë’s novel, Jane Eyre was produced in the Victorian era, when social elitism was in its prime and there was great segregation between the upper and lower estates. The former was composed of the clergy and nobility and was defined by wealth, privileges and lavish lifestyles. The middle class, conversely, were the most frustrated by the exclusiveness of the upper estate. Possessing skill, intelligence and assertiveness, they believed that rank and power should derive from talent and merit, rather than from noble birth. Through the demonisation and infliction of a tragic downfall upon “Master Reed”, Brontë condemns the life of pleasure and honour, the lifelong inactivity so heavily indulged by those born into the aristocracy. By characterising Mr Brocklehurst as excessively and hypocritically pious, Brontë highlights the upper clergyman’s propensity to masquerade as a great nobleman, rather than to exercise the competence and benevolence integral to his role. Finally, Brontë implements a love of “servitude” and disdain for a “still … doom”, as well as the ambiguous social position of a governess in her protagonist, Jane Eyre, rendering her an agent for the middle class’ philosophy on worthiness of privilege. Ultimately, Brontë’s Jane Eyre calls for the reformation of the Victorian social structure as the extremities involved in social elitism ignore the inherent needs of man.…
While reading this book, the reader may pity Jane. Charlotte Bronte creates a consistent thread until the end of the book. Jane struggles with the same problem throughout the work, which is betrayal. She deals with it a place that was supposed to be her home, school and the work place.…
The novel Jane Eyre is a story about a stoic woman who fights her entire life through many trials and tribulations until she finds true love and achieves an almost nirvana-like state of being. The manner, in which Charlotte Bronte writes, her tone and diction especially, lends its self to the many purposes of the novel. The diction of Bronte usually had characteristics of gothic culture and showed the usually negative and angry inner thoughts of Jane. The tone of the novel was there sympathetic towards Jane and displayed her as an intelligent and kind person who has been given a terrible lot in life. This allows the audience to feel connected with Jane because most people have gone through times in their life where they have felt similar emotions to that of Jane. This common thread between Jane and the audience allowed Bronte to better explain the internal struggles of Jane Eyre.…
Jane Eyre is an outstanding and meaningful novel which was written by Charlotte Bronte who didn’t have a fascinating appearance, a perfect figure and a glorious family and who had the similar fate with the heroine of the novel. The essay is focused on the first chapter, life at Gateshead, in which it tells us the little Jane Eyre’s miserable and menial life at Gateshead and that her cousins and Mrs. Reed treat her badly. In this chapter, the author intends to show us Jane Eyre’s resistance toward their torture and scolds. In order to demonstrate the motif, the author uses some gothic characters and depicts evil images of persons who bully Jane Eyre.…
“Jane Eyre” was written in 1847 by Charlotte Brontë. The novel follows Jane Eyre from her childhood as the family scapegoat, through her schooling at a poorly managed charity school, and later when she becomes a governess and falls in love with her employer, Mr. Rochester. Jane’s journey is in search of the love and acceptance of others, she goes through many trials before reaching her goal. The theme that Brontë creates using the archetype of the journey is: In times of hardship you must persevere and not lose sight of yourself and your morals while striving to find happiness. This is one of the most important messages that she is sending to her readers through Jane Eyre. She does this by giving multiple examples of Jane’s strength.…
Gothic novels were around from 1764 until about 1820 the gothic novels were said to have started with the castle of otranto by Horace warpole in 1764. Some features that can define a gothic novel are things such as terror, mystery, the supernatural, doom, death, decay, haunted buildings, ghost's, madness, hereditary problems and so on. Jane Eyre is not a gothic novel but it seems to have elements which are like that of a gothic novel.…
Jane Eyre, a Gothic novel by Charlotte Bronte, tells a story of a beauty and a beast. Jane Eyre grows up an orphaned girl in Victorian England who does not know love in her cruel aunt's household; after a few years her aunt sends her to a school where they abuse Jane further. After spending eight years as a student of Lowood and two as a teacher, she takes a nanny position where she meets Mr. Rochester, and sparks begin to fly. Bronte divides Jane's story into three significant sections, which have a different effect on Jane's life as seen at Gateshead, Lowood, and Thornfield .…
In each place that Jane resides throughout her life, Bronte created an environment in which Jane felt misplaced in the social hierarchy. At Gateshead, Mrs. Reed and her children continually bully Jane into believing that she is not worthy of notice. Facing a similar situation at Lowood, Jane is made out to be an outsider as Mr.Brocklehurst attempts to turn Jane’s pupils against her. Lastly, at Thornfield, Jane faces a different sense of isolation in which she has more class than the servants, but less class than the Ingram party. Bronte’s use of this motif sheds light on the life of women living in the nineteenth century and their struggle to find a place in…
Today, Charlotte Brontë’s masterpiece Jane Eyre continues to sell even 150 years after its release and has been mimicked ever since. What makes Jane Eyre so captivating to a modern audience is the plainness of the eponymous main character, a trait that is not found in many classic novels. It seems as though readers always turn to Jane Eyre when they feel the way she does throughout the majority of the novel; depressed and useless. Charlotte Brontë’s excellent use of character development amazingly turns a rather bleak story into an optimistic one of triumph and love. Charlotte Brontë uses her abilities as a writer to manipulate Jane’s voice throughout the novel by creating parallels between herself and Jane as a narrator by simulating the development of her character through her own description of events in Jane’s life, and as Jane recalls specific events from her childhood leading up to her marriage to Mr. Rochester she includes with beautiful detail the emotions she felt at every important moment, encapsulating the development of her character from her lonesome days at Gateshead to her wicked but motivating years at Lowood Institution and ending with the memories of her life in Thornfield…
Bronte's Jane Eyre is about love: a strong affection for or devotion to a person or persons (Webster 1070). For instance a dog will at first fall in love with you, and then it will hate you and again fall in love and live happily ever after. Love is a process and you must go through all the steps of this process in order to reach your ultimate goal of happiness. Love is something that we all must endure and desire. For some of us this can even be more of a challenge and perfection may never seem in reach.…
Set in the nineteenth century, Jane Eyre describes a woman’s continuous journey through life in search of acceptance and inner peace. Each of the physical journeys made by the main character, Jane Eyre, have a significant effect on her emotions and cause her to grow and change into the woman she ultimately becomes. Her experiences at Lowood School, Thornfield Hall, Moor house, and Ferndean ingeniously correspond with each stage of Jane’s inner quest and development from an immature child to an intelligent and sophisticated woman…
Through the novel, Jane Eyre grows up, moving from a radical stage to "a more pragmatic consciousness" (Mickelsen 418). Psychological maturation is a typical trait of Bildungsroman genre. At the beginning, Jane uses the knowledge she learns from the books to defend herself when she is angry: "'you are like a murderer - you are like a slave-driver - you are like the Roman emperors!'" (Brontë 8). Her angry and chaotic emotions have built up since she lost her parents and was adopted unwillingly by Mrs. Reed. Jane cannot find her place in this family. Her anger and desperation becomes more intense each time Mrs. Reed's family treats her not as a family member but more like a servant. Jane's burst of emotions against her cousin, John, resulted in her being locked ino the red-room and…